Julian Hoeber
Installation view
June 6July 13, 2013
Installation View
February 5March 12, 2011
Installation View
October 3November 14, 2009
Installation View
All That is Solid Melts into Air
September 6October 18, 2008
Installation View
i wasn't joking. you were joking. i was serious.
January 29February 26, 2005
Installation View
Killing Friends
May 23June 29, 2002

JULIAN HOEBER
 
Born:                                    
Philadelphia, Pennsylvania, 1974
 
Education:                 
Art Center College of Design, Pasadena, CA, M.F.A.
School of the Museum of Fine Arts, Boston, MA, B.F.A.
Tufts University, Medford, MA, B.A. in Art History
Karel de Grote Hogeschool, Antwerp, Belgium
                                   
Lives and works in Los Angeles, CA
 
 
One-Person Exhibitions                 
 
2014
Praz-Delavallade, Paris, France

2013                 
Blum & Poe, Los Angeles, CA
 
2012                 
Harris Lieberman, New York, NY
Praz-Delavallade, Paris, France
 
2011                 
Silverman Gallery, San Francisco, CA
Blum & Poe, Los Angeles, CA
 
2010                 
Hammer Projects: Julian Hoeber, Hammer Museum, Los Angeles, CA
 
2009                                   
Praz-Delavallade, Paris, France
 
2008                                   
All that is solid melts into air, Blum & Poe, Los Angeles, CA
 
2007                                   
Galleria Francesca Kaufmann, Milan, Italy
 
2005                                   
Talkers are No Good Doers, Blum & Poe, Los Angeles, CA
 
2003                                   
Essor Gallery, London, UK
 
2002                                   
Killing Friends, Blum & Poe, Santa Monica, CA
 
 
Group Exhibitions
 
2014
Forms of Abstraction: American Abstraction from the 1950s to Today
, Simon C. Dickinson, London, UK
Julian Hoeber and André Kertész, Zach Feuer, New York, NY
Unsparing Quality, Diane Rosenstein Fine Art, Los Angeles, CA
Post-op: Perceptual Gone Painterly, 1958-2014, Galerie Perrotin, Paris, France

2013
Painting in Place, Los Angeles Nomadic Division (LAND), Los Angeles, CA            
Educational Complex Edit: Videos from the Students of Mike Kelley, Art Gallery, University of West Florida, Pensacola, FL
Beyond the Object, Brand New Gallery, Milan, Italy
                                   
2012                 
Your History is Our History, Praz-Delavallade, Paris, France
Across the Pacific: Young Artists from L.A., 313 Art Project, Seoul, Korea
Surface in Volume, Luce Gallery, Turin, Italy
The Paranoia of Time, Carter & Citizen, Los Angeles, CA
 
2011                 
American Exuberance, Rubell Family Collection/Contemporary Arts Foundation, Miami, FL
Fun House, Western Bridge, Seattle, WA
2/3 D Abstraction, Bodson-Emelincks Gallery, Brussels, Belgium
Adult Contemporary: Family Romance, Kavi Gupta, Berlin, Germany

2010                                   
Valentin Carron, Philippe Decrauzat, Thomas Fougeirol, Julian Hoeber, Praz-Delavallade, Paris
 
2009                                   
Drawings, Praz-Delavallade, Paris
Inaugural Group Exhibition, Blum & Poe, Los Angeles, CA
 
2008                                   
Delusionarium 4, Circus Gallery, Los Angeles, CA
A Lower World: Excesses and Extremes in Film and Video, Pixel Gallery, Toronto, Ontario, Canada (curated by Pleasure Dome Film and Video Programming Collective)
Los Angeles Confidential, Parc St. Leger Art Contemporain, Pougues Les Eaux, France
Against the Grain, LACE, Los Angeles, CA
Murder Pretended, Casa Vecina, Mexico City, Mexico
Constellation, Kavi Gupta, Chicago, IL
 
2007                                          
Panic Room - Works from The Dakis Joannou Collection, Deste Foundation Centre For Contemporary Art, Athens, Greece
Today Art Museum, Beijing, China
Trudi: No Jerks, Rental Gallery, NY
 
2006                                   
A Selected State, Emily Tsingou Gallery, London
Dark Places, Santa Monica Museum of Art, Santa Monica, CA
JSA (Jim Shaw’s Army), Rental Gallery, Los Angeles, CA
many, many guys and girls, all real beauties, Circus of Books Gallery, Santa Monica, CA (curated by Julian Hoeber)
The Wonder and Horror of the Human Head, 4F, Los Angeles, CA
 
2004                                   
Very Early Pictures, Luckman Gallery, California State University, Los Angeles,
CA, 21 May – 24 July; Arcadia University Art Gallery, Philadelphia, PA
2004: Planet B: The Aesthetics of the B-Movie, Palais Thurn & Taxis and Magazin4, Bregenz, Austria
Zaishoku kenbi = Art & Money, Base Gallery, Tokyo, Japan
 
2003                                   
Inaugural Group Show, Blum & Poe, Los Angeles, CA
Premiere, A Gavlak Projects Production, New York, NY
I See a Darkness, Blum & Poe, Santa Monica, CA
 
2002                                   
Morbid Curiosity II, I-20, New York, NY
 
2001                                   
Morbid Curiosity, Los Angeles, CA
 
2000                 
Vivisection Diaries/Playing Dead and Other Work (with Jacqueline Cooper), jennjoygallery, San Francisco, CA
Blood & Fog, with Tom Allen at ACCD Graduate Studios, Pasadena, CA
 
1999                                   
Face to Face, The Stage Gallery, Merrick, NY
 
1998                                    
Intro
, jennjoygallery, San Francisco, CA
 

 
Screenings

 
2012                 
Loops, FELTspace, Adelaida, Australia
 
2010                 
Adult Contemporary - Dirty Black Summer, Kavi Gupta, Berlin, Germany (Screening: Killing Friends)
 
2005                 
New York International Independent Video and Film Festival, Laemmle Fairfax, Los Angeles, CA (Screening: Talkers are No Good Doers)
 
Curatorial Projects

2013                 
No Bingo for Felons, Arcadia University Art Gallery, Glenside, PA. Curated by Julian Hoeber and Alix Lambert.

2012
No Person May Carry A Fish Into A Bar, Blum & Poe, Los Angeles, CA. Curated by Julian Hoeber and Alix Lambert.
 
2006                                   
many, many guys and girls, all real beauties, Circus of Books Gallery, Santa Monica, CA
 
Bibliography
 
2014
Hoeber, Julian. "Artists at Work: Jim Shaw." Eastofborneo.org, April 30, 2014.Karapetian, Farrah. Unsparing Quality. Los Angeles: Diane Rosenstein Fine Art, 2014.
Karapetian, Farrah. Unsparing Quality. Los Angeles: Diane Rosenstein Fine Art, 2014.
Steverlynck, Sam. "The Crime Was Almost Perfect." ArtReview 66, no. 4 (May 2014): 118.

2013
Arnosky, Mischa. "No Bingo for Felons' at Arcadia University's Art Gallery." Abington Patch, September 1, 2013.         
Biller, Steven. "Palm Springs & the High Desert: It's a Dry Heat." Art Ltd. (January-February 2013): 12-16, supplement.
Crimmins, Peter. "Scenes of the Crime Featured in 'No Bingo for Felons at Arcadia Gallery." Newsworks.org, September 3, 2013.
Difilippo, Dana. "Art Exhibition Showcases Links Between Art and Crime." Philly.com, August 30, 2013.
Drohojowska,-Philp, Hunter. "Painting in Place." KCRW.com, June 13, 2013.
Joy, Jenn. “Julian Hoeber.” Bomblog, January 2, 2013.
Melrod, George. "LAND Founder Shamim M. Momin Is Making Waves with Her Rigorous and Innovative Approach to Public Art." ArtLtd, September-October 2013: 62-63.
Newhall, Edith. “Fanciful ‘Chopsticks’ That Celebrate Duality of Life.” Philadelphia Inquirer, October 13, 2013.
Newhouse, Sam. "Crimes and Misdemeanors - No Bingo for Felons at Arcadia University." Theartblog.org, October 16, 2013.
Wagley, Catherine. “When Art Meets Therapy.” L.A. Weekly, July 18, 2013.

2012                 
Black, Ezrha. “Julian Hoeber at Carter & Citizen and Blum & Poe.” Artillery 6, no. 6 (Summer 2012): 18-19.
Howe, Holly. “Holly Howe’s Top Five from ArtHK 2012.” Fadwebsite.com, May 18, 2012.
Lehrer-Graiwer, Sarah, and Jeff Hassay. “Ball of Confusion.” Artforum.com, February 5, 2012.
McGarry, Kevin. “Out There: Mystery Theater.” New York Times Style Magazine, February 1, 2012.
Moshayedi, Aram. “No Person May Carry a Fish into a Bar.” Artforum.com, August 13, 2012.
Myers, Holly. "'Crime Gets Creative." Los Angeles Times, August 3, 2012.
Palmerton, Elwyn. “Julian Hoeber: Harris Lieberman Gallery.” Frieze, no. 151 (November-December 2012): 171.
Shaw, Michael. "Julian Hoeber: Vigorous and Rigorous, Demon Hill & de Menil." Theconversationartistpodcast.podomatic.com, May 25, 2012.
 
2011                 
Foss, Paul. “Julian Hoeber: Hammer Museum.” Art in America 99, no. 4 (April 2011): 131.
Knight, Christopher. “Abstraction Rooted in Reality,” Los Angeles Times, February 18, 2011.
Poundstone, William. “Mystery Spot: Julian Hoeber's "Demon Hill.” Artinfo.com, February 8, 2011.
Powers, Jessica. “Lost in the Funhouse.” Artslant.com, July 12, 2011.
Roselione-Valadez, Juan, ed. American Exuberance. Miami: Rubell Family Collection, 2011.
Rosenberg, David. Art of Flying: Les Nouveaux Horizons de l’Art. Paris: Assouline, 2011.
Schad, Ed. “Julian Hoeber.” ArtReview, no. 50 (May 2011): 126.
Taft, Catherine. “Julian Hoeber: Blum & Poe.” Artforum 49, no. 8 (April 2011): 224.
Trachta, Ali. “Get Hammered.” LA Weekly, January 27, 2011.
Upchurch, Michael. “’Funhouse’ at Western Bridge is Off-Kilter Art.” Seattle Times, June 24, 2011.
 
2010                 
Wagley, Catherine. "Mystery Spot." DailyServing.com, December 17, 2010.
Berardini, Andrew. “Julian Hoeber: Hammer Museum.” Artforum.com, December 1, 2010.
Rosenberg, David. Art of Flying: Les nouveaux horizons de l'art. New York: Assouline, 2010.
Sante, Luc. Julian Hoeber. Los Angeles: Hammer Museum, 2010.
Stacey, Allan. “Demon Hill.” Eastofborneo.org, December 16, 2010.
Taylor, Brittany. “Hammer Exhibit Confounds Gravity.” DailyBruin.com, November 5, 2010.
 
2009                 
Fiduccia, Joanna. “Julian Hoeber Praz-Delavallade.” Artforum 47, no. 9 (May 2009): 249.
Rattemeyer, Christian. The Judith Rothschild Foundation Catalogue Raisonné. New York: Museum of Modern Art, 2009.
Smith, Sarah Neel. “Julian Hoeber: Blum & Poe.” Whitehot Magazine, January 2009.
                                   
2008                 
Bedford, Christopher. “Against the Grain.” Frieze, no. 119 (November-December 2008): 201-02.
Berardini, Andrew. “Julian Hoeber: All That is Solid Melts into Air.” THE Magazine (November 2008): 51.
Berardini, Andrew. “Sketches: August 21, 2008,” LA City Beat, August 21, 2008.
Karapetian, Farrah. “Against the Grain.” Whitehot Magazine, September 2008.
Khadivi, Jesi. “Julian Hoeber: Blum & Poe." Artweek 39, no. 9 (November 2008): 19-20.
Miles, Christopher. “Opening Week at L.A. Galleries: The Fall Art Season Begins.” LA Weekly, September 11, 2008.
Noe, Palola. “Julian Hoeber.” Flash Art (Italian ed.) 41, no. 267 (December 2007-January 2008): 119.
Ollman, Leah. “A Show’s Artists in a State of Unrest.” Los Angeles Times, August 8, 2008.
Pagel, David. “A Thoughtful Look at Casual Violence,” Los Angeles Times, September 26, 2008.
Taft, Catherine. “Julian Hoeber: All That Is Solid Melts into Air.” ArtReview no. 28 (December 2008): 123.
Tully, Judd. “Art Basel Sets Out at Orderly Sprint.” ArtInfo.com, June 3, 2008.
Vogel, Carol. “At Art Basel, Old Names And Few Showstoppers.” New York Times, June 5, 2008.
Wagley, Catherine. “Julian Hoeber." DailyServing.com, September 4, 2008.
 
2007                 
Grayson, Kathy, ed. Panic Room: Selections from the Dakis Joannou Works on Paper Collection. New York: Deitch Projects; Athens, Greece: Deste Foundation for Contemporary Art, 2007.
 
2006                 
The Wonder and Horror of the Human Head.” Los Angeles Times, May 25, 2006.
Wilder, Matthew. “JSA.” ArtForum.com, January 13, 2006.
 
2005                                         
Kraus, Chris, ed. LA Artland. London: Black Dog Publishing, 2005.
Willis, Holly. “Review: Talkers Are No Good Doers.” LA Weekly, February 25-March 3, 2005.
Hoeber, Julian. Vice Magazine 12, no. 6, (2005): 37.
 
2004                 
Hoeber, Julian. “A Few Words on Killing Friends” in Planet B: The Aesthetics of B-Movies. Bregenz: Palais Thurn & Taxis, 2004, 73-77.                 
Zaishoku kenbi = Art & Money. Tokyo: Base Gallery, 2004.
Hoeber, Julian. Vice Magazine 11 no. 6, (2004): 69.
 
2003                                   
“Art: Julian Hoeber.” KultureFlash, March 25, 2003.
Dyer, Richard. “London.” Contemporary, no. 49 (2003): 18-19.
Falconer, Morgan. “Julian Hoeber/Essor Gallery.” What’s On in London, March 2003.
Herbert, Martin. “Preview.” Pluck (March-April 2003): 29.
Herbert, Martin. “Julian Hoeber.” Time Out (London), March 19-26, 2003.
LaBelle, Charles. “I See a Darkness.” Frieze, no. 76 (June-August 2003): 116.
Payne, Rosalyn. “Don’t Be Alarmed – It’s Only Art!,” Southwark News, February 20, 2003.
Pinsent, Richard. “Julian Hoeber: Killing Friends.” Art Newspaper 9, no. 133 (February 2003): 16.
Schmitz, Edgar. “Julian Hoeber: Killing Friends.” Kunstforum International, no. 164 (March-May 2003): 373-74.
Zamet, Kate. “Julian Hoeber: Essor Gallery.” Flash Art 36, no. 229 (March-April 2003): 114
 
2002                                   
Pagel, David. “Julian Hoeber's World: the Horror, the Humor.” Los Angeles Times, May 31, 2002.
Tumlir, Jan. “Morbid Curiosity: The Art School Curriculum and Modernism Unbound.” Artext, no. 76 (Fall 2002): 64-76.
 
2001                 
Cooper, Jacqueline. “Shiny Happy People: Art and Special Effects.” New Art Examiner 28, no. 10 (July-August 2001): 68-75.
Weissman, Benjamin. “Notes Toward an Autobiography of Paul McCarthy.” X-Tra 4, no. 2 (August 2001): 22-29.
 
 
Public Collections
                                   
Hammer Museum, Los Angeles
Museum of Contemporary Art, Los Angeles
Museum of Modern Art, New York
Rosenblum Collection & Friends, Paris, France
Western Bridge, Seattle
 

Taft, Catherine. "Julian Hoeber: Blum & Poe," Artforum 49, no. 8 (April 2011): 224.
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Khadivi, Jesi, Julian Hoeber at Blum & Poe, Artweek, November 2008, p.19-20
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Ollman, Leah, A show’s artists in a state of unrest, The Los Angeles Times, August 8, 2008, p.E20
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Zamet, Kate. Julian Hoeber - Essor Gallery, Flash Art, March/April 2003, p. 114
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Pagel, David. “Julian Hoeber's World: the Horror, the Humor,” LA Times, May 31, 2002, p. F31
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