Julian Hoeber
Curtain Wall Fragment - Colored Anomaly 01
May 13June 25, 2016
Installation view
July 14July 18, 2015
Installation view
June 6July 13, 2013
Installation View
February 5March 12, 2011
Installation View
October 3November 14, 2009
Installation View
All That is Solid Melts into Air
September 6October 18, 2008
Installation View
i wasn't joking. you were joking. i was serious.
January 29February 26, 2005
Installation View
Killing Friends
May 23June 29, 2002

JULIAN HOEBER
 
Born in Philadelphia, Pennsylvania, 1974
 
Education                  
MFA, Art Center College of Design, Pasadena, CA
BFA, School of the Museum of Fine Arts, Boston, MA
BA, Tufts University, Medford, MA
Karel de Grote Hogeschool, Antwerp, Belgium
                                   
Lives and works in Los Angeles, CA
 
 
One-Person Exhibitions

2016
Blum & Poe, Los Angeles, CA                

2015
The Inward Turn, Jessica Silverman Gallery, San Francisco, CA

2014
Praz-Delavallade, Paris, France
Inners
, Fused Space, San Francisco, CA

2013                 
Blum & Poe, Los Angeles, CA
 
2012                 
Harris Lieberman, New York, NY
Praz-Delavallade, Paris, France
 
2011                 
Silverman Gallery, San Francisco, CA
Blum & Poe, Los Angeles, CA
 
2010                 
Hammer Projects: Julian Hoeber, Hammer Museum, Los Angeles, CA
 
2009                                   
Praz-Delavallade, Paris, France
 
2008                                   
All that is solid melts into air, Blum & Poe, Los Angeles, CA
 
2007                                   
Galleria Francesca Kaufmann, Milan, Italy
 
2005                                   
Talkers are No Good Doers, Blum & Poe, Los Angeles, CA
 
2003                                   
Essor Gallery, London, UK
 
2002                                   
Killing Friends, Blum & Poe, Santa Monica, CA
 
 
Group Exhibitions

2016
Gold Rush, de Saisset Museum, Santa Clara, CA
Takashi Murakami’s Superflat Collection: From Shōhaku and Rosanjin to Anselm Kiefer, Yokohama Museum of Art, Japan
Expanded Fields, Nymphius Projekte, Berlin
Design & Crime, Galerie Eric Hussenot, Paris

2015
Picture the Cricket's Legs Apart, Kavi Gupta Gallery, Chicago, IL
Three Day Weekend: Business in Front b/w Blue White Red, Blum & Poe, Los Angeles, CA

2014
Please Enter, Franklin Parrasch Gallery, New York, NY
(Dec)curation, R & Company, New York, NY
Forms of Abstraction: American Abstraction from the 1950s to Today
, Simon C. Dickinson, London, UK
Julian Hoeber and André Kertész, Zach Feuer, New York, NY
Unsparing Quality, Diane Rosenstein Fine Art, Los Angeles, CA
Post-op: Perceptual Gone Painterly, 1958-2014, Galerie Perrotin, Paris, France

2013
Painting in Place, Los Angeles Nomadic Division (LAND), Los Angeles, CA            
Educational Complex Edit: Videos from the Students of Mike Kelley, Art Gallery, University of West Florida, Pensacola, FL
Beyond the Object, Brand New Gallery, Milan, Italy
                                   
2012                 
Your History is Our History, Praz-Delavallade, Paris, France
Across the Pacific: Young Artists from L.A., 313 Art Project, Seoul, Korea
Surface in Volume, Luce Gallery, Turin, Italy
The Paranoia of Time, Carter & Citizen, Los Angeles, CA
 
2011                 
American Exuberance, Rubell Family Collection/Contemporary Arts Foundation, Miami, FL
Fun House, Western Bridge, Seattle, WA
2/3 D Abstraction, Bodson-Emelincks Gallery, Brussels, Belgium
Adult Contemporary: Family Romance, Kavi Gupta, Berlin, Germany

2010                                   
Valentin Carron, Philippe Decrauzat, Thomas Fougeirol, Julian Hoeber, Praz-Delavallade, Paris
 
2009                                   
Drawings, Praz-Delavallade, Paris
Inaugural Group Exhibition, Blum & Poe, Los Angeles, CA
 
2008                                   
Delusionarium 4, Circus Gallery, Los Angeles, CA
A Lower World: Excesses and Extremes in Film and Video, Pixel Gallery, Toronto, Ontario, Canada (curated by Pleasure Dome Film and Video Programming Collective)
Los Angeles Confidential, Parc St. Leger Art Contemporain, Pougues Les Eaux, France
Against the Grain, LACE, Los Angeles, CA
Murder Pretended, Casa Vecina, Mexico City, Mexico
Constellation, Kavi Gupta, Chicago, IL
 
2007                                          
Panic Room - Works from The Dakis Joannou Collection, Deste Foundation Centre For Contemporary Art, Athens, Greece
Today Art Museum, Beijing, China
Trudi: No Jerks, Rental Gallery, NY
 
2006                                   
A Selected State, Emily Tsingou Gallery, London
Dark Places, Santa Monica Museum of Art, Santa Monica, CA
JSA (Jim Shaw’s Army), Rental Gallery, Los Angeles, CA
many, many guys and girls, all real beauties, Circus of Books Gallery, Santa Monica, CA (curated by Julian Hoeber)
The Wonder and Horror of the Human Head, 4F, Los Angeles, CA
 
2004                                   
Very Early Pictures, Luckman Gallery, California State University, Los Angeles,
CA, 21 May – 24 July; Arcadia University Art Gallery, Philadelphia, PA
2004: Planet B: The Aesthetics of the B-Movie, Palais Thurn & Taxis and Magazin4, Bregenz, Austria
Zaishoku kenbi = Art & Money, Base Gallery, Tokyo, Japan
 
2003                                   
Inaugural Group Show, Blum & Poe, Los Angeles, CA
Premiere, A Gavlak Projects Production, New York, NY
I See a Darkness, Blum & Poe, Santa Monica, CA
 
2002                                   
Morbid Curiosity II, I-20, New York, NY
 
2001                                   
Morbid Curiosity, Los Angeles, CA
 
2000                 
Vivisection Diaries/Playing Dead and Other Work (with Jacqueline Cooper), jennjoygallery, San Francisco, CA
Blood & Fog, with Tom Allen at ACCD Graduate Studios, Pasadena, CA
 
1999                                   
Face to Face, The Stage Gallery, Merrick, NY
 
1998                                    
Intro
, jennjoygallery, San Francisco, CA

Film and Video Screenings 

2012                  
Loops, FELTspace, Adelaida, Australia

2010                  
Adult Contemporary - Dirty Black Summer, Kavi Gupta, Berlin, Germany (Screening: Killing Friends)

2005                  
New York International Independent Video and Film Festival, Laemmle Fairfax, Los Angeles, CA (Screening: Talkers are No Good Doers)

 
Curatorial Projects

2013                 
No Bingo for Felons, Arcadia University Art Gallery, Glenside, PA. Curated by Julian Hoeber and Alix Lambert.

2012
No Person May Carry A Fish Into A Bar, Blum & Poe, Los Angeles, CA. Curated by Julian Hoeber and Alix Lambert.
 
2006                                   
many, many guys and girls, all real beauties, Circus of Books Gallery, Santa Monica, CA

 

 

BIBLIOGRAPHY

Catalogues

2014
Karapetian, Farrah. Unsparing Quality. Los Angeles: Diane Rosenstein Fine Art, 2014.
Poirier, Matthieu. Post-Op: Perceptual Gone Painterly. Paris: Galerie Perrotin, 2014.
Roselione-Valadez, Juan, ed. Rubell Family Collection: Highlights and Artists' Writings, Volume 1. Miami: Rubell Family Collection/Contemporary Arts Foundation, 2014.

2013
Julian Hoeber. Texts by Douglas Fogle and Jonathan Lethem. Los Angeles: Blum & Poe, 2013.

2012
Across the Pacific: Young Artists from LA. Seoul: 313 Art Project, 2012.

2011
Roselione-Valadez, Juan, ed. American Exuberance. Miami: Rubell Family Collection, 2011.

2010
Rosenberg, David. Art of Flying: Les nouveaux horizons de l'art. New York; Paris: Assouline, 2010.

2009
Rattemeyer, Christian. The Judith Rothschild Foundation Catalogue Raisonné. New York: Museum of Modern Art, 2009.

2008
Against the Grain. Los Angeles: LACE (Los Angeles Contemporary Editions), 2008.

2007     
Grayson, Kathy, ed. Panic Room: Selections from the Dakis Joannou Works on Paper Collection. New York: Deitch Projects; Athens, Greece: Deste Foundation for Contemporary Art, 2007.

2005
Kraus, Chris, ed. LA Artland. London: Black Dog Publishing, 2005.

2004     
Zaishoku kenbi = Art & Money. Tokyo: Base Gallery, 2004.

2001
Tumlir, Jan, ed. Morbid Curiosity: An Exhibition. New York: I-20 Gallery, [2001].

 

Articles and Reviews

2016
Akel, Joseph. Review of Julian Hoeber. Jessica Silverman Gallery, San Francisco. Modern Painters (March 2016): 107.

2015     
“Artist Michelle Grabner's Picks From EXPO Chicago 2015.” Artspace.com, September 14, 2015.
Chun, Kimberly. "L.A. Artist Chews on Interesting Theme in S.F. Gallery Showing." SFGate, December 8, 2015.
“Contemporary Art Daily Founder Forrest Nash’s Picks From EXPO Chicago 2015.” Artspace.com, September 14, 2015.
Hoeber, Julian. “The Fan Club: Why Enthusiasm, Not Scholarship, Motivates Artists.” Frieze, no. 174 (October 2015): 202-208.
Lutz, Leora. "A Scholar's Airport as the Body's Proxy: Julian Hoeber's 'The Inward Turn.' " SFAQ, November 24, 2015.
Indrisek, Scott. “Art, Lovers: Romantic Teamwork in Bushwick’s 'Swingers WKND.'” BlouinArtInfo.com, June 4, 2015.
“The Strange and Mysterious Case of Demon Hill: Julian Hoeber's Gravitational Anomaly.” Marky.com, May 21, 2015.
Sachs, Danica. "Critic's Picks: Julian Hoeber." Artforum, November 27, 2015.
Simmons, Amanda N. "Review: The Inward Turn." Art Practical, December 1, 2015.

2014   
Fort, Thomas. "Post-Op: Du perceptuel au pictural, 1958-2014." 02, April 7, 2014.

2013     
Arnosky, Mischa. “No Bingo for Felons’ at Arcadia University’s Art Gallery.” Abington Patch, September 1, 2013. 
Biller, Steven. "Palm Springs & the High Desert: It's a Dry Heat." Art Ltd. (January-February 2013): 12-16, supplement.
Crimmins, Peter. "Scenes of the Crime Featured in 'No Bingo for Felons at Arcadia Gallery." Newsworks.org, September 3, 2013.
Difilippo, Dana. "Art Exhibition Showcases Links Between Art and Crime." Philly.com, August 30, 2013.
Drohojowska-Philp, Hunter. "Painting in Place." KCRW.com, June 13, 2013.
Joy, Jenn. “Julian Hoeber.” Bomblog, January 2, 2013.
Lethem, Jonathan. "The Subjective Fog: For Julian Hoeber." Paris Review, November 6, 2013.
Melrod, George. "LAND Founder Shamim M. Momin Is Making Waves with Her Rigorous and Innovative Approach to Public Art." ArtLtd, September-October 2013: 62-63.
Newhall, Edith. “Fanciful ‘Chopsticks’ That Celebrate Duality of Life.” Philadelphia Inquirer, October 13, 2013.
Newhouse, Sam. "Crimes and Misdemeanors - No Bingo for Felons at Arcadia University." TheArtBlog.org, October 13, 2016.
Wagley, Catherine. “When Art Meets Therapy.” L.A. Weekly, July 18, 2013.

2012     
Black, Ezrha. “Julian Hoeber at Carter & Citizen and Blum & Poe.” Artillery 6, no. 6 (Summer 2012): 18-19.
Howe, Holly. “Holly Howe’s Top Five from ArtHK 2012.” Fadwebsite.com, May 18, 2012.
Lehrer-Graiwer, Sarah, and Jeff Hassay. “Ball of Confusion.” Artforum.com, February 5, 2012.
McGarry, Kevin. “Out There: Mystery Theater.” New York Times Style Magazine, February 1, 2012.
Melrod, George. "LAND Founder Shamim M. Momin Is Making Waves with Her Rigorous and Innovative Approach to Public Art." ArtLtd, September-October 2013: 62-63.
Moshayedi, Aram. “No Person May Carry a Fish into a Bar.” Artforum.com, August 13, 2012.
Myers, Holly. "'Crime Gets Creative." Los Angeles Times, August 3, 2012.
Palmerton, Elwyn. “Julian Hoeber: Harris Lieberman Gallery.” Frieze, no. 151 (November-December 2012): 171.
Shaw, Michael. "Julian Hoeber: Vigorous and Rigorous, Demon Hill & de Menil." Theconversationartistpodcast.podomatic.com, May 25, 2012.

2011     
Foss, Paul. “Julian Hoeber: Hammer Museum.” Art in America 99, no. 4 (April 2011): 131.
Knight, Christopher. “Abstraction Rooted in Reality.” Los Angeles Times, February 18, 2011.
Poundstone, William. “Mystery Spot: Julian Hoeber's "Demon Hill.” Artinfo.com, February 8, 2011.
Powers, Jessica. “Lost in the Funhouse.” Artslant.com, July 12, 2011.
Schad, Ed. “Julian Hoeber.” Art Review, no. 50 (May 2011): 126.
Taft, Catherine. “Julian Hoeber: Blum & Poe.” Artforum 49, no. 8 (April 2011): 224.
Trachta, Ali. “Get Hammered.” LA Weekly, January 27, 2011.
Upchurch, Michael. “’Funhouse’ at Western Bridge is Off-Kilter Art.” Seattle Times, June 24, 2011.
Wagley, Catherine. “Mystery Spot.” DailyServing.com, December 17, 2010.

2010     
Berardini, Andrew. “Julian Hoeber: Hammer Museum.” Artforum.com, December 1, 2010.
Sante, Luc. Julian Hoeber. Los Angeles: Hammer Museum, 2010.
Stacey, Allan. “Demon Hill.” Eastofborneo.org, December 16, 2010.
Taylor, Brittany. “Hammer Exhibit Confounds Gravity.” DailyBruin.com, November 5, 2010.

2009     
Fiduccia, Joanna. “Julian Hoeber Praz-Delavallade.” Artforum 47, no. 9 (May 2009): 249.
Smith, Sarah Neel. “Julian Hoeber: Blum & Poe.” Whitehot Magazine, January 2009.                       

2008     
Bedford, Christopher. “Against the Grain.” Frieze, no. 119 (November-December 2008): 201-02.
Berardini, Andrew. “Julian Hoeber: All That is Solid Melts into Air.” THE Magazine (November 2008): 51.
Berardini, Andrew. “Sketches: August 21, 2008,” LA City Beat, August 21, 2008.
Karapetian, Farrah. “Against the Grain.” Whitehot Magazine, September 2008.
Khadivi, Jesi. “Julian Hoeber: Blum & Poe.” Artweek 39, no. 9 (November 2008): 19-20.
Miles, Christopher. “Opening Week at L.A. Galleries: The Fall Art Season Begins.” LA Weekly, September 11, 2008.
Noe, Palola. “Julian Hoeber.” Flash Art (Italian ed.) 41, no. 267 (December 2007-January 2008): 119.
Ollman, Leah. “A Show’s Artists in a State of Unrest.” Los Angeles Times, August 8, 2008.
Pagel, David. “A Thoughtful Look at Casual Violence,” Los Angeles Times, September 26, 2008.
Taft, Catherine. “Julian Hoeber: All That Is Solid Melts into Air.” ArtReview no. 28 (December 2008): 123.
Tully, Judd. “Art Basel Sets Out at Orderly Sprint.” ArtInfo.com, June 3, 2008.
Vogel, Carol. “At Art Basel, Old Names And Few Showstoppers.” New York Times, June 5, 2008.
Wagley, Catherine. “Julian Hoeber.” DailyServing.com, September 4, 2008.

2006     
The Wonder and Horror of the Human Head.” Los Angeles Times, May 25, 2006.
Wilder, Matthew.  “JSA.” Arforum.com, January 13, 2006.

2005                     
Willis, Holly. “Review: Talkers Are No Good Doers.” LA Weekly, February 25-March 3, 2005.

2003                       
“Art: Julian Hoeber.” KultureFlash, March 25, 2003.
Dyer, Richard. “London.” Contemporary, no. 49 (2003): 18-19.
Falconer, Morgan. “Julian Hoeber: Essor Gallery.” What’s On in London, March 2003.
Herbert, Martin. “Preview.” Pluck (March-April 2003): 29.
Herbert, Martin. “Julian Hoeber.” Time Out (London), March 19-26, 2003.
LaBelle, Charles. “I See a Darkness.” Frieze, no. 76 (June-August 2003): 116.
Payne, Rosalyn. “Don’t Be Alarmed – It’s Only Art!” Southwark News, February 20, 2003.
Pinsent, Richard. “Julian Hoeber: Killing Friends.” Art Newspaper 9, no. 133 (February 2003): 16.
Schmitz, Edgar. “Julian Hoeber: Killing Friends.” Kunstforum International, no. 164 (March-May 2003): 373-74.
Zamet, Kate. “Julian Hoeber: Essor Gallery.” Flash Art 36, no. 229 (March-April 2003): 114

2002                       
Pagel, David. “Julian Hoeber's World: the Horror, the Humor,” Los Angeles Times, May 31, 2002.
Tumlir, Jan. “Morbid Curiosity: The Art School Curriculum and Modernism Unbound.” Artext, no. 76 (Fall 2002): 64-76.

2001     
Cooper, Jacqueline. “Shiny Happy People: Art and Special Effects.” New Art Examiner 28, no. 10 (July-August 2001): 68-75.
Weissman, Benjamin. “Notes Toward an Autobiography of Paul McCarthy.” X-Tra 4, no. 2 (August 2001): 22-29.

 

 

 

Publications by the Artist

2015
Hoeber, Julian. “The Fan Club: Why Enthusiasm, Not Scholarship, Motivates Artists.” Frieze, no. 174 (October 2015): 202-208.

2014
Hoeber, Julian. "Artists at Work: Jim Shaw." East of Borneo, April 30, 2014.

2013     
Hoeber, Julian. “You Will Be Remembered For the Worst Thing That Ever Happened to You.” Centerfold 3, no. 1 (June 2013): VII.

2005
Hoeber, Julian. Vice Magazine 12, no. 6, (2005): 37.

2004
Hoeber, Julian. “A Few Words on Killing Friends” in Planet B: The Aesthetics of B-Movies. Bregenz: Palais Thurn & Taxis, 2004, 73-77.
Hoeber, Julian. Vice Magazine 11, no. 6 (2004): 69.

 

 

Museums and Public Collections
                                   
Dallas Museum of Art, Dallas, TX
Hammer Museum, Los Angeles, CA
Museum of Contemporary Art, Los Angeles, CA
Museum of Modern Art, New York, NY
Nasher Sculpture Center, Dallas, TX
Rosenblum Collection & Friends, Paris, France
Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY
Western Bridge, Seattle, WA

“The Strange and Mysterious Case of Demon Hill: Julian Hoeber’s Gravitational Anomaly.” Marky.com, May 21, 2015.
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Lethem, Jonathan. "The Subjective Fog: For Julian Hoeber." Paris Review, November 6, 2013.
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Wagley, Catherine. "When Art Meets Therapy." L.A. Weekly, July 18, 2013.
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Joy, Jenn. "Julian Hoeber." Bomblog, January 2, 2013.
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Schad, Ed. “Julian Hoeber.” Art Review, no. 50 (May 2011): 126.
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Taft, Catherine. "Julian Hoeber: Blum & Poe," Artforum 49, no. 8 (April 2011): 224.
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Knight, Christopher. “Abstraction rooted in reality” Los Angeles Times, February 18, 2011: D14-D15.
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Sante, Luc. “Hammer Projects: Julian Hoeber,” Hammer Museum, Los Angeles, 2010.
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Taft, Catherine, “Julian Hoeber: All That is Solid Melts into Air” Artreview, December 2008, p. 123.
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Khadivi, Jesi. “Julian Hoeber: Blum & Poe." Artweek 39, no. 9 (November 2008): 19-20.
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Ollman, Leah. “A Show’s Artists in a State of Unrest.” Los Angeles Times, August 8, 2008.
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Zamet, Kate. "Julian Hoeber: Essor Gallery." Flash Art 36, no. 229 (March/April 2003): 114.
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Pagel, David. “Julian Hoeber's World: the Horror, the Humor,” Los Angeles Times, May 31, 2002: F31.
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