Sharon Lockhart
Podwórka
Podwórka
September 23October 29, 2011
Installation View
Lunch Break
November 21, 2009January 9, 2010
Installation View
October 3November 14, 2009
Sarah, Sarah, Mikey
Pine Flat Portrait Studio
May 27, 2005June 24, 2006
Installation View
September 4October 4, 2003
Installation View
October 10November 15, 2003
Interview Locations/Family Photographs
June 2June 30, 2001
Chronicle of Masonry Work in the Oaxacan Exhibit Hall, National Museum of Anthropology, Mexico City 1999
January 28March 4, 2000
"Shirley"
April 2April 24, 1999
Goshogaoka Girls Basketball Team
February 21March 28, 1998
March 2April 6, 1996

SHARON LOCKHART

Born
Norwood, MA, 1964

Education                  
Art Center College of Design, Pasadena, CA, M.F.A. 1993
San Francisco Art Institute, San Francisco, B.F.A. 1991

Lives and works in Los Angeles

One-Person Exhibitions

2013
Body Talk, Bonniers Konsthall, Stockholm, Sweden
Milena, Milena, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland traveled to Bonniers Konsthall, Stockholm, Sweden; Kunstmuseum Luzern, Luzern, Switzerland 

2012
Sharon Lockhart | Noa Eshkol
, Thyssen-Bornemisza Art Contemporary, Vienna, Austria
Sharon Lockhart | Noa Eshkol
, Jewish Museum, New York
Podwórka
, Extra City Kunsthal, Antwerp, Netherlands
Sharon Lockhart | Noa Eshkol
, Los Angeles County Museum of Art
Sharon Lockhart: Double Tide
, Espai d’Art Contemporani de Castelló, Spain

2011              
Sharon Lockhart | Noa Eshkol, Center for Contemporary Art, Tel Aviv
Sharon Lockhart | Noa Eshkol, Israel Museum, Jerusalem
Podwórka, Blum & Poe, Los Angeles
Sharon Lockhart, Gió Marconi, Milan
Lunch Break, San Francisco Museum of Modern Art
The Beginning of Time: Palaeological Finds from the Repolust Cave, Graz Archeology Museum, 2011-present (permanent installation) 

2010                 
Podwórka, The Power Plant, Toronto, Ontario, Canada
Podwórka, neugerriemschneider, Berlin, Germany
Lunch Break, Mildred Lane Kemper Art Museum, Saint Louis; Colby Art Museum, Waterville, ME
Sharon Lockhart: Double Tide, Jan Mot, Brussels, Belgium

2009                 
Lunch Break, neugerriemschneider, Berlin
Lunch Break, Blum & Poe, Los Angeles
Lunch Break, Gladstone Gallery, New York
Pine Flat Portrait Studio, Hammer Museum, Los Angeles

2008                  
Sharon Lockhart, Kunstverein, Hamburg
Lunch Break, Secession, Vienna

2006                  
Pine Flat, Arthur M. Sackler Museum, Harvard College, Cambridge, MA
Pine Flat, Walker Art Center, Minneapolis
Pine Flat Portrait Studio, Blum & Poe, Los Angeles
Pine Flat, Gladstone Gallery, New York
Pine Flat Portrait Studio, neugerriemschneider, Berlin
Pine Flat, Museo do Chiado, Lisbon

2005                 
Gió Marconi, Milan
Pine Flat, Sala Rekalde, Bilbao, Spain

2004                 
No-no Ikebana, neugerriemschneider, Berlin
The Fabric Workshop and Museum, Philadelphia
Tomio Koyama Gallery, Tokyo

2003                 
Barbara Gladstone Gallery, New York
Blum & Poe, Los Angeles

2001                 
Sharon Lockhart: Interview Locations/Family Photographs, Blum & Poe, Santa Monica
Sharon Lockhart, Museum of Contemporary Art, Chicago; Museum of Contemporary Art, San Diego
Sharon Lockhart: Museums and People, Henry Art Gallery, University of Washington, Seattle

2000                 
Barbara Gladstone Gallery, New York
Sharon Lockhart: Interview Locations/Family Photographs, Österreichisches Museum für angewandte Kunst, Galerie im MAK, Vienna
Teatro Amazonas, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands;
Kunsthalle Zürich, Swizerland; Kunstmuseum Wolfsburg, Germany
Teatro Amazonas, Wako Works of Art, Tokyo

1999                 
Maria da Conceição Pereira de Souza with the Fruits of the Island of Apeú-Salvador, Pará, Brazil, Galerie Mot & Van den Boogaard, Brussels 
neugerriemschneider, Berlin
Maria da Conceição Pereira de Souza with the Fruits of the Island of Apeú-Salvador, Pará, Brazil, Pitti Immagine Discovery, Florence
Sharon Lockhart, Galerie Mot & Van den Boogaard, Brussels

1998                 
Sharon Lockhart, Galerie Yvon Lambert, Paris
Goshogoaka Girls Basketball Team, Friedrich Petzel Gallery, New York
Goshogoaka Girls Basketball Team, Blum & Poe, Santa Monica; Wako Works of Art, Tokyo
Sharon Lockhart, The Kemper Museum of Contemporary Art and Design, Kansas City

1997                 
Pacific Film Archive, Berkeley Art Museum, Berkeley
S.L. Simpson Gallery, Toronto

1996                 
Blum & Poe, Santa Monica
Friedrich Petzel Gallery, New York
neugerriemschneider, Berlin

1995                 
Sharon Lockhart, Künstlerhaus Stuttgart, Stuttgart

1994                 
Auditions, neugerriemschneider, Berlin
Friedrich Petzel Gallery, New York

1993                 
Shaun, Art Center College of Design, Pasadena, CA


Group Exhibitions

2014
People's Biennial, Museum of Contemporary Art Detroit, Detroit, MI
Liverpool Biennial 2014: A Needle Walks into a Haystack, Liverpool, UK
Come as You Are: Art of the 1990s
Playtime, Städtische Galerie im Lenbachhaus, Munich, Germany
Artes Mundi 6, National Museum of Art, Cardiff, Wales, UK
In Context: The Portrait in Contemporary Conceptual Photography, Wellin Museum of Art, Hamilton College, Clinton, NY
Friendly Takeover: Artists Show Their Collection, MARTa Herford, Herford, Germany 

2013
Artists and Photographs, Gesso, Vienna, Austria
Body Talk, Bonniers Konsthall, Stockholm, Sweden
Beer Show, Green Gallery, Milwaukee, WI
El teatro del arte, Fundación la Caixa, Barcelona, Spain
Image Employment, MOMA PS1, New York, NY
Lens Drawings, Marian Goodman Gallery, Paris, France
Frm vs fnctn nd bck gn, neugerriemschneider, Berlin, Germany 
Arbeidstid, Henie-Onstad Kunstsenter, Høvikodden, Norway
The Whole Earth: California and the Disappearance of the Outside
, Haus der Kulturen der Welt, Berlin, Germany
The Society without Qualities
, Tensta Konsthall, Stockholm, Sweden

2012
More Real?: Art in the Age of Truthiness
, SITE Santa Fe, Sante Fe, NM; traveled to Minneapolis Institute of Arts, Minneapolis, MN
The Sports Show, Minneapolis Institute of Arts, Minneapolis
Affective Turns, Pepin Moore, Los Angeles (curated by Phil Chang)
Candor: In Honor of Mike Kelley, Long Beach City College Art Gallery, Long Beach, CA
Kadist: Pathways into a Collection, Minsheng Art Museum, Shanghai, China
Meeting Point
, Mount Tremper Arts, Mount Tremper, New York

2011                 
Museum of Desires, Museum Moderner Kunst, Vienna, Austria
More American Photographs, CCA Wattis Institute for Contemporary Arts, San Francisco; traveled to UCR ARTSblock, Riverside, CA
Measuring the World: Heretopias and Knowledge Spaces in Art, Universalmuseum Joanneum and Kunsthaus Graz
Durchsichtige Dinge, Kunstverein Freiburg, Freiburg, Germany
Work after Work, MAK Center for Art and Architecture, Los Angeles
Spirit and Space: Works from the Sandretto Re Rebaudengo Collection, Sala de Arte Santander, Madrid
After Images. Jewish Museum of Belgium, Brussels, Belgium

2010                                   
The Artist’s Museum, Museum of Contemporary Art, Los Angeles
Anonymes, Le Bal, Paris
Dance with Camera, Contemporary Arts Museum, Houston, TX
Move: Choreographing You, Hayward Gallery, London
Creative Capital, Museum of Modern Art, New York, NY (curated by Joshua Siegel)
Rewind: 1970s to 1990s Works from the MCA Collection, Museum of Contemporary Art, Chicago (curated by Julie Rodrigues Widholm)
H2O Works from Collezione Sandretto Re Rebaudengo. Palais Lumière, Evian, France
Lost and Found. neugerriemschneider, Berlin
Auto-Kino!, Temporäre Kunsthalle Berlin
Focus on Photography: Recent Acquisitions. Mildred Lane Kemper Art Museum, St. Louis, MO
By June 11 We Will Have Installed Some Works by Mario Garcia Torres and Sharon Lockhart That We Would Like to Share With You and Talk To You About. Jan Mot, Brussels, Belgium

2009                 
Dance With Camera, Institute of Contemporary Art, Philadelphia (curated by Jenelle Porter)
Anabasis: On Rituals of Homecoming, Ludwik Grohman Villa, Lodz, Poland (curated by Adam Budak)
Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles (curated by Bennett Simpson)
CREAM, International Festival for Arts and Media, Yokohama, Japan
Inaugural Exhibition, Blum & Poe, Los Angeles
Painting Real: Warhol Wool Newman / Screening Real: Conner Lockhart Warhol, Kunsthaus Graz, Austria (curated by Peter Pakesch)
Sharon Lockhart, Juliana Paciulli, Caecilia Tripp, Martos Gallery, New York (curated by Gregoire Maisonneuve)
Workers Leaving the Factory, Art Gallery of Windsor, Ontario
1999, China Art Objects, Los Angeles
Sites, Whitney Museum of American Art, New York
D’ailleurs I Won’t Play Other to Your Same, Université Rennes 2 Haute Bretagne, Rennes, France
Then the work takes place: On the Paradigm of the Conceptual in Contemporary Photography, Camera Austria, Graz, Austria
Group Show for Daniel Pink, Vega Estates, Chicago (curated by Lane Relyea)
Passing Thoughts and Making Plans, Jerwood Space, London (curated by Catherine Yass) 
The Four Photographer Collection: Laurie Simmons, Sharon Lockhart, Vibeke Tandberg, Jesnne Dunning. Tomio Koyama Gallery; TKG Editions, Kyoto
Underwater. Western Bridge, Seattle, WA

2008                 
Index: Conceptualism in California From the Permanent Collection, Museum of Contemporary Art, Los Angeles (curated by Phillip Kaiser)
Portraits From the Collection, Hammer Museum, Los Angeles
Role Models: Feminine Identity in Contemporary American Photography, National Museum of Women in the Arts, Washington, DC
Memory Is Your Image of Perfection, Museum of Contemporary Art, San Diego
Life on Mars: The 55th Carnegie International, Carnegie Museum of Art, Pittsburgh (curated by Douglas Fogle)
Living Flowers: Ikebana and Contemporary Art, Japanese American National Museum, Los Angeles (curated by Karen Higa)
Listen Darling… The World Is Yours, Ellipse Foundation Contemporary Art Collection, Museu dos Coches, Lisbon
Artists in Depth: Works From the MCA Collection, Museum of Contemporary Art, Chicago

2007                 
Depth of Field: Modern Photography From the Collection, Joyce and Robert Menschel Hall for Modern Photography, The Metropolitan Museum of Art, New York
Hammer Contemporary Collection—Part I, Hammer Museum, Los Angeles
International Incheon Women Artists’ Biennial, Incheon Multicultural & Arts Center, Incheon, Korea
Hiram, Galleria Antonio Ferrara, Reggio Emilia, Italy
Lights, Camera, Action: Artists’ Films for the Cinema, Whitney Museum of American Art, New York (curated by Chrissie Isles)
Volksgarten: Die Politik der Zugehörigkeit, Kunsthaus Graz am Landesmuseum Joanneum, Graz, Austria (curated by Adam Budak)
MOCA Benefit Auction, Museum of Contemporary Art, Los Angeles
Viewfinder, Henry Art Gallery, University of Washington, Seattle
SIX: alumni making fine art, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, CA

2006                 
All the Best: The Deutsche Bank Collection and Zaha Hadid, Singapore Art Museum, Glass Hall, Singapore
The Broad Art Foundation 2006 Installation, Santa Monica
Blind Date Seligenstadt: New Acquisitions of the Deutsche Bank Collection, Altes Haus, Seligenstadt, Germany
Touch My Shadow: New Media Works From the Goetz Collection, Centre for Contemporary Art—Ujazdowski Castle, Warsaw
Why Pictures Now: Photography, Film, Video Today, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
Work Zones: Three Decades of Contemporary Art From San Francisco Art Institute, San Francisco Art Institute, San Francisco
Zones of Contact: 2006 Biennale of Sydney, Centre for Photography, Sydney (curated by Charles Merewether)

2005                 
An Aside: Selected by Tacita Dean, Camden Arts Centre, London; The Fruitmarket
Gallery, Edinburgh; Glynn Vivian Art Gallery, Swansea, Wales
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy (curated by Francesco Bonami)
Collection Exhibition, Walker Art Center, Minneapolis
At Years End, Rethinking the Family of Man, De Appel Foundation, Amsterdam
En attente, Casino Luxembourg, Luxembourg
Frontiers: Collecting the Art of Our Time, Worcester Art Museum, Worcester, MA
Galerie Martine Aboucaya, Paris
Shadowland: An Exhibition As a Film, Walker Art Center, Minneapolis
Southern Exposure, Museum of Contemporary Art, San Diego
Universal Experience: Art, Life, and the Tourist’s Eye, Museum of Contemporary Art, Chicago (curated by Francesco Bonami)
Recent Acquisitions: A Selection: 2003–2004, The Metropolitan Museum of Art, New York

2004                 
Accrochage, Jan Mot, Brussels
De Werkelijkheid/The Reality, De Vleeshal, Middleberg, The Netherlands
Eye Spy: Photography From the Permanent Collection, Museum of Contemporary Art, San Diego
In Focus: Themes in Photography, Albright-Knox Gallery, Buffalo, NY
Los usos de la imagen: Fotografía, film y video en la Colección Jumex, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires
Lei—Donne nelle collezioni italiane, Fondazione Sandretto Re Rebaudengo, Turin, Italy
Made in Mexico, Institute of Contemporary Art, Boston; UCLA Hammer Museum, Los Angeles; Institute of Contemporary Art, Boston
Munch Revisited, Kunsthalle Dortmund, Dortmund, Germany
Readings, Tina Kim Fine Arts, New York
The Big Nothing, The Fabric Workshop and Museum, Philadelphia
Videodreams: Between the Cinematic and Theatrical, Kunsthaus Graz, Graz, Austria
Whitney Biennial Exhibition 2004, Whitney Museum of American Art, New York (curated by Chrissie Isles, Shamim Momin, and Debra Singer)

2003                 
Cine casi cine 2003, Museo Nacional Centro de Arte Reina Sofía, Madrid
Edén, La Colección Jumex, Mexico City
Faking Real, Neiman Gallery, Columbia University, New York
Fast Forward: Media Art / Sammlung Goetz, Center for Culture and Mediatechnology, Karlsruhe, Germany
Hecho en Mexico, Institute of Contemporary Art, Boston
Home and Away: Crossing Cultures on the Pacific Rim, Vancouver Art Gallery
Inaugural Exhibition, Blum & Poe, Los Angeles
Niños/Children, Centro de Arte de Salamanca, Salamanca, Spain
La Colección Jumex, Mexico City
Open the Curtain: Interplay Between Art and Dance, Kunsthalle Kiel, Germany
Portraiture, Karyn Lovegrove Gallery, Los Angeles
Site Specific, Museum of Contemporary Art, Chicago
Strange Days, Museum of Contemporary Art, Chicago
10e Biennale de l’image en mouvement, Centre pour l’image contemporaine, Saint-Gervais Genève, Switzerland

2002                 
Doug Aitken and Sharon Lockhart, Galerie Jan Mot, Brussels
ExIT, Fondazione Sandretto re Rebaudengo, Turin, Italy
Lateral Thinking: Art of the 1990s, Museum of Contemporary Art, San Diego
Life, Death, Love, Hate, Pleasure, Pain: Selected Work From the Museum of Contemporary Art, Chicago Collection, Museum of Contemporary Art, Chicago
Majestic Sprawl: Recent Los Angeles Photography, Pasadena Museum of California Art, Pasadena, CA
Mask or Mirror? A Play of Portraits, Worcester Art Museum, Worcester, MA
My Modern Summer, Galerie Paul Andriesse, Amsterdam
Edinburgh International Festival, Edinburgh
Parallels and Intersections, San Jose Museum of Art, San Jose, CA
Andere Räume, Kunstverein Hamburg, Hamburg
People See Paintings, Museum of Contemporary Art Chicago, Chicago (curated by Francesco Bonami)
Self-Portraits and Portraits, Wako Works of Art, Tokyo
Photographer, Collection Lambert, Avignon, France
9e Biennale de l’image en mouvement, Centre pour l’image contemporaine, Geneva, Switzerland
Staged: Contemporary Photography by Greg Crewdson, Rosemary Laing and Sharon Lockhart, Worcester Art Museum, Worcester, MA
Triennale der Photographie, Kunstverein Hamburg, Hamburg (curated by Andere Räume and Tadeusz Rolke)

2001                 
ABBILD: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria
André Cadere, Dora Garcia, Sharon Lockhart, Uri Tzaig, Galerie Jan Mot, Brussels
Bahnwärterhaus, Galerie im Heppächer, Esslingen, Denmark
Beyond Boundaries: Contemporary Photography in California, Ansel Adams Center for Photography, San Francisco
Contemporary Photography, Galerie Paul Andriesse, Amsterdam
Extra Art: A Survey of Artists' Ephemera 1960–1999, CCAC Institute, San Francisco (curated by Steven Leiber)
Feature, Art, Life & Cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand (curated by Greg Burke)
From Jasper Johns to Jeff Koons: Four Decades of Art From the Broad Collection, Los Angeles County Museum of Art, Los Angeles; Corcoran Gallery of Art, Washington, DC; Museum of Fine Arts, Boston; Guggenheim Museum, Bilbao, Spain
In Between: Art and Architecture, MAK Center for Art and Architecture, Los Angeles
L.A., Ileana Tounta Contemporary Art Center, Athens
Photography, Sommer Contemporary Art, Tel Aviv
Public Offerings, Museum of Contemporary Art, Los Angeles
Made in California: Art, Image, and Identity, 1999–2000, Los Angeles County Museum of Art, Los Angeles
Moving Pictures 5, International Foto-Triennale, Esslingen; Villa Merkel, Bahnwarterhaus, Galerie im Heppacher, Esslingen, Germany
Tell it like it is, Galerie Volker Diehl, Berlin
New Heimat, Kunstverein Frankfurt, Frankfurt
The Beauty of Intimacy, Gemeentemuseum, The Hague, The Netherlands
The Contemporary Face: From Pablo Picasso to Alex Katz, Deichtorhallen, Hamburg
The Lightness of Being Unbearable, Sommer Contemporary Art, Tel Aviv
The Overexcited Body, Velodromo Vigorelli, Milan
Sixth Biennal d'art contemporain de Lyon, Lyon, France
Strategies: Photography Since 1990 From the Sandretto Rebaudengo Collection, Kunst Museum, Bozen; Museum of Modern and Contemporary Art, Bolzano, Italy

2000                 
2000 Biennial Exhibition, Whitney Museum of American Art, New York
Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago
AutoWerke, Deichtorhallen Hamburg, Hamburg
Beyond Boundaries: Contemporary Photography in California, California State University, Long Beach; Santa Barbara Contemporary Arts Forum, Santa Barbara; Ansel Adams Center for Photography, San Francisco
Elysian Fields, Musée National d’Art Moderne Centre Georges Pompidou, Paris
Endgame, Biagotti Progetto Arte, Florence
Florence Finale di Partita, Chiostro di Ognissanti, Florence
Freeze, Espaço Cultural Sergio Port, Rio de Janeiro
Interventions, Milwaukee Art Museum, Milwaukee
Los Angeles, Spruth/Magers, Cologne
Quotidiana, Castello di Rivoli, Turin, Italy
Sharon Lockhart and Kelly Nipper, San Francisco Art Institute, San Francisco
Sharon Lockhart and James Welling, Blum & Poe, Santa Monica

1999                 
ArtLOVERS, Compton House, Liverpool
Cinema Cinema: Contemporary Art and the Cinematic Experience, Van Stedelijk Abbe Museum, Eindhoven (curated by Jaap Guldemund)
Los Angeles, Sabine Knust, Philomene Magers Projekte, Munich
Life Cycles, Galerie für Zeitgenossische Kunst Leipzig, Leipzig, Germany                 
Moving Images: Film Reflection in Art, Galerie für Zeitgenossische Kunst, Leipzig, Germany
Proliferation, Museum of Contemporary Art, Los Angeles (curated by Russell Ferguson)
Rodney Graham, On Kawara, Sharon Lockhart, Friedrich Petzel Gallery, New York
Sharon Lockhart/Daniel Marlos: Shirley, Blum & Poe, Santa Monica
Sharon Lockhart, George Porcari, China Art Objects Galleries, Los Angeles
1999 COLA Exhibition, Los Angeles Municipal Art Gallery, Los Angeles
Looking at Ourselves: Works by Women Artists From the Logan Collection, San Francisco Museum of Modern Art, San Francisco
So Faraway, So Close, Encore Bruxelles, Brussels; Museum of Modern Art, Oxford (curated by Michael Tarantino)
Spaced Out: Late 1990’s Works From the Vicki and Kent Logan Collection, California College of Arts and Crafts Institute, Oakland, CA
Visions: Les Rencontres Internationales de la Photographie, Arles, France

1998                 
Choreography for the Camera, Walker Art Center, Minneapolis (curated by Bruce Jenkins)
Mot & Van de Boogard, Brussels
L.A. Times: Art From Los Angeles in the Re Rebaudengo Sandretto Collection, Fondazione Sandretto Re Rebaudengo, Guarene, Italy
Studio Guenzani, Milan
Exterminating Angel, Galerie Ghislaine Hussenot, Paris (curated by Joshua Decter)
Tell Me a Story: Narration in Contemporary Painting and Photography, Le Magasin, Grenoble, France
Dad’s Art, neugerriemschneider, Berlin
Fast Forward Archives, Kunstverein in Hamburg, Hamburg
Scratches on the surface of things, Museum Boijmans Van Beuningen, Rotterdam, Netherlands
TransFiction i. Point Blank, Charim Klocker, Vienna
Un nouveau paysage human, Rencontres Internationales de la Photographie, Arles, France
Sightings: New Photographic Art, Institute of Contemporary Arts, London (curated by Tim Dawson)

1997                 
Stills: Emerging Photography in the 1990s, Walker Art Center, Minneapolis (curated by Douglas Fogle)
Heaven, PS1, Long Island City, NY
Hirsch Farm Project, Hirsch Foundation, Northbrook, IL
La stanza degli specchi: Arte e film dal 1945, Palazzo della Esposizione, Rome
Loco-Motion: Contemporary Art on the Border of Cinema, Venice (curated by Francesco Bonami)
Rotterdam 97 Festival, Museum Boijmans Van Beuningen Museum, Rotterdam, Netherlands
Longing and Memory, Los Angeles County Museum of Art, Los Angeles
Truce: Echoes of Art in an Age of Endless Conclusions, Site Santa Fe, Santa Fe (curated by Francesco Bonami)
Sharon Lockhart, Laura Owens, Frances Stark, Blum & Poe, Santa Monica
Celluloid Cave, Thread Waxing Space and the Maya Deren Theater at the Anthology Film Archive, New York
Scene of the Crime, Armand Hammer Museum of Art, Los Angeles (curated by Ralph Rugoff)
Contemporary Projects: Longing and Memory, Los Angeles County Museum of Art, Los Angeles (curated by Lynn Zelevansky)
1997 Biennial Exhibition, Whitney Museum of American Art, New York (curated by Lisa Phillips and Louise Neri)

1996                 
Sharon Lockhart, Stan Douglas, Hiroshi Sugimoto, Museum Boijmans Van Beuningen Museum, Rotterdam, The Netherlands
ARCUS, Interactive , Intercultural Residence in the Arts, Moriya, Ibaraki, Japan
The Lie of the Land, University Art Museum, University of California, Santa Barbara (curated by Elizabeth Brown)
TRUE. BLISS., LACE (Los Angeles Contemporary Exhibitions), Los Angeles
a/drift: Scenes From the Penetrable Culture, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY (curated by Joshua Decter)
Playpen & Corpus Delirium, Kunsthalle Zürich, Zurich (curated by Mendes Burgi and Bice Curiger)
Selections From the Nisenson Collection, Los Angeles County Museum of Art, Los Angeles (curated by Carol Eliel)
Affairs, Institut für Gegenwartskunst, Vienna (curated by Swetlana Heger and Plamen Dejanov)
Prospect 96: Photographie in der Gegenwartskunst, Frankfurter Kunstvereins, Frankfurt (curated by Peter Weiermair)
Hall of Mirrors: Art and Film Since 1945, Museum of Contemporary Art, Los Angeles (curated by Kerry Brougher)
persona, Renaissance Society, Chicago, Kunsthalle Basel, Switzerland
Still/A Novel, a documentary by Chris Dercon, Witte de With, Rotterdam, The Netherlands
Controfigura, Studio Guenzani, Milan
Studio 246, Marc Foxx, Santa Monica

1995                 
Maureen Paley/Interim Art, London
La belle et la bête, Musée d’Art Moderne de la Ville de Paris, Paris
Boijmans Van Beuningen Museum, Rotterdam, The Netherlands
filmcuts, neugerriemschneider, Berlin
Campo ’95, Venice; Fondazione Sandretto Re Rebaudengo per l’Arte, Turin; Guarene, Konstmuseet, Malmö, Sweden (curated by Francesco Bonami)
Galerie Paul Andriesse, Amsterdam (with Paul Graham)
Human/Nature, The New Museum of Contemporary Art, New York
Album: The Photographic Collection of Museum Boymans-van Beuningen, Museum Boymans Van Beuningen, Rotterdam, Netherlands
"...guaranteed personalities...", Galleri Roger Bjorkhomen, Stockholm
An Untitled Group Show, Friedrich Petzel Gallery, New York

1994                 
In the Field: Landscape in Recent Photography, Margo Leavin Gallery, Los Angeles
The Freed Weed, Richard Telles Fine Art, Los Angeles
Institute of Contemporary Art, Boston
Nor Here Neither There, LACE (Los Angeles Contemporary Exhibitions), Los Angeles

1993                 
Ba Ba Baby, The Knitting Factory, New York
Zuzueglich, Merz Academy, Stuttgart
PS1, Long Island City, NY

1992                 
Art Center College of Design, Pasadena, CA
Underthings, Bliss House, Pasadena, CA

Film Screenings

2014
Goshagaoka
Light Industry, August 26

2013
Lunch Break

Image Employment, MOMA PS1, New York, September 12, 13, 14

2012
Double Tide
Arsenal, Berlin, August 21
Redcat, Los Angeles, April 9
AV Festival 12: As Slow as Possible, Tyneside Cinema, Newcastle, UK, March 4

Khalil, Shaun, A Woman Under the Influence
Cork Film Centre, Cork, Ireland, September 22

Lunch Break
Galleries at Moore College of Art & Design, August 30
Les Ateliers de I’Image, Marseille, April 20

NO
San Francisco Museum of Modern Art, January 12

Pine Flat
GSARA, Groupe Socialiste d'Action et de Refection sur l'A, Brussels, November 22
Art Gallery of New South Wales, Sydney, April 28
San Francisco Museum of Modern Art, Jan. 5

Podwórka
San Francisco Museum of Modern Art, January 12

2011
NO
Read Images, Reading Time, Museo Nacional Centro de Arte, Reina Sofia, Madrid, June 9

Podwórka & Suburban/Structure
The Ray Stark Family Theather, University of Southern California, Los Angeles, March 10
The Brakhage Center Symposium, Visual Arts Complex Room, University of Colorado Boulder, March 12

Double Tide
The Brakhage Center Symposium, Visual Arts Complex Room, University of Colorado Boulder, March 13
San Francisco Museum of Modern Art, October 20

Lunch Break
BFI Southbank, London, April 8

2010                                   
Podwórka
Viennale, Vienna, Austria, October 24
Documentary Fortnight: MoMA's International Festival of Nonfiction Film, Museum of Modern Art, New York, NY, February 21,24
Forum expanded, Internationale Filmfestspiele, Berlin, Germany, February 16, 18
Artists Explore Screen Space, The Power Plant, Toronto, Canada, March 26 – May 24
The 22nd Onion City Experimental Film and Video Festival, Chicago, June 17

Double Tide
Museum of Modern Art, New York, November 11 - 17
Copenhagen International Documentary Film Festival, November 4, 7, 11
American Film Festival, Wroclaw, Poland, October 24
Mostra de Ciencia e Cinema, A Coruña, Spain, October 27
Viennale, Vienna, Austria, October 22, 23
BFI London Film Festival, October 17, 19
17th Valdivia International Film Festival, Valdivia, Chile, October 18
Colby College Museum of Art, September 29
CineMigrante Film Festival, Buenos Aries, Argentina, September
24th Image Forum Festival, Tokyo, Japan, May 5; Kyoto, Japan, May 13                 
Mildred Lane Kemper Art Museum, St. Louis, MO, April 17
Forum, Internationale Filmfestspiele, Berlin, Germany, February 15, 16, 18

Lunch Break
Mostra de Ciencia e Cinema, A Coruña, Spain, October 26
Kill Your Timid Notion, Dundee Contemporary Arts, Dundee, Scotland, February 24
Xcèntric, The Center of Contemporary Culture of Barcelona, Barcelona, Spain, February 7
Zagrebdox International Documentary Film Festival. Zagreb, Croatia. March 2, 3, 4
Jack H. Skirball Screening Series, REDCAT (Roy and Edna Disney/CalArts Theater), Los Angeles, April 19

Exit
Jack H. Skirball Screening Series, REDCAT (Roy and Edna Disney/CalArts Theater), Los Angeles, April 19

NŌ
Forum, Internationale Filmfestspiele, Berlin, Germany, February 16, 17
IndieLisboa, Lisbon, Portugal, April 22

Goshogaoka
Dance with Camera, Contemporary Arts Museum Houston, Texas, September 18
Whitechapel Gallery, London, England, January 28, February 18, March 4,18

Pine Flat
Creative Capital, Museum of Modern Art, New York, NY, May 23 and May 28
Mildred Lane Kemper Art Museum, St. Louis, MO, April 10

2009                       
Double Tide
Hammer Museum, Los Angeles, November 19

Lunch Break
Copenhagen International Documentary Film Festival, Copenhagen, November 6-15
16th Valdivia International Film Festival, Chile, October 1520
ARGOS Centre for Art and Media, Brussels, October 15
Cinéma d’Art, Brussels, October 15
Ghent International Film Festival, Belgium, October 617
Cinema of Diversity of the 6th Avant Garde Film Festival, Greek Film Archive, Athens, October 512
Harvard Film Archive, Cambridge, MA, September 18
Sommerkino vor der Temporären Kunsthalle, Arsenal Institute for Film and Video, Berlin, September 9
ERA NEW HORIZONS International Film Festival, Warsaw, July 30August 2
20th Festival International du Documentaire de Marseille, Marseille, France, July 813
6th Avant-Garde Film Festival, Athens, Greece, June 2528
15th Bradford International Film Festival, Bradford, UK, March 1328
Punto de Vista Film Festival, Pamplona, Spain, February 1523
Forum expanded, Internationale Filmfestspiele, Berlin, February 7, 9, 24           
Sundance Film Festival, Park City, UT, January 16, 17, 21, 24
Independence Days, Thessaloniki International Film Festival, Thessaloniki, Greece, November 1726

Exit
Copenhagen International Documentary Film Festival, Copenhagen, November 6-15
ARGOS Centre for Art and Media, Brussels, October 15
Cinéma d’Art, Brussels, October 15
Ghent International Film Festival, Belgium, October 617
Harvard Film Archive, Cambridge, MA, September 18
Workers Leaving the Factory, Art Gallery of Windsor, Ontario, May 2023
15th Bradford International Film Festival, Bradford, UK, March 28
Sundance Film Festival, Park City, UT, January 16, 17, 21, 24
Independence Days, Thessaloniki International Film Festival, Thessaloniki, Greece, November 1726

NO
Instituto Itau Cultural, São Paulo, May 16

Goshogoaka
Harvard Film Archive, Cambridge, MA, September 19
Instituto Itau Cultural, São Paulo, May 16
Migrating Forms, Anthology Film Archives, New York, April 17

Teatro Amazonas
Harvard Film Archive, Cambridge, MA, September 19

Pine Flat
Temporäre Kunsthalle Berlin, April 25

Shirley
Omnium-Gatherum, Light Industry, Brooklyn, New York, October 8

2008           
Pine Flat
Bilbao Film Festival, Bilbao, Spain, November 2129
Metropolis Kino, Hamburg, April 12

Goshogoaka
Metropolis Kino, Hamburg, May 13

Teatro Amazonas
Metropolis Kino, Hamburg, April 22

NO
Independent Film Show 8th Edition, E-M Arts, Fondazione Morra, Naples, November 14
Metropolis Kino, Hamburg, May 7
Sunday at the Met, The Metropolitan Museum of Art, New York, January 27

2007           
Pine Flat
KunstFilmBiennale, Cologne, October 18–2
Valdivia IFF, Chile, October 510
Era New Horizons Film Festival, Warsaw, July 7
Cinema Projects, Portland, OR, May 22
University of Wisconsin, Milwaukee, April 23
The School of the Art Institute of Chicago, Chicago, April 19
Cornell University, Ithaca, NY, March 28
Colgate University, Hamilton, NY, March 27
Bard College, Annandale-on-Hudson, NY, March 26
Hamilton College, Clinton, NY, March 25
Ann Arbor Film Festival, Ann Arbor, MI March 25
Nat Film Festival, Copenhagen, March 23April 8
22nd Mar del Plata International Film Festival, Buenos Aires, March 8–18
Media City Film Festival, Detroit, March 13
Alternative Visions, Pacific Film Archive, University of California, Berkeley, February 27
MediaScope, The Museum of Modern Art, New York, January 22

NO
Colgate University, Hamilton, NY, March 27
Sharon Lockhart Filmy, Salon BCK, Bytom, Poland, May 20

Goshogoaka
Sharon Lockhart Filmy, Salon BCK, Bytom, Poland, May 20
Hammer Museum, Los Angeles, April 26
University of Wisconsin, Milwaukee, April 23
22nd Mar del Plata International Film Festival, Buenos Aires, March 8–18

Teatro Amazonas
University of Illinois, Chicago, April 18
Lights, Camera, Action: Artists’ Films for the Cinema, Whitney Museum of American Art, New York, February 24, 25

2006           
Pine Flat
Independence Days, Thessaloniki International Film Festival, Thessaloniki, Greece, November 1726
Hirshhorn Museum and Sculpture Garden, Washington, DC, October 19
Australian Centre for the Moving Image, Melbourne, October 5–8
Museo do Chiado, Lisbon, October 4, 2006January 7, 2007
Mike Plante’s Lunch Show, Cinematexas 11, Carver Museum, Austin, September 23
7th Seoul Film Festival, Seoul, September 10
Harvard Film Archive, Cambridge, MA, September 10, 17, 24; October 14
Sackler Museum, Harvard University, Cambridge, MA, August 26
Maine Film Festival, Waterville,ME, July 1423
Creative Demolition: Reconstructing Culture Through Innovations in Film and Video, the 52nd Robert Flaherty Film Seminar, Vassar College, Poughkeepsie, NY, June 17–24
ArtBasel, The Stadtkino, Basel, Switzerland, June 14
Biennale of Sydney, June 8
Jack H. Skirball Screening Series, REDCAT (Roy and Edna Disney/CalArts Theater), Roy and Edna Disney Hall, Los Angeles, May 22, June 21           
Walker Art Center, Minneapolis, April 23, 30; May 7, 21; Jun 4, 18; July 2, 16
Film Comment Selects, Film Society of Lincoln Center, New York, May 25
SMAK (Stedelijk Museum Voor Actuele Kunst), Ghent, Belgium, May 5
Film Society of Lincoln Center, New York, May 2
Documentary Symposium, Argos, center for media arts/La Cambre/Galerie Jan Mot, Brussels, April 13, 14, 21, 23, 24
The Images Festival of Independent Film and Video, Toronto, April 12
Internationales Forum des Jungen Films, Berlin, February 10, 11
Berlinale, Kino Arsenal, Berlinale and KW Institute of Contemporary Art, Berlin, February 926
Sundance Film Festival, Park City, UT, January 21, 24, 25
Bilbao Fine Arts Museum, Bilbao, Spain, January 17, February 7

NO
Touch My Shadow: New Media Works From the Goetz Collection, Centre for Contemporary Art—Ujazdowski Castle, Warsaw, November 30, 2006February 27
Work in Progress, Kino Arsenal, Berlin, September 1, 3, 11
ArtBasel, The Stadtkino, Basel, Switzerland June 1418
Arsenal Experimental, Oberhausen, Germany, May 6
Walker Art Center, Minneapolis, April 29
University of Wisconsin, Milwaukee, April 9
Transat Video, Brent Klinikum, France, March 16

Goshogoaka
California Institute for the Arts, Valencia, CA, December 1
Touch My Shadow: New Media Works From the Goetz Collection, Centre for Contemporary ArtUjazdowski Castle, Warsaw, November 30, 2006February 27
Yokohama Museum of Art, Yokohama, Japan, November 23
Creative Demolition: Reconstructing Culture Through Innovations in Film and Video, the 52nd Robert Flaherty Film Seminar, Vassar College, Poughkeepsie, NY, June 17–24
Walker Art Center, Minneapolis, April 29
University of Wisconsin, Milwaukee, April 3
The Nelson-Atkins Museum of Art, Kansas City, March 31
The Film Society of Lincoln Center, Walter Reade Theater, New York, March 27

Teatro Amazonas
Deutsches Filminstitut, Frankfurt, May 19
Walker Art Center, Minneapolis, April 28
Votivkino, Vienna, April 27
University of Wisconsin, Milwaukee, April 9

Khalil, Shaun, A Woman Under the Influence
Touching Politics, Goethe Institut, Montreal, CDN, October 5
Touching Politics, Goethe Institut, London, September 29
Reel to Real, Kunstlerhaus Mousonturm, Frankfurt, June 25
Walker Art Center, Minneapolis, April 28
Touching Politics, FilmhausKin, im K4, Nurnberg, Germany, March 2
Touching Politics, Cinematheque, Leipzig, Germany, January 1

2005           
NO
PEK 2005 Film Festival, The Hague, The Netherlands, November 1819
Sharon Lockhart: Structural Anthropology, Cinema Project, Portland; Culturgest, Lisbon, November 34
Virginia Film Festival, Charlottesville, VA, October 30
Hayward Gallery, London, October 7, 2004–January 3, 2005
Martine Aboucaya, Paris, June 1July 13
Northwest Film Center, Portland, OR, March 31April 1

Goshogoaka
PEK 2005 Film Festival, The Hague, The Netherlands, November 1819
Sharon Lockhart: Structural Anthropology, Cinema Project, Portland; Culturgest, Lisbon, November 34
Northwest Film Center, Portland, OR, March 31April 1
Playtime! Teamed Up, ICA Cinema 2, London
Walker Art Center, Minneapolis

Khalil, Shaun, A Woman Under the Influence
Touching Politics, Kinemathek Karlsruhe, Karlsruhe, Germany

2004           
NO
Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, December 10
Virginia Film Festival, Charlottesville, VA, October 2831
Opera CETC Colon, Buenos Aires, October 14
Meditations, Arte Cinema Arte, Museu da Imagem e do Som, São Paulo, September 24
Rio de Janeiro Film Festival, Rio de Janeiro, September 28
Onion City Film Festival, Chicago, September 24–26
Athens International Film Festival, Athens, September 17–26
The Big Nothing, The Fabric Workshop and Museum, Philadelphia, June 18–August 14
Hong Kong International Film Festival, Hong Kong, June 21
The Reality, de Vleeshal, Middleburg, The Netherlands, June 19–September 5
Schauspielhaus Theater, Graz, Austria, June 6
Videodreams: Between the Cinematic and Theatrical, Kunsthaus Graz, Graz, Austria, May 15September 19
Harvard Film Archive, Cambridge, MA, May 1
Jeonju International Film Festival, Jeonju, South Korea, April 23–May 2
2004 Whitney Biennial, Whitney Museum of American Art, New York, March 11–May 30
Festival International de Films des Femmes de Créteil, France, March 12–21
Forum of New Cinema, Berlin, February 14
International Film Festival, Rotterdam, The Netherlands, January 21–February 1

Teatro Amazonas
Onion City Film Festival, Chicago, September 24–26
The Reality, de Vleeshal, Middleburg, The Netherlands, June 19–September 5
The Fabric Workshop and Museum, Philadelphia, June 18August 14
Schauspielhaus Theater in Graz, Graz, Austria, June 6
Videodreams: Between the Cinematic and Theatrical, Kunsthaus Graz, Graz, Austria, May 15September 19
Harvard Film Archive, Cambridge, MA, May 1
2004 Whitney Biennial, Whitney Museum of American Art, New York, March 11–May 30

Goshogoaka
Onion City Film Festival, Chicago, September 24–26
The Reality, de Vleeshal, Middleburg, The Netherlands, June 19–September 5
The Fabric Workshop and Museum, Philadelphia, June 18August 14
Videodreams: Between the Cinematic and Theatrical, Kunsthaus Graz, Graz, Austria, May 15September 19
Harvard Film Archive, Cambridge, MA, May 1
2004 Whitney Biennial, Whitney Museum of American Art, New York, March 11May 30
Mk2TV, France

Khalil, Shaun, A Woman Under the Influence:
Harvard Film Archive, Cambridge, MA, May 1

2003           
NO
Hypnose, Les Laboratoires d’Aubervilliers, Aubervilliers, France, December 46
Fast Forward: Media Art/Sammlung Goetz, ZKM: Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, November 21
REDCAT (Roy and Edna Disney/CalArts Theater), Roy and Edna Disney Hall, Los Angeles, November 21
Pacific Film Archive, Pacific Film Archive/Berkeley Art Museum, University of California, Berkeley, November 18
Cine y casi cine, Museo Nacional Centro de Arte Reina Sofía, Madrid, November 13December 14
10e Biennale de l’image en mouvement, Saint-Gervais Genève, Switzerland, November 714
Kunstfilm Biennial, Cologne, October 26–November 2
Flanders International Film Festival at SMAK, Ghent, Belgium, October 12
International Film Festival van Vlaanderen, Ghent/Leuven, Belgium, October 718
Wavelengths, Toronto International Film Festival, Toronto, September 4–13
Turbulent Screen, Edith-Russ-Haus für Medienkunst (Edith Russ Site for Media Art),
Oldenburg, Germany, August 29November 9
Art Basel, Basel, Switzerland, June 1823
Sharon Lockhart Retrospective, Filmmuseum, Munich, May 22
An Evening With Sharon Lockhart, Filmmuseum, Munich, May 22
Barbara Gladstone Gallery, New York, March 22–April 26
Berlin International Film Festival, Berlin, February 616
Reina Sofía, Madrid
Conceptualismus, Akademie der Kunste, Berlin

Teatro Amazonas
REDCAT (Roy and Edna Disney/CalArts Theater), Roy and Edna Disney Hall, Los Angeles, November 21
Flanders International Film Festival at SMAK, Ghent, Belgium, October 12
International Film Festival van Vlaanderen, Ghent/Leuven, Belgium, October 718
Sharon Lockhart Retrospective, Filmmuseum, Munich, May 22
Conceptualismus, Akademie der Kunst, Berlin

Khalil, Shaun, A Woman Under the Influence
Cine y casi cine, Museo Nacional Centro de Arte Reina Sofía, Madrid, November 13–December 14
10e Biennale de l’image en mouvement, Saint-Gervais Genève, Switzerland, November 714
Flanders International Film Festival at SMAK, Ghent, Belgium, October 12
Independent Film Show 3rd Edition, Naples, October 912
Sharon Lockhart Retrospective, Filmmuseum, Munich, May 22
An Evening With Sharon Lockhart, Filmmuseum, Munich, May 22
Reina Sofía, Madrid

Goshogoaka
Fast Forward: Media Art/Sammlung Goetz, ZKM: Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, November 21
Pacific Film Archive, Pacific Film Archive/Berkeley Art Museum, University of California, Berkeley, November 18
Flanders International Film Festival at SMAK, Ghent, Belgium, October 12
International Film Festival van Vlaanderen, Ghent/Leuven, Belgium, October 718
Sharon Lockhart Retrospective, Filmmuseum, Munich, May 22
Open the Curtain, Kunsthalle Kiel, Kiel, Germany, April 12–May 4
New Dance Cinema, Northwest Film Forum, Seattle, March 69
Conceptualismus, Akademie der Kunst, Berlin
University of Southern California, Los Angeles

2002           
Teatro Amazonas
Tate Modern, London, May 2
Tel Aviv Cinemateque, Center for Contemporary Art, Tel Aviv
Cinema Lux, Caen, France
Clinton Cinema, Clinton, NY

Goshogoaka
Aurora Picture Show, Houston, August 3
Tate Modern, London, May 2
Cornell Cinema, Ithaca, NY, April 19
Harvard University, Cambridge, MA
Austin Film Society, Austin
University of Southern California, Los Angeles
New Dance Cinema, Northwest Film Forum, Seattle
Tokyo Zone Festival, Auditorium Saint-Germain-des-Prés, Paris

Khalil, Shaun, A Woman Under the Influence
Aurora Picture Show, Houston, August 3
Cinema Arenberg, Brussels

2001           
Teatro Amazonas
9e Biennale de l’image en mouvement, Saint-Gervais Genève, Switzerland, November 210
inSite2000 Film/Video Series, Museum of Photographic Arts, San Diego, Cineopolis Zona, October 13February 28
Los Angeles County Museum of Art, Los Angeles, October 7, 2001January 6, 2002
Rio de Janeiro International Film Festival, Rio de Janeiro, September 27October 10
Festival Nouvelle Danse, Montreal, Quebec, Canada, September 19October 6
Anthology Film Archives, New York, September 8October 14
Museum of Contemporary Art, San Diego, June 10-September 3
Hallwalls Contemporary Art Space, Buffalo, NY, April 6
Cornell Cinema, Ithaca, NY, April 3
Ithaca College, Ithaca, NY, April 27
Museum of Contemporary Art, Chicago, March 3May 20
Rochester Institute of Technology, Rochester, NY
Paramount Theater, Paramount Studios, Los Angeles
Everson Museum of Art, Syracuse, NY
George Eastman House, Rochester, NY
Rio, Tijuana, Mexico
Lux Cinema, London

Goshogoaka
9e Biennale de l’image en mouvement, Saint-Gervais Genève, Switzerland, November 210
Berlin/Los Angeles Film Festival of Architecture and Urbanism, University of Southern California, Los Angeles, October 1221
Los Angeles County Museum of Art, Los Angeles, October 7, 2001January 6, 2002
Rio de Janeiro International Film Festival, Rio de Janeiro, September 27October 8
Festival Nouvelle Danse, Montreal, September 19October 6
Society Austin, Austin, July 18August 13
Museum of Contemporary Art, San Diego, June 10September 3
6e Biennale d’art contemporain de Lyon, Lyon, France, June 22September 23
CNYPG, Hallwalls Contemporary Arts Center, Buffalo, NY, April 6
CNYPG, Cornell Cinema, Ithaca, NY, April 3
Women Direct Festival, Ithaca College, Ithaca, NY, April 27
Competing Identities, Bard College, Annandale-on-Hudson, NY, March 1125
Museum of Contemporary Art, Chicago, March 3May 20
George Eastman House, Rochester, NY
Filmhaus Stöbergasse, Vienna
Structuralist, Collagist, and Surrealist: The Poetics of Avant-Garde Cinema, Austin Film Society, Austin 
Glassell School of Art, Houston
University of Southern California, Los Angeles
CNYPG, Everson Museum of Art, Syracuse, NY
CNYPG, Rochester Institute of Technology, Rochester, NY

Khalil, Shaun, A Woman Under the Influence
9e Biennale de l’image en mouvement, Saint-Gervais Genève, Switzerland, November 210
Rio de Janeiro International Film Festival, Rio de Janeiro, September 27October 8
Festival Nouvelle Danse, Montreal, September 19October 6
Museum of Contemporary Art, San Diego, June 10September 3
CNYPG, Hallwalls Contemporary Arts Center, Buffalo, NY, April 6
Women Direct Festival, Ithaca College, Ithaca, NY, April 27
Museum of Contemporary Art, Chicago, March 320
Museum of Contemporary Art, Los Angeles
Filmhaus Stöbergasse, Vienna
Glassell School of Art, Houston
CNYPG, Rochester Institute of Technology, Rochester, NY

2000           
Teatro Amazonas
Margaret Mead Film and Video Festival, Pacific Film Archive, Berkeley, November 311
Archive/Berkeley Art Museum, University of California, Berkeley, November 5
Telluride International Experimental Cinema Exposition, Denver, October 2730
Vienna International Film Festival, Vienna, October 1325
New York Film Festival, New York, September 22October 9
Mito Short Film and Video Festival, Mito, Japan, July 29
Stadtkino, Kunsthalle Basel, Basel, Switzerland, June 2126
Contact 2000, Toronto, May 17
Image Forum Festival 2000, Tokyo, April 29May 7
Doubletake Documentary Film Festival, Durham, NC, April 69
XVIII Festival Cinematografico Internacional de Uruguay, Montevideo, Uruguay
Film As Art, Hirshhorn Museum and Sculpture Garden, Washington DC
Crossing Boundaries, Danish Film Institute, Copenhagen
Kino Arthouse Movie, Kunsthalle Zürich, Zurich
Kulturhaus, Kunstmuseum Wolfsburg, Wolfsburg, Germany
Forum des Jungen Films, International Film Festival, Berlin
Museo Nacional Centro de Arte Reina Sofía, Madrid
Museum of Modern Art, Ibaragi, Japan
Deutsches Filmmuseum, Frankfurt
Film und Architektur 4, Arsenal, Berlin
The School of the Art Institute of Chicago, Chicago
Image Forum Festival 2000: Experimental Film & Video, Image Forum, Tokyo; Osaka; Yokohama; Fukuoka, Japan

Goshogoaka
Les Laboratoires d’Aubervilliers, Aubervilliers, France, December 910
Vienna International Film Festival, Vienna, October 1325
Stadtkino, Kunsthalle Basel, Basel, Switzerland, June 2126
Contact 2000, Toronto, May 17
Exploding Cinema, International Film Festival Rotterdam, Boijmans Van Beuningen Museum, Rotterdam, The Netherlands, January 26February 6
Museum of Contemporary Art, Chicago
Museum of Contemporary Art, San Diego
Deutsches Filmmuseum, Frankfurt
Shoot: Moving Pictures by Artists, The Cinema Spegeln, Malmö, Sweden
The Parameters of the Image, Whitney Museum of American Art, New York
Museum of Modern Art, Ibaragi, Japan
Kino Arthouse Movie, Kunsthalle Zürich, Zurich
Kulturhaus, Kunstmuseum Wolfsburg, Wolfsburg, Germany
San Francisco Cinemathèque, San Francisco

Khalil, Shaun, A Woman Under the Influence:
Vienna International Film Festival, Vienna, October 1325
Contact 2000, Toronto, May 17
Museum of Modern Art Ibaraki, Japan

1999           
Teatro Amazonas
Pitti Immagine Discovery, Florence, November 27December 10
Teatro del Rondo di Bacco, Palazzo Pitti, Florence, November 27December 10
Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
Cinema Arenberg, Mot and Van den Boogaard, Brussels
Museum Ludwig, Cologne
Videonale Bonn, Bonner Kinemathek, Bonn

Goshogoaka
Bangkok Experimental Film Festival, Bangkok, Thailand, November 1119
Cinéma Arenberg, Brussels
IASPIS/Triangelfilm, Sturebiografen, Stockholm
Film Festival STUC, Leuven, Belgium
Wahlverwandtschaften, Wiener Festwochen, Vienna
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands
Videonale, Kinemathek in der Brotfrabrik, Bonn

Khalil, Shaun, A Woman Under the Influence
Video Store II/xn 99, Espace des Arts, Chalon-sur-Saône, France, January 23April 4
Contact 2000, Toronto
Vienna International Film Festival, Vienna

1998           
Goshogoaka
Stockholm International Film Festival, Stockholm, November 615
Rencontres Internationales de la Photographie, Arles, France, July 5
De Balie, Paul Andriesse, Amsterdam, May 23 & 30
Boston International Festival of Women’s Cinema, Boston, May 814
Image Forum Festival 1998: Experimental Film and Video, Image Forum, Tokyo; Yokohama, Osaka, and Fukuoka, Japan, April 25May 25
The New York Women’s Film Festival, New York, April 2226
2nd Mito Short Film and Video Festival, Art Tower Mito, Japan, April 1112
New Directors/New Films, The Museum of Modern Art and The Film Society of Lincoln Center, New York, March 27April 12
Ahmanson Auditorium, Museum of Contemporary Art, Los Angeles, Los Angeles, February 19, 21 & 22
Rotterdam Film Festival, Rotterdam, The Netherlands, January 28February 8
Museum of Contemporary Art, Tokyo, January 24April 5
Sundance Film Festival, Park City, UT, January 1525
3rd Internationale Biennale Film and Architecture, Berlin
Rassegna Film Festival, Milan
Moriya Town Hall, Tokyo
Institute of Contemporary Arts, London
Moderna Museet, Stockholm
Mailand Film Festival, Mailand, Germany
Hirshhorn Museum and Sculpture Garden, Washington, DC
Studio de Ursulines, Galerie Yvon Lambert, Paris
Cinema des Galeries, Mot and Van de Boogaard, Brussels
Pacific Film Archive, Pacific Film Archive/Berkeley Art Museum, University of California, Berkeley
The Doubletake Documentary Film Festival, Durham, NC
British Council Cinema, Daniel Buchholz Gallery, Cologne
Künstlerhaus Stuttgart, Stuttgart

Khalil, Shaun, A Woman Under the Influence
Institute of Contemporary Arts, London
Moderna Museet, Stockholm

1997           
Goshogoaka
Vancouver Film Festival, Vancouver, September 26October 12
Image Forum Festival 1997: Experimental Film and Video, Image Forum, Tokyo, Osaka, Yokohama, and Fukuoka, Japan, April 25May 5
Celluloid Cave Screenings, The Maya Deren Theater, Anthology Film Archives, New York
Cinema Paris, neugerriemschneider, Berlin
John Spotten Cinema, S. L. Simpson Gallery, Toronto
Loco-Motion: Contemporary Art on the Border of Cinema, Movie Theatre Accademia, Venice, I; Les Rencontres Internationales de la Photographie, Arles, France
Truce: Echoes of Art in an Age of Endless Conclusions, Site Santa Fe, Santa Fe

Khalil, Shaun, A Woman Under the Influence
Celluloid Cave Screenings, The Maya Deren Theater, Anthology Film Archives, New York
Image Forum Festival 1997: Experimental Film & Video, Image Forum, Tokyo; Osaka; Yokohama; Fukuoka, Japan
Vancouver Film Festival, Vancouver

1996           
Goshogoaka
Loco-Motion: Contemporary Art on the Border of Cinema, Venice

Khalil, Shaun, A Woman Under the Influence
Hall of Mirrors: Art and Film Since 1945, Museum of Contemporary Art, Los Angeles
Image Forum Festival 1997: Experimental Film & Video, Image Forum, Tokyo

1995           
Khalil, Shaun, A Woman Under the Influence
14th Annual Vancouver International Film Festival, Vancouver, September 29October 15
Soho House, Maureen Paley/Interim Art, London

1994           
Khalil, Shaun, A Woman Under the Influence
Filmkunst-Studio im Schluter, neugerriemschneider, Berlin
The Screening Room, Friedrich Petzel Gallery, New York
LACE (Los Angeles Contemporary Exhibitions), Los Angeles
Art Center College of Design Pasadena, CA

Curatorial Projects

2012
Greg Wilken, Cue Art Foundation, New York, January 26-March 10

2009                 
Dialogues With Films: Four Decades From the Forum, July 25
Michael Snow, So Is This

2006                 
The Artists Cinema: Film As Event, Frieze Art Fair, London, October 13, 14
Richard Serra, Color Aid; Lindsay Ljungkall, Darkness Silence Touch; Morgan Fisher, Projection Instructions; Erica Vogt, Surface Screen Projection

2001                 
LUX, London, March 1425
Hollis Frampton, Zorns Lemma; Chris Marker, Si j'avais quatre dromadaires; Yvonne Rainer, Lives of Performers, Film About a Woman Who...; Chantal Akerman, Night and Day; Je Tu Il Elle; Jean Rouch, Cocorico, Monsieur Poulet, Moi, Un Noir; Malcolm LeGrice, Berlin Horse, Threshold, Horror Film, The Cyclops Cycle, Trials and Tribulations; James Benning, Four Corners; Claire Denis, Beau Travail; Frederick Wiseman, High School

1996                 
Studio 246, Kunstlerhaus Bethanian, Berlin (Dave Muller, Alex Slade, Frances Stark, Laura Owens, Lisa Auerbach, Joe Mamma Nitzberg, T.J. Wilcox, Kevin Hanley, Jonathan Kroll, Jessica Bronson, Carl Bronson)

1995                 
Film Screenings, ACME, Los Angeles, May 21
Morgan Fisher, Projection Instructions & Standard Gauge
Cosima von Bonin, Die Fröhliche Wallfahrt
Eo Harper, Hollywood Reservoir, Martin, Norton; Daniel Marlos Vista Vista Vista

Catalogues and Brochures

2014
Clinton, NY: Ruth and Elmer Wellin Museum of Art, Hamilton College, 2014.
Knight, Robert. In ContextThe Portrait in Contemporary Photographic Practice.
Mühling, Matthias and Susanne Ehrenfried. Playtime. Munich: Städtische Galerie im Lenbachhaus and Kunstbau Münchin, 2014.

2012
Barron, Stephanie and Britt Salvesen. Sharon Lockhart | Noa Eshkol. Los Angeles: Los Angeles County Museum of Art, 2012.
Lockhart, Sharon. Greg Wilken. New York: Cue Art Foundation, 2012.
Wilson, Eva and Daniela Zyman. Sharon Lockhart | Noa Eshkol. Berlin: Sternberg Press, 2012.

2011
Collection Vanmoerkerke. Brussels: Rispoli Books, 2011.
Hicks, Alistair and Britta Färber, ed. Art works: Deutsche Bank Collection Group Head Office, Frankfurt. Frankfurt: Deutsche Bank AG, 2011.
Lockhart, Sharon. Lunch Break II. Vienna: Wiener Secession; St. Louis: Mildred Lane Kemper Art Museum, 2011.
Pontbriand, Chantal, ed. Mutations: Perspectives on Photography. Göttingen: Steidl, 2011, 219-221.
Work After Work.
Los Angeles: Gayle Garner Roski School of Fine Arts, University of Southern California, 2011.

2010            
Diederichsen, Diedrich. “Realitätsbezüge in der Bildenden Kunst.” Realismus in der Künsten der Gegenwart. Zürich: Diaphanes, 2010. 17-28.
Landau, Susan, ed. Contemporary Art in the Israel Museum, Jerusalem. Jerusalem: the Israel Museum, 2010. 156-157.
Lockhart, Sharon. The Lunch Break Times. Los Angeles: Sharon Lockhart, 2010.
Lunch Break. Exh. cat. St. Louis: Mildred Lane Kemper Art Museum, Sam Fox School of Design & Visual arts, 2010. Includes text by James Benning, Sabine Eckmann, Frank Escher, Mark Godfrey, Ravi GuneWardena, Sharon Lockhart, Matthias Michalka, and Andras Palffy.
Auto-Kino!. Exh. cat. Berlin: Temporäre Kunsthalle Berlin.
This Could Become a Gimick [sic] or an Honest Articulation of the Workings of the Mind. Exh. cat. Cambridge, MA: MIT List Visual Arts Center, 2010. Includes text on Lockhart by Frances Stark.
Mayo, Marcia and Sally Mansfeild, ed. Captured in Time. Washington, D.C.: ART in Embassies, 2010.

2009                 
Dance with Camera. Exh. cat. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2009. Includes test on Lockhart by Bernard Joisten.
Living Flowers: Ikebana and Contemporary Art. Exh. cat. Los Angeles: Japanese American National Museum, 2009.
Painting Real: Warhol Wool Newman / Screening Real: Conner Lockhart Warhol. Exh. cat. Graz, Austria: Verlag der Buchhandlung Walther König, 2009. Includes text on Lockhart by Ian White.
Sharon Lockhart & James Welling: Words Without Pictures, 443–71. Exh. cat. Los Angeles: Los Angeles County Museum of Art, February 2009.
Film Video New Media at the Art Institute of Chicago: With the Donna and Howard Stome Gift. Exh. cat. New Haven: Yale University Press, 2009.
Home for Lost Ideas. Exh. cat. Ed. Catherine Griffiths and Dan Rees.

2008                 
All of a Sudden: Things That Matter in Contemporary Art. Berlin: Sternberg Press, 2008. Includes text on Lockhart by Jörg Heiser.
Lateness and Longing—Pining: Sharon Lockhart, 50 Moons of Saturn: T2 Torino Triennale, 76–91. Exh. cat. Italy: Skira Press, 2008. Includes text on Lockhart by George Baker.
Life on Mars: 55th Carnegie International. Exh. cat. Pittsburgh: Carnegie Museum of Art, 2008. 156-161.

2007                 
Budak, Adam. Volksgarten: Politics of Belonging, 34–35. Graz, Austria: Buchhandlung Walther König, 2007.
Lockhart, Sharon, and Elad Lassry. An Email Conversation- The USC Roski School of Fine Arts MFA Catalogue, 33–35. Los Angeles: University of Southern California Roski School of Fine Arts, 2007.

2006                 
Sharon Lockhart: Pine Flat. Frankfurt: Revolver Books; Bilbao, Spain: Sala Rekalde, 2006. Includes texts  by Mark Godfrey, Ignacio Vidal-Folch, Inés Katzenstein, Chuz Martínez, and Catherine Wood.
PINE FLAT, SHARON LOCKHART. Exh. cat. Minneapolis: Walker Art Center; New York: Charta, 2006. Includes texts by Kathy Halbreich, Linda Norden, and Frances Stark.
Public Art Fund Talks at The New School. New York: Public Art Fund, 2006.
The Artists Cinema. London: Frieze Art Fair, October 12–15, 2006.
Harvard Film Archive, 3. Film program. Cambridge, MA: Harvard Film Archive, Fall 2006.
REDCAT Winter/Spring Season Brochure. Film program. Los Angeles: California Institute of the Arts, 2006.
Visuell: Blind Date. Exh. cat. Frankfurt: Deutsche Bank Collection, 2006.
Zones of Contact: 2006 Biennale of Sydney. Exh. cat. Sydney: Biennale of Sydney, 2006. Includes text on Lockhart by Linda Norden.
Sundance Film Festival 2006 Film Guide. Film program. Park City, UT: Sundance Institute, 2006.
Art Center College of Design 200607 Catalog, Pasadena, CA: Art Center College of Design, 2006.
Comer, Stuart. Vitamin P: New Perspectives in Photography, 166–67. London: Phaidon Press, 2006.

2005           
A Critical Cinema 5: Interviews With Independent Filmmakers, 311–32. Berkeley: University of California Press, 2005. Includes text on Lockhart by Scott MacDonald.
Bidibidobidiboo: Works From Collezione Sandretto Re Rebaudengo. Exh. cat. Turin, Italy: Fondazione Sandretto Re Rebaudengo, 2005.
En attente. Exh. cat. Luxembourg: Casino Luxembourg—Forum d’art Contemporain, 2005.
An Aside: Selected by Tacita Dean. Exh. cat. London: Hayward Gallery, South Bank Centre, 2005. Includes texts on Lockhart by Tacita Dean, Roger Malbert, and Jenni Lomar.
Universal Experience: Art, Life, and the Tourist’s Eye. Exh. cat. Chicago: Museum of Contemporary Art, 2005. Includes texts on Lockhart by Francesco Bonami, Julie Rodrigues Widholm, and Tricia Van Eck.
Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, 356–58. Minneapolis: Walker Art Center, 2005.

2004           
Los usos de la imagen: Fotografía, film y video en la Colección Jumex. Buenos Aires: Museo de Arte Latinomericano de Buenos Aires, 2004.
Cotton, Charlotte.The Photograph As Contemporary Art, 59. New York: Thames & Hudson, 2004.
Videodreams: Between the Cinematic and the Theatrical. Exh. cat. Graz, Austria: Kunsthaus Graz, 2004. Includes texts on Lockhart by Mieke Bal, Laura Mulvey, Kaja Silverman, and Judy Radul.
Art in Embassies Program 40th Anniversary. Washington, DC: Art in Embassies, 2004.
Made in Mexico. Exh. cat. Boston: Institute of Contemporary Art, 2004. Includes texts on Lockhart by Gilbert Vicario; interviews by Pamela Echevarría.
Internationales Forum des Jungen Films: 54 Internationale Filmfestspiele Berlin 8. Program. Internationales Forum des Jungen Films, 2004.
Eden. Exh. cat. Mexico City: La Colleción de Jumex, 2004.
Whitney Biennial 2004. Exh. cat. New York: Whitney Museum of American Art, 2004. Includes texts on Lockhart by Chrissie Iles, Shamin M. Momin, and Debra Singer.
Twenty. Exh. cat. Los Angeles: The Broad Art Foundation, 2004.
Speed Official Guide to the 17th Annual Virginia Film Festival. Film Program. Charlottesville: Festival News, University of Virginia, October 28–31, 2004.

2003           
Bonami, Francesco, and Raf Simons, eds. The Fourth Sex: Adolescent Extremes, Milan: Edizioni Charta, 2003.
Niños/Children. Exh. cat. Salamanca, Spain: Centro de Arte de Salamanca, 2003.
Home and Away. Exh. cat. Vancouver: Vancouver Art Gallery, 2003. Includes text on Lockhart by Howard Singerman (“Sharon Lockhart: Barter and Kinship,” 55–64).
10e Biennale de l’image en mouvement, 116. Exh. cat. Saint-Gervais Genève, Switzerland: Centre pour l’image contemporaine, 2003.
Goetz, Ingvild, Stephan Urbaschek, eds. Fastforward: Media Art Sammlung Goetz, 246–247. Weingarten, Germany: ZKM, Kunstverlag Weingarten GmbH, 2003.
Sharon Lockhart. Exh. cat. Munich: Filmmuseum, 2003.

2002           
Comay, Rebecca, ed. Lost in the Archives. Toronto: Alphabet City Media Inc., 2002.
Photography Transformed: The Metropolitan Bank and Trust Collection. Exh. cat. New York: Harry N. Abrams, Inc., 2002. Text on Lockhart by Klaus Kertess.
Fuller, Diana Burgess, and Daniela Salvioni, eds. Art/Women/California: Parallels and Intersections 1950–2000. Exh. cat. Berkeley: University of California Press in association with San Jose Museum of Art, 2002.
Mask or Mirror? A Play of Portraits. Exh. cat. Worcester, MA: Worcester Art Museum, 2002. Text on Lockhart by Susan L. Stoops.
Life, Death, Love, Hate, Pleasure, Pain: Selected Works From the Museum of Contemporary Art, Chicago Collection. Exh. cat. Chicago: Museum of Contemporary Art, 2002. Texts by Elizabeth A. T. Smith, Alison Pearlman, Julie Rodrigues Widholm, and Robert Fitzpatrick.
Lateral Thinking: Art of the 1990s. Exh. cat. San Diego: Museum of Contemporary Art, 2002. Texts on Lockhart by Tamara Bloomberg and Toby Kamps.
Walter, Christine. Sharon Lockhart: Der veranderte Umgang mit der Erzaglung im Bild, Bilder Ersahlen!: Positionen Inszenierter Fotografie: Eileen Cowin, Jeff Wall, Cindy Sherman, Anna Gaskell, Sharon Lockhart, Tracey Moffatt, Sam Taylor-Wood, 146–53. Weimar: VDG, 2002.

2001           
6th Biennale de Lyon “Connivence.” Paris: Reunion des musees nationaux. 250-251.
Aeby Papaloizos, Isabelle. 9th Biennial of Moving Images, Centre pour l’Image Contemporaine, 78–79. Exh. cat. Geneva: Centre pour l'image contemporaine Saint-Gervais Geneva, 2001.
Extra Art: A Survey of Artist’s Ephemera, 1960–1999. Exh. cat. San Francisco: CCAC and Smart Art Press, 2001.
Grosenick, Uta, ed. Women Artists in the 20th and 21stCentury . Cologne: Taschen, 2001.
In Between Art and Architecture. Los Angeles: MAK Center for Art and Architecture. Text on Lockhart by LouAnne Greenwald.
Singerman, Howard, ed. Public Offerings. Exh. cat. Los Angeles: Museum of Contemporary Art, 2001. Texts on Lockhart by Yilmaz Dziewior et al.
Riemschneider, Burkhard and Uta Grosenick. ART NOW. Cologne: Taschen, 2001.
Jasper Johns to Jeff Koons: Four Decades of Art From the Broad Collections. Exh. cat. Los Angeles: Los Angeles County Museum of Art in association with Harry N. Abrams, Inc., 2001. Texts by Stephanie Barron, Lynn Zelevansky, and Thomas E. Crow.
College of Art and Crafts and Smart Art Press, 2001. Texts by Anne Moeglin-Delcroix, Steven Leiber, Todd Alden, and Ted Purves.
Peter Pakesch, ed. ABBILD: Recent Portraiture and Depiction. Exh. cat. New York: Springer/Wien, 2001.
Sharon Lockhart. Exh. cat. Chicago: Museum of Contemporary Art and Hatje Kantz Publishers, 2001. Texts by Dominic Molon and Norman Bryson.

2000                  
Beyond Boundaries: Contemporary Photography in California. San Francisco: The Friends of Photography.
Jahresbericht 2000. Zurich: Kunsthalle Zürich, 2000.
Finale di Partita/Endgame/Fin de Partie. Exh. cat. Florence: Associazione Culturale Biagiotti Progetto Arte, 2000. Includes text on Lockhart by Caterina Biagiotti.
Vienna International Film Festival. Exh. cat. Vienna: Viennale, 2000. Includes text on Lockhart by Andreas Ungerböck.
Yilmaz Dziewior. Sharon Lockhart, Fotografien und Filme: Khalil, Shaun, A Woman Under the Influence/Teatro Amazonas/Goshogaoka. In Viennale: Vienna International Film Festival. Exh. cat. Vienna: Viennale, 2000.
Elysian Fields. Exh. cat. Paris: Centre Georges Pompidou, 2000.
Fresh Cream: Contemporary Art in Culture. London: Phaidon, 2000. Includes text on Lockhart by Vasif Kortun.
Freeze. Exh. cat. Rio de Janeiro: Espaço Cultural Sergio Porto, 2000. Includes text on Lockhart by Yukie Kamiya.
Made in California: Art, Image and Identity, 1999-2000. Ehx. Cat. Los Angeles: Los Angeles County Museum of Art, 238. Includes text on Lockhart by Howard N. Fox.
SHOOT: Moving Pictures by Artists. Exh. cat. Malmö, Sweden: Kunsthall Malmö, 2000. Includes texts on Lockhart by Asa Bengtsson, Lisa Strombeck, and Marit Lindberg.
Sharon Lockhart: Teatro Amazonas. Exh. cat. Rotterdam, The Netherlands: Museum Boijmans Van Beuningen and Nai Publishers. Includes texts by Timothy Martin and Ivone Margulies.
Sharon Lockhart and Kelly Nipper: 2 Artists in 3 Takes. Exh. cat. San Francisco: San Francisco Art Institute, 2000. Includes text on Lockhart by Karen Moss.
Tedford, Catherine and Gary D. Sampson. Ed. Photographs at St. Lawrence University. New York: St. Lawrence University, 2000, 99.
Ungerböck, Andreas. Sharon Lockhart, Fotografien und Filme/Khalil, Shaun, A Woman
Under the Influence/Teatro Amazonas, Goshogaoka. Exh. cat. Vienna: Viennale International Film Festival, 2000, 153–55
Whitney Biennial. New York: Whitney Museum of American Art, 152.

1999           
Abrams, Janet, ed. If/Then. Amsterdam: Netherlands Design Institute,1999.
artLovers. Exh. cat. Liverpool: TRACEY, The Liverpool Biennial of Contemporary Art, 1999. Includes text on Lockhart by Márcia Fortes.
Cinéma cinéma: Contemporary Art and the Cinematic Experience. Eindhoven, The Netherlands: Stedelijk Van Abbemuseum, 1999. Includes text on Lockhart by Russell Ferguson.
Grosenick, Uta, and Burckhard Riemschneider, eds. Art at the Turn of the Millennium. Cologne: Taschen, 1999. Includes text on Lockhart by Yilmaz Dziewior.
Looking at Ourselves: Works by Women Artists From the Logan Collection. Exh. cat. San Francisco: San Francisco Museum of Modern Art, 1999. Includes text on Lockhart by Daniela Salvioni.

1998                 
Aupetitallot, Yves and Alessandra Galasso. Ed. Tell Me a Story. Le Magasin Centre National D’Art Contemporain. February 22 – May 10, 1988.
Un nouveau paysage: 29e Rencontres Internationales de la Photographie. Arles: Actes Suds,1998. Includes interview by Caludio Guenzani with Lockhart et al.
Bonami, Francesco, ed. Echoes: Contemporary Art in the Age of Endless Conclusions, 122. Exh. cat. New York: Monacelli Press, 1998.
Brougher, Kerry. Hall of Mirrors: Art and Film Since 1945, 120–22. New York: Monacelli Press, 1998.
Portrait of Our Times: An Introduction to the Logan Collection. San Francisco: San Francisco Museum of Modern Art, 1998.
Sightings: New Photographic Art. Exh. cat. London: Institute of Contemporary Arts, 1998. Includes text on Lockhart by Susan Morrissey.
Kardish, Laurence. Sundance Film Festival Catalogue. Exh. cat. Park City, Utah: Sundance Institute, 1998.
Martin, Timothy. L.A. Particles and Waves. Exh. cat. Berlin: Studio 246, Kunstlerhaus Bethanien, 1998.
Morrisey, Simon. The End Is the Beginning Is the End, Sightings: New Photographic Art. Exh. cat. London: ICA, London, 1998.
Sharon Lockhart [Goshogaoka Girls Basketball Team]. Exh. cat. Santa Monica: Blum & Poe and Tokyo: Wako Works of Art, 1998. Includes text by Bérénice Reynaud.

1997                 
Scene of the Crime. Exh. cat. Los Angeles: UCLA Hammer Museum and Cambridge, MA: MIT Press, 1997. Includes texts by Ralph Rugoff, Anthony Vidler, and Peter Wollen.
1997 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1997. Interview by Lisa Phillips and Louise Neri; project by Douglas Blau.
Celluloid Cave. Exh. cat. New York: Thread Waxing Space, 1997. Includes text by Dara Friedman and interview with Lockhart by Lisa Jaye Young.
Hirsch Farm Project. Exh. cat. Northbrook, IL: Hirsch Foundation, 1997. Includes text on Lockhart by Laurie Winter.
Marcoci, Roxana, Diana Murphy, and Eve Sinaiko, eds. New Art. New York: H.N. Abrams, 1997.
Truce: Echoes of Art in an Age of Endless Conclusions. Exh. cat. Santa Fe: SITE Santa Fe, 1997. Includes texts by Thomas L. Friedman, Francesco Bonami, Collier Schor, Louis Grachos, and Joann Phillips and Bobbie Foshay-Miller.

1996                 
ARCUS ’96: Interactive Cultural Residence in the Arts–Ibaraki. Ibaraki, Japan: ARCUS Project Pilot Program, 1977. Texts by Shigeru Yoshida and Shinchiro Asao.
Ferguson, Russell, ed. Art and Film Since 1945: Hall of Mirrors. Exh. cat. Los Angeles: The Museum of Contemporary Art and New York: Monacelli Press, 1996. Includes texts by Kerry Brougher, Jonathan Crary, Ferguson, Bruce Jenkins, Kate Linker, Molly Nesbit, and Robert Rosen.
persona. Exh. cat. Chicago: The Renaissance Society at the University of Chicago and Basel, Switzerland: Kunsthalle Basel, 1996. Includes texts by Hamza Walker, Diane Thater, Liz Kotz, and Susan Stryker.
Playpen & Corpus Delirium. Exh. cat. Zurich: Kunsthalle Zürich, 1996. Includes text on Lockhart by Bernard Bürgi.
Prospect 96: Photographie in der Gegenwartskunst. Exh. cat. Frankfurt: Frankfurter Kunstverein and Schirn Kunsthalle Frankfurt, 1996. Includes text on Lockhart by Peter Weiermair.
a/drift. Exh. cat. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 1996. Includes texts on Lockhart by Joshua Decter et al.
True.BLISS. Los Angeles: LACE (Los Angeles Contemporary Exhibitions), 1996. Includes texts on Lockhart by Julie Joyce and David A. Greene.
Martin, Timothy, ed. L.A.: Particles and Waves, In Studio 246. Exh. cat. Bethanien, Germany: Künstlerhaus Bethanien, 1996.

1995           
La belle et la bête: Un choix de jeunes artistes américains. Exh. cat. Paris: Musée d’Art Moderne de la Ville de Paris, 1995. Includes texts on Lockhart by Lynn Gumpert and Béatrice Parent and interview by David Pagel with Dave Hickey.

1994           
Album.
Exh. cat. Rotterdam: Museum Boymans-van Beuningen.
The Freed Weed. Exh. cat. Los Angeles: Richard Telles Fine Art, 1994. Organized and with text by Dennis Cooper; additional texts by Casey McKinney.

Books, Articles, and Reviews

2014 
Plagens, Peter. "Totally Plugged In." Art in America. 102. 8. September (2014): 71-73. Print. Dattenberger, Von Simone. "Der Betrachter lacht und lernt." Münchner Merkur, 14 March 2014.


2013

Björnsdóttir, Bryndís. "Knock on Wood." Artslant.com, August 22. 2013.
Buchmann, Sabeth, and Rike Frank. "Szenische Kollaborationen." Texte zur Kunst 23, no. 89 (March 2013): 233-37.
Cooke, Lynn. “Best of 2013: Lynne Cooke.” Artforum 52, no. 4 (December 2013): 206.
Diederichsen, Diedrich, and Ana Ofak. "The Whole Earth." Mousse, no. 39 (Summer 2013): 196-203.'
Haber, John. "From Improvisation to System." Haberarts.com 27 February 2013. Web.
Kuc, Monika. "Sztuka wysublimowana." Rzeczpospolita  3 June 2013. Web.
"La MaMa and the Jewish Museum Welcome Noa Eshkol Chamber Dance Group, 3/7 & 10." Broadwayworld.com 7 March 2013. Web.
Lille, Dawn. "Dance: Sharon Lockhart/Noa Eshkol - Eshkol's Dances as Seen by Lockhart." Art Times January/February 2013. Web.
MacDonald, Scott. American Ethnographic Film and Personal Documentary: The Cambridge Turn. Berkeley : University of California Press, 2013.
Majmurka, Jakuba. "Lockhart: Nie zmieniam swiata, najwyzej zycie jednostek." Krytyka Polityszna  29 May 2013. Web.
Nathan, Emily. "Reviews: Sharon Lockhart / Noa Eshkol." ARTnews April 2013. Print.
Reimer-Torn, Susan. “Not So Ordinary Encounters.” Jewish Week (New York). 7 January 2013. Web.
Relyea, Lane. Your Everyday Art World. Cambridge, MA: MIT Press, 2013.
Ringborg, Theodor. "The Society Without Qualitites." Artforum.com April 2013. Web.
Schwendener, Martha. "A Two-Person Exhibition with Someone Who Isn't Here." New York Times. 1 February 2013. 
Tewksbury, Drew. "The World, Considered: Sharon Lockhart's Watchful Eye." KCET.com. 8 February 2013.
Vernallis, Carol, Amy Herzog, and John Richardson. Sound and Image in Digital Media. New York: Oxford University Press, 2013.
Walleston, Aimee. "Steps Retraced: Sharon Lockhart and Noa Eshkol at the Jewish Museum." Art in America. 26 February 2013.

2012
Barron, Stephanie. Ken Price Sculpture: A Retrospective. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico/Prestel, 2012. 
Budak, Adam. "Sharon Lockhart | Noa Eshkol." Camera Austria, no. 117 (2012): 92-93.
Coghlan, Niamh. "Industrial Realism." Aesthetica (York, UK). December/January, 2012: 58-62. Print.
Drohojowska-Philip, Hunter. “Sharon Lockhart-Noa Eshkol at the LA County Museum of Art,” KCRW.com, 7 June 2012.
Hoffman, Jens, ed. More American Photographs. San Francisco: California College of the Arts, 2012, 66-67. 
Holte, Michael Ned. “Movement Research.” Artforum 50. 5. January 2012: 192–195.
Gallagher, Lauren. “Take a Bite of the Workday with 'Lunch Break' Film Installation.” San Francisco Examiner 3 January 2012. Web. 5 January 2012.
Kennedy, Chris. “17th Media City Film Festival.” Moving Image Review & Art Journal 1, no. 2 (2012): 287-291.
Lehrer-Graiwer, Sarah. “Sharon Lockhart and Noa Eshkol.” Artforum.com, July 11, 2012.
Lockhart, Sharon. "Forum." Camera Austria, no. 116 (2011): 57-70.
Martinfield, Sean. “Pop-Up Lunch Break – This Friday at SF Museum of Modern Art.” San Francisco Sentinel 3 January 2012. Web. 5 January 2012.
Maseng, Jonathan. "The Fabric of Dance at LACMA." Jewish Journal, June 13, 2012.
Myers, Holly. "Work Done out of Respect." Los Angeles Times 15 June 2012.
Pollack, Maika. "Slowstagram: The Met Reminds Us That Photography Has Always Been a Bag of Tricks." GalleristNY.com 16 November 2012. Web. 

2011                 
Casavecchia, Barbara. “Operai, la pausa pranzo degli Altri.” La Repubblica 5 February 2011, 36.30: 16. Print.
Denson, Rodger D. “XX Chromosocial: Women Artists Cross The Homosocial Divide.” The Huffington Post. TheHuffingtonPost.com, Inc, 8 March 2011. Web. 8 March 2011.
Diedrichsen, Diedrick. "Sharon Lockhart." The Secession Talks: Exhibitions in Conversations. Vienna: Friends of The Secession, 2011. 562-573.
Kilston, Lyra. “Sharon Lockhart’s ‘Podworka.’” Art Agenda. Art-Agenda.com. 19 October 2001. Web. 20 October 2011.
Lockhart, Sharon. “Cayetano Ferrer.” Frieze, no. 141 September 2011: 129.
Marks, Rob. "Act. Repeat. Suspend. Sharon Lockhart's Lunch Break at SFMOMA." Daily Serving 5 December 2011.
Moro, Michela. “Pausa pranzo con Sharon Lockhart.” Art Blog di Michela Moro. Rcs Periodici Spa - Via Rizzoli 8 - 20132 Milano, 14 March 2011. Web. 22 March 2011.
Pontbriand, Chantal, ed. Mutations, Perspectives on Photography. Göttingen: Steidl; and Paris: Paris Photo, 2011.
Samorzik, Elad. "Bringing Dance to Life." Haaretz 14 December 2011. Web.
Stromberg, David. "The House of Noa." Jerusalem Post Magazine 16 December 2011: 22-24. Print.
Vélez, Pedro. “USC Roski: Art School Confidential.” Artnet. Artnet Worldwide Corporation, 7 March 2011. Web. 22 March 2011.
Willis, Holly. “Media Arts Preview: Predictions, Politics & the Poetics of Cinema.” KCET. Community Television of Southern California, 10 March 2011. Web. 22 March 2011.

2010                 
Anderson, Jason. “Connect Four.” Artforum. Artforum International Magazine. 24 April 2010. Web. 27 July 2010.
Benning, James. “NO.” Cinema Scope. 42. Spring (2010): 96. Print
Calder, Amy. “The art of the lunch break.” Online Sentinel. Maine today Media, Inc., 11 July 2010. Web. 11 July 2010.
Catsoulis, Jeannette. “Peace in the Pursuit of Maine Clams.” New York Times 11 November 2010: C6. Print.
“Chansonetta Takes a Lunch Break.” Stanley Museum Quarterly. 24. 2 Spring/Summer (2010): 6-7. Print.
Charylo, Goska. “Anabasis: Rituals of Homecoming.” Frieze. 128. January/February (2010):
Coburn, Tyler. “Sharon Lockhart: Lunch Break.” Art Review. 39. March (2010): 132.
Comer, Stuart.  “The best motion pictures and moving images of 2009.” Frieze. 128. January/February (2010):
Cooke, Lynne. “ Best of 2010.” Artforum. 49. 4 December (2010): 202-203. Print.
Curcio, Seth. “Artist Explore Screen Space.” Daily Serving. DailyServing.com. 3 May 2010. Web. 22 March 2011.  
Dick, Terence. “2010 Images Festival | Ryan Trecartin and Sharon Lockhart at The Power Plant.” Akimblog. Akimbo and Kim Fullerton. 1 April 2010. Web. 22 March 2011.        
Engel, Allison. “Art Stars.” USC Trojan Family Magazine. 42. 3 Autumn (2010): 24 - 27. Print.
Finnegan, Jesse P. “Creative Capital’s Experimental Decade.” The L Magaizine. 28 April 2010. Web. 28 April 2010.
Gladstone, Valerie. “Sharon Lockhart: Lunch Break.” City Arts. 12 January 2010. Web. 12 January 2010.
Grant, Catherine. “The Performance Space of the Photograph: From ‘The Anti-Photographers’ to ‘The Directorial’.” Re-bus, no. 5 (Summer 2010): 1-29, http://www.essex.ac.uk/arthistory/rebus/issue5.htm.
 “Harbor Theatre presents “Double Tide.” Lincoln County News. 9 December 2010: A9.
Harrenn, Natilee. “Reviews: Sharon Lockhart.” Artforum. March (2010): 254-255. Print.
Holte, Michael Ned. “A Few Questions About Place and Time: Sharon Lockhart and Michael Ned Holte in conversation.” Jan Mot. 13.73. August (2010): 1-5. Print.
Hoolboom, Mike. “Will is Float?” MikeHoolboom.com. 2 April 2010. Web. 22 March 2011.
Johnson, Ken. “Warhol’s Silent Film Portraits.” New York Times. 24 December (2010): C29. Print.
Kany, Daniel. “Lockhart’s BIW photo exhibition ultimately disappoints.” Maine Sunday Telegram. 19 September (2010): D9. Print.
Keyes, Bob. “Bob Keys: Artist/Clammer Digs her Dual Life.” Portland Press Herald. 26 December 2010. Web. 
Keyes, Bob. “Lunch bucket brigade.” Maine Sunday Telegram. 22 August (2010): D1 and D8. Print.
Kley, Elisabeth. “Gotham Art & Theater.” Artnet. 21 January 2010. Web. 21 January 2010.
Koehler, Robert. “The Sundance-Rotterdam-Berlin Express.” Cinema Scope. 42. March (2010): 107.
Konau, Britta. “Sharon Lockhart: Lunch Break.” Artscope. September/ October 2010.
Kordoski, Kyra. “Artists Explore Screen Space @ The Power Plant.” Whitehot Magazine. Noah Becker. April 2010. Web.
Lange, Christy. “Snap Shot.” Frieze. 131. May (2010): 11.
“Local photo exhibit captures personalities of shipyard workers.” St. Louis/Southern Illinois Labor Tribune. 73. 29. February (2010): 8. Print.
“Manual labour on film could really Work.” Film Blog. guardian.co.uk, 2 March 2010. Web. 9 Feb. 2011.
Lockhart, Sharon. “1000 Words: Jennifer Bolande (Introduction).” Artforum. 49. 3. November (2010): 210. Print.
Merry, Stephanie. “Going Out Guide recommends the film ‘Lunch Break’ at the Hirshhorn.” Washington Post. The Washington Post Company, 21 April 2010. Web. 21 April 2010.
Milroy, Sarah. “A shop of horrors and a poignant rebuttal.” The Globe and Mail. The Globe and Mail Inc., 6 April 2010. Web. 6 April 2010.
Nathan, Emily. “Breaking In.” ArtSlant. ArtSlant Inc., 24 January 2010. Web. 24 January 2010.
“Sharon Lockhart: Lunch Break Times.” Art Journal. 69.1-2. Spring/Summer (2010): 34-43. Print.
Storr, Robert. “Art Space: Have crowed museums and galleries put an end to uninterrupted contemplation?” Frieze. 129. 15 March 2010:
Swenson, Kirsten. “Review: Sharon Lockhart.” Art in America. February (2010): 123-124. Print.
Tinti, Gabriele. “Time Out.” Drome Magazine. 17. Spring (2010): 54-55. Print.
Weinberg, Lauren. “Rewind: 1970s to 1990s, Works from the MCA Collection.” Time Out Chicago. 266. April (2010):
Whyte, Murry. “The Power Plant’s auteur de force.” The Star. Toronto Star. 21 April 2010. Web. 21 April 2010.
Willis, Holly. “About Time.” KCET. Community Television of Southern California. 5 March 2010. Web. 5 March 2010.
Zellen, Jody. “Sharon Lockhart.” Art Papers. January/February (2010): 60. Print.

2009                 
Asthoff, Jens. “Critics Picks: Screening Real,” Artforum. Artforum International Magazine. 2 December 2009. Web. 2 December 2009.
Bellenbaum, Ranier. “Exit to Enter.Secession. (2009): 230–34.
Cochrane, Steven Leyden. “Materialist Cinema: Workers Leaving the Factory.” Fuse. 32.4. September (2009): 14-16. Print.
De Pas, Rebecca. “LUNCHBREAK.” Journal Daily FIDMarseille. 13 July (2009): 4–5. Print.
Barber, Stephen, Michael Benson, Leo Johnson and Francis Hodgson, ed. Earth. London: Prix Pictet Ltd, 2009. 28. Print.
Godfrey, Mark. “Lunch Break.” Parkett. 85. (2009): 6–10.
Grosz, David. “Eija-Liisa at Sundance.” Artinfo. Louise Blouin Media. 15 January 2009. Web. 22 March 2011.
Hanselle, Ralf. “Sharon Lockhart: Lunch Break.” Kunstforum. 195. (2009):
Heiser, Jorg. “Trading Places.” Frieze. 120. February (2009):
Holert, Tom. “Sharon Lockhart: Lunch Break.” Camera Austria. 105. March (2009): 73.
Koehler, Robert. “Sundance 2009: Lost Frontier.” Cinema Scope. 38. March (2009): 50-52.
Kippenberger, Susanne. “Mahlzeit!” Der Tagesspiegel. Web. 15 February 2009.
Mizota, Sharon. “Art review: Sharon Lockhart at Blum and Poe.” Culture Monster. Los Angeles Times. 4 December 2009. Web. 4 December 2009.
O’Reilly, Sally. The Body in Contemporary Art. London: Thames and Hudson, 2009. 70-72.
Prina, Stephen. “Music: Best of 2009.” Artforum. 48. 4. December (2009): 57. 
Reynaud, Bérénice. “Reports From the Festival Front: The Year Obama Walked: The 28th Sundance Film Festival and the 17th Pan African Film and Arts Festival.” Senses of Cinema. February 2009. Web.
Sholis, Brian. “Parts and Labor.” Artforum. Artforum International Magazine. 15 January 2009. Web. 15 January 2009.
Szewczyk, Monika. “Anabasis. Rituals of Homecoming.” Camera Austria.108. November (2009): 80.
Von Taube, Annika. “Lunch Break.” Sleek. 22. Spring (2009): 46–59.
“Wien Sharon Lockhart.” Artkaleidoskop. 26 January 2009:
Willis, Holly. “Clammed Up: Double Tide.” LA Weekly. 11 November 2009. Web. 11 November 2009.
Willis, Holly. “Coming Up: Double Tide,” KCET. Community Television of Southern California. 18 November 2009. Web. 18 November 2009.

2008                 
“Arbeiter verlassen die Fabrik.” Falter. 21 November (2008):
“Arbeitsverhältnisse.” Profil (Berlin). 24 November 2008.
Asthoff, Jens. “Sharon Lockhart.” Kunstbulletin no. 6 (June 2008): 64-65.
Borchhardt-Birbaumer, Brigitte. “Alltagsroutine statt Arbeiter-Romantik.” Wiener Zeitung (Vienna). 22 November 2008.
Cheng, Scarlet. “Flower Power: How Their Roots Intertwine.Los Angeles Times 6 July 2008,
Churner, Rachel. “55th Carnegie International.” Artforum. 47.1. September (2008): 454–55.
Eastman, John. “Artists of the 55th Carnegie International: Sharon Lockhart.” Black and White. 13 June 2008.
“Europäischer Monat der Fotografie.Anwalt Aktuell (Vienna). November 2008.
Feßler, Anne Katrin. “Die Pause als Rhytmus der Arbeit.” Der Standard (Vienna). 3 December 2008.
Gopnik, Blake. “Survey Says: Six Is the Magic Number.” Washington Post. June 2008, M05.
Hanselle, Ralf. “Sharon Lockhart: Lunch Break.” Kunstforum.
Hay, David. “Space Rhapsody—John Lautner’s Architectural Heirs. Los Angeles Times Magazine. 6 July 2008, 26.
Heiser, Jorg. “55th Carnegie International.” Frieze. September (2008): 187, 188
Hester, Jessica. “Over the Hill, MCA Reaches Deep into Collection for Retrospective.” Chicago Maroon. 6 May 2008.
Hodge, Brooke. “Seeing Things: Flower Power.” The Moment Blog—T Magazine. New York Times Company. 26 July 2008. Web. 26 July 2008.
Holert, Tom. “Sharon Lockhart: Lunch Break.” Camera Austria.
Homy, Henriette. “Mittagspause in der Kriegsschiffswerft.” Kurier (Vienna), 1 December 2008.
Hopper, Justin. “Celebrating the Mark That Makes Us Human.” Carnegie Magazine. Summer 2008: cover.
Latimer, Quinn. “Field Guide: Sharon Lockhart.” Modern Painters (New York), November 2008.
Lubbke-Tidow, Maren. “Sharon Lockhart.” Camera Austria (Austria). 102. (2008): 80.
Meacham, Steve. “A Tale of Two Cities.” Sydney Morning Herald. 21 March 2008.
“Memory Is Your Image of Perfection Opened at Museum of Contemporary Art San Diego.” Artdaily. Royalville Communication, Inc. 9 September 2008. Web. 9 September 2008.
“Mittag in der Secession: Sharon Lockhart's ‘Lunch Break’.” An.Schlägel. December 2008.
Riggott, Julie. “Not a Show About Flowers.” Downtown News (Los Angeles). 27 June 2008.
Scheyerer, Nicole. “Denkmal für die Arbeiterklasse.” Falter. 18 November (2008):
Schneider, Arnd. "Three modes of experimentation with art and ethnography." Journal of the Royal Anthropological Institute 14.1 (2008): 171-94.
“Sharon Lockhart Secession.” Modern Painters (New York) 11. 2008.
“Sharon Lockhart—Break.” Österreich Journal Online. 8 November 2008. Web.
“Sharon Lockhart.” Art Review. December 2008.
Shaw, Kurt. “International Explores the Art of Moving Images.” Pittsburgh Tribune. 13 July 2008.
Shaw, Kurt. “Putting Together the International.” Pittsburgh Tribune. 5 April 2008.
Sherwin, Skye. “Sharon Lockhart.” ArtReview. December (2008): 26.
Smith, Roberta. “An Alien Sighting on Planet Pittsburgh.New York Times 9 May 2008, B25, B26.
Sundell, Margaret. “Previews: Sharon Lockhart.” Artforum 46. 5. January (2008): 160.
Trainor, James. “55th Carnegie International.” Frieze. 112. January/ February (2008):
Vogl, Sabine B. “Sharon Lockhart: Lethargie im Industriemuseum.” Die Presse (Vienna). 14 December 2008.
Wehrmann, Annette. “Sharon Lockhart im Kunstverein in Hamburg.” Texte zur Kunst (Berlin). 71. September (2008): 216–19.
Wilson, Michael. “Previews: Worldly Concerns.” Artforum. 46. 9. May (2008): 165.

2007                 
Bernstein, Fred A. “Light Box.” Dwell. 18. November (2007): 76.
Camper, Fred. “Pine Flat.” Chicago Reader. 2007.
Cook, Greg. “Looking at You.” Boston Globe 4 November 2007, N1.
Eklund, Doug. “Sharon Lockhart at the Magic Hour.” Museums. Fall 2007.
Huston, Johnny Ray. “‘Alternative Visions’ at the PFA.” SF360. San Francisco Film Society.15 February 2007. Web.
Katzenstein, Ines. “Ethnographie zu Hause.” Text (Berlin). 5 August (2007): 64–67.
Lerner, Clay. “Lunch Break.” DOCS.PT (Portugal). 06. December (2007): 30–38.
Lockhart, Sharon. “Milwaukee's Finest.” Barbara Pichler and Claudia Slanar, eds. James Benning, 55–64. Vienna: SYNEMA, 2007.

2006                 
Anderson, Jason. “Pine Flat + Los Muertos.” Eye Weekly (Toronto). 15. 27. 6 April (2006):
“Berlinale zeigt Videokunst.” Deutschlandradio Kultur (Berlin). 28 February 2006.
Brooks, Amra. “Los Angeles Roundup: A Report on Current Gallery/Museum Shows.” Artinfo. 11 July 2006.
Chapman, Christopher. “Zones of Contact: 2006 Biennale of Sydney.” Art Monthly Australia (Canberra). August (2006): 15–20.
Charity, Tom. “Pine Flat.” City Pages Movie Reviews, 11 July 2006.
Comer, Stuart. “Sharon Lockhart.” Vitamin Ph: New Perspectives in Photography. London: Phaidon, 2006. 166-167.
Crust, Kevin. “Meditation on Youth, Nature.” Los Angeles Times 18 May 2006, E15.
Dziewior, Yilmaz. “Récits en boucles passantes: Sharon Lockhart.” DITS: Dépeindre, Musée des Arts Contemporains ASBL (Hornu, Belgium). 7. September (2006): 94–105.
“El arte en enero.”GQ Spain (Madrid) January 2006: 36.
Esparaza, Ramón. “En la comunidad de Sharon Lockhart.” El Cultural (Madrid), 1 May 2006: 28–29.
Esta reconocida fotografía y cineasta norteamericana.” Mentes-Inquietas. 2006.
Faro, Pedro. “Limbo Rural.” L+Arte (Lisbon). October 2006: 27–34.
Fernández, Alicia. “Retorno a la inocencia con sobresaltos.” ABCD. 27 January 2006: 40–41.
“Festival Temps d’Images 2006.” Artecapital. (Lisbon). 3 October 2006. Web.
“Festival Temps d’Images—Sharon Lockhart.” lecool (Lisbon). 28 September 2006."
Findeisen, Ralph. “Nach Mass Geschneidert.” Artnet (New York). 10 February 2006.
Foerster, Lukas. “Berlinale 2006: Forum.” Critic.de. 2006.
Galha, Lúcia. “Festival Temps d’Images aposta na internacionalização.” Público (Lisbon). 13 September 2006.
González, Iker. “Bilbao hace Diana.” La Ría del Ocio (Bilbao, Spain). 2006, 23.
Hanson, Doug. “Young at Heart.” Star Tribune (Minneapolis–St. Paul). 12 May 2006.
“The Harvard Film Archive Presents Sharon Lockhart: Pine Flat.” Harvard University Gazette. 102. 2. September (2006): 21.
Hay, David. “Artist’s Look at a Town, With Architects’ Help.” New York Times 20 May 2006, A18.
Hogan, Michael. “Childhood in Rural America: Pine Flat at the Sackler.” U. Mass Boston Student Newspaper 6 November 2006.
Hokins, Randi. “Ooh-oo Child.” Boston Phoenix 18 August 2006, Arts 22.
Koehler, Robert. “Pine Flat.” Variety (Los Angeles). 13 February 2006.
Kraus, Chris, Jan Tumlir, and Jane McFadden, eds. LA Artland: Contemporary Art From Los Angeles. London: Black Dog Publishing, 2006. Includes text on Lockhart by Catherine Grant. 122-123.
Krieger, Diane. “Vanguard of the Avant Garde.” USC Trojan Family Magazine. 38. 2. Summer (2006): 27–35.
“La mirada más rural de Sharon Lockhart.” La Revista 20 Minutos. 30 January 2006.
“La primera muestra de Sharon Lockhart.” 20 Minutes. 9 January (2006): 26.
“Limbo rural.” L+Arte (Lisbon). 29. October (2006): 27–34.
Lobo, Paula. “América rural no Museo do Chiado.” Diário de Notícias (Lisbon). 4 October 2006.
Lopez, Anne Marie. “Zones of Contact: 2006 Biennale of Sydney.Australian Art Review (Sydney). 29 June 2006.
Martín, Alberto. “Sharon Lockhart: Los niños muestran la naturaleza fluida de la identidad.” El Pais (Madrid). 23 December (2006): 16.
Martins, Celso. “Viagens na provincial.” Agenda LX, (Lisbon). October (2006): 43.
McQuaid, Cate. “Postcards From ‘Pine Flat’.” Boston Sunday Globe 17 September 2006, N1, N7.
Müller, Kathrin Bettina. “The Making of Americans.” Tip (Berlin). May 2006, 59.
Pagel, David. “Capturing the Mysteries of Youth.” Los Angeles Times 9 June 2006, E22.
Pine Flat.” Time Out New York. 556. 25 May (2006): 132–33.
Ramos, Filipa. “Sharon Lockhart: Pine Flat.”Artecapital (Lisbon). 15 November 2006.
Rousel, Noellie. “Los Angeles: Elsewhere Is Everywhere.” ArtPress. April 2006.
“Rural Life.” Walker Art Center (Minneapolis). Spring (2006): 1–5.
Sáenz de Gorbea, Xabier. “Retrato de grupo.” Kultura, (Paris). 2006, 87.
Salema, Isabel. “Um retrato pode ser mais ficcional do que um filme.Público (Lisbon). 4 October 2006.
Saltz, Jerry. “She's Not There.” Village Voice (New York). 1 June 2006.
Schlegel, Eva, ed. “L.A. Women: Artists and Architects.” Schlebrügge (Vienna). 2006. 145.
Schneider, Stefanie. “Stefanie Schneider in Berlin.” De Tagesspiegel (Berlin). 11 February2006.
Schröck, Petra. “Verhängnisvolle Affäre.” Film-Dienst (Bonn). June 2006.
“Sharon Lockhart.New Yorker. 82. 19. 26 June (2006): 12.
“Sharon Lockhart: Pine Flat.Artnotes (Santiago). February 2006.
“Sharon Lockhart: Pine Flat.” Journal of the Print World (New Hampshire). 29. 4. Fall (2006):31.
“Sharon Lockhart: Pine Flat.” lisboacultural (Lisbon). 9 October 2006. Web.
“Sharon Lockhart: Pine Flat at Arthur M. Sackler Museum.” artdaily. 18 September 2006. Web.
“Sharon Lockhart: Remember When Time Stood Still?” Velvet (Athens). 17 (2006): 6–7.
Smith, Gavin. “After the Gold Rush.” Film Comment (New York). March/April (2006): 67–68.
Tilmann, Christina. “Schnee, der auf Tannen fällt, Kunst im Film: Sharon Lockhart und
Celia Valenciano.” La Netro. 6 February 2006. Web.
Vaz Fernandes, Francisco. “Sharon Lockhart.” Dif (Lisbon). November 2006.
Vieira, Fatima.De olhos bem abertos.” Atlântico (Lisbon). November 2006: 60.
Von Carsten, Probst. “Wie aktuell ist Videokunst?” Deustschlandradio (Berlin). 14 February 2006.
Von Ingeborg, Ruthe. “Es steht ein Haus in Jerusalem ein Haus weitab vom Glück.” Berliner Zeitung (Berlin). 9 February 2006.
Von Werneburg, Von Brigitte. “Oh diese alten Schachteln!” Tazplan (Berlin). 13 February 2006, 26.
Willis, Holly. “Pine Flat.” LA Weekly. 17 May 2006.
Woznicki, Krystian. “Sharon Lockhart: Pine Flat Portrait Studio.” Camera Austria. 94. (2006): 90–91.

2005                 
Almagia, Karolina. “Ameriketan.” Kultura Gara (San Sebastián). 2005, 36.
Almagia, Karolina. “La Norteamérica rural se introduce en la sala Rekalde.” Kultura Gara (San Sebastián). 2005: 52.
Andrews, Max. “An Inside: Camden Arts Centre, London, UK.” Frieze (London). 91. May (2005): 112.
Baker, George. “Photography’s Expanded Field.” October (New York). 114. Fall (2005): 120–40.
Berro, Irune. “Beste Kalifornia.” Kultura Gara (San Sebastián). 2005: 34.
Bright, Susan. Art Photography Now. London: Thames & Hudson Ltd., 2005. 79, 105.
Darwent, Charles. “It’s Very German. And Then It Isn’t….” Independent (London) 16 March 2005.
Dirks, Ryan. “Visual Art Review.” Portland Mercury. (Portland, OR). 5. 44.  31 March – 6 April 2005: 37.
Eguia, Sergio. “Sharon Lockhart estrena en la sala Rekalde su registro de niños.” El Correo. (Bilbao). 15 December 2005: 74.
“Exposició.” Pais Vasco (Bilbao). 18 December 2005.
Godfrey, Mark. “Strange Bedfellows.” Artforum. 43. 9. May (2005): 89, 92.
Grosenick, Uta and Burkhard Riemschneider, ed. Art Now. Cologne: Taschen, 2005. 72-175.
Herráez, Beatriz. “Sharon Lockhart.” Exit Express (San Marcelo). December 2005: 22.
Holte, Michael Ned. “The Observer.” Frieze (London). 95. November (2005): 98–103.
Larrauri, Eva. “La fotografía y cineasta Sharon Lockhart presenta su última trabajo en la Sala Rekalde de Bilbao.” Kultura Gara (San Sebastián). 15 December 2005: 68.
Larrauri, Eva. “Sharon Lockhart conforma una instalación con retratos y paisajes.” El Pais (Madrid). 15 December 2005: 5.
Libby, Brian. “Structural Ethnographies: Sharon Lockhart.” Willamette Week. 30 March (2005): 62.
Lockhart, Sharon. “Questionnaire: Sharon Lockhart.” Frieze (London). 92. June–August (2005): 174.
Lockhart, Sharon. In Francesca Richer and Matthew Rosenzweig. No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Art Publishers, Inc., 2005. 223.
Martín, Alberto. “Interview With Sharon Lockhart.” El Pais (Madrid). 24 December 2005.
Martin, Laura. “Sharon Lockhart.” Neo2 (Madrid), December 2005.
Mendiluze, Itxaso. “Ikuspuntuak eta begiradak.” Kultura Gara (San Sebastián). December 2005.
Meyers, Holly. “State of the Art L.A. 05’.” LA Weekly. 28 October – 3 November 2005, 42.
Ng, Fiona. “Q/A Sharon Lockhart.” Independent: Film and Video Monthly (New York). 28. 2. March (2005): 12–14.
Searle, Adrian. “Fancy Seeing You Here….” Guardian (London). 1 March 2005.
“Sharon Lockhart en la Sala Rekalde.” OH LÁ LÁ (Paris). Winter 2005–06.
“Sharon Lockhart.” Exit Express (San Marcelo). December 2005, 22.
“Sharon Lockhart: Pine Flat.” Artecontexto (Madrid). Winter 2005, 120–21.
“Sharon Lockhart: Pine Flat.” Artkrush (New York). 2005.
Unibertsor, Zehaztutako. “Arte Plastic.” Zablik Magazine. 12 December 2005.
Weschler, Lawrence. “Art: Sharon Lockhart’s No.” Three Penny Review (Berkeley). 100 Winter (2005): 35.
Williams, Eliza. “An Aside.” Art Monthly (London). 285 April (2005): 25–26.
Zubero, Begoña. “Nekazal herri txiki bateko erretratuak.” Ortzandar. 5 December 2005.

2004                 
Buhl, Henry. “The Buhl Collection 2004–2005 Calendar.” December 2004.
Eklund, Douglas. “Sharon Lockhart.” Metropolitan Museum of Art Bulletin (New York). 62. 2. (Fall 2004): 42–43.
Fricke, Harald. “Sharon Lockhart: neugerriemschneider.” Der Tagesspiegel—Kunst und Markt (Berlin). 17 April 2005: 24.                                   
Griffin, Tim. “Out of the Past: Tim Griffin Talks With Whitney Biennial Curators.” Artforum. 42. 5. January (2004): 57–59.
Knight, Christopher. Binary Days at the Biennial.” Los Angeles Times. 11 April 2004: E43.
Olivares, Rosa. “Bienal del Whitney: Recuperando la Memoria.” EXIT Express. Madris. 2. April 2004: 5.
“Screen at the Berlinale.” Daily News (New York). 14 February 2004.
“Sharon Lockhart.” Esquire (Tokyo). June 2004: 39.
Tumlir, Jan. “Sharon Lockhart at Blum & Poe.” Artforum. 42. 5. January (2004): 159–60.

2003                 
“Around the Galleries.” Los Angeles Times. 24 October 2003: E29.
“Auf gleicher Wellenlange; Experimente mit Sharon Lockhart im Münchner Filmmuseum.” Donnerstag (Berlin). 22 May 2003: 117.
Banks, Wendy. “Edgy Experiments.” NOW Magazine (Toronto). 4 - 10 September 2003: 89.
Brooks, Rosetta. “A Fine Disregard.” Afterall (London/Los Angeles). 8. 2003: 10714.
Dargis, Manohla. “Past the Studio's Shadows.” Los Angeles Times. 20 November 2003: E3438.
Diedrichsen, Diedrich. “Sharon Lockhart.” Wochenzeitung (Zurich). 15 May 2003.
Forde, Katherine. “Reviews: Sharon Lockhart.” Contemporary (London). 53. (2003): 113.
Gill, Alexandra. “World Disorder.” Globe and Mail (Toronto). 1 November 2003.
Lafargue, Paul. “The Right to Be Lazy: Chapter 1: A Disastrous Dogma.” Exit Express (San Marcelo). 12. 2003: 7879.
Martinez, Chus. “The Possible's Slow Fuse: The Works of Sharon Lockhart.” Afterall (London/Los Angeles). 8. 2003:  11524.
Menin, Samuele, and Valentina Sansone. “Focus Video and Film: Contemporary Video Art (Part II).” Flash Art (Milan). 36. 229. MarchApril (2003): 9299.
Pagel, David. “Big Questions in the Tiny Details.” Los Angeles Times. 24 October 2003: E29.
“Sharon Lockhart.” Contemporary (London). 5354, 111.
“Sharon Lockhart.” New Yorker. 14 April 2003, 16.
“Sharon Lockhart.” Tema Celeste (Milan). April 2003: 112.
“Sharon Lockhart.” Time Out New York. 24 April – 1 May 2003.
Stone, Tammy. “Stan Brakhage’s Legacy Lives on Wavelengths Offerings.” Festival Daily (Toronto). 9 September 2003: 3.
Turvey, Malcolm et al. “Round Table: The Projected Image in Contemporary Art.” October (New York). 104 (Spring 2003): 7196.

2002                 
Bruckner, Pascal. “Unos adultos pequeñitos, muy pequeñeitos.” Exit 4: Rise of the New
Millennium Express (San Marcelo). 2002: 27679.
Grosenick, Uta, and Burkhardt Riemschneider. “Art Now: 137 Artists at the Rise of the New Millennium.” Art Newspaper (London). 2002.
Kyriacou, Sotoris. “Edinburgh International Festival.” Contemporary (London). June–August 2002: 10.
Lockhart, Sharon. “A Thousand Words.” Artforum (New York). 40. 6. February (2002): 105.
Lockhart, Sharon. “Horse's Mouth.” Bookforum (New York). 9. 3. Fall (2002): 23.
Van den Boogard, Oskar. “From the Familiar to the Abstract.” 1, 2, 3, Newspaper Galerie Jan Mot (Brussels). 30. January-February (2002): 1.

2001                 
Artner, Alan G. “Critic’s Choice.” Chicago Tribune. 25 February 2001: 2.
Artner, Alan G. “Lockhart Photos Build on Film Aspects.” Chicago Tribune. 29 March 2001.
Bonetti, David. “The Modern California Photographer: Not Just a Pretty Face.” San Francisco Chronicle. 25 January 2001.
Bryson, Norman. “From Form to Flux.” Parachute (Montreal). 103. JulySeptember (2001): 86-106.
Campbell, Clayton. “Public Offering.” Flash Art (Milan). 34. 219. July–September (2001): 117.
Chung, Jennifer. “Lockhart Seamlessly Blends Film and Photography.” Chicago Maroon. 10 April 2001.
"Cinema Verité.” Art Newspaper (London). 12. 113. April (2001): 18.
Clothier, Peter. “The Broad Spectrum.” Art News (New York). 100. 9. October (2001):154–57.
“Contemporary Art Museum Sets Exhibits.” Daily Chronicle (DeKalb, IL). 25 February 2001.
Cunniff, Bill. “‘Networld’ Brings Viewers Into Exhibit.” Chicago Sun-Times. 2 March 2001: 16.
Dantini, Michele. “Tre artisti per tre pratiche di viaggio: Sharon Lockhart, Luca Vitone, Beat Streuli.” Ipso Facto. April 2001:132-136.
“Editor’s Choice: Hints of Spring.” Crain’s (New York). 26 February 2001: 40.
Erickson, Karl. “The Free Spot.” In These Times (Chicago). 20 August 2001: 26–27.
Estep, Jan. “Sharon Lockhart: Museum of Contemporary Art Chicago.” New Art Examiner (Chicago). September–October 2001: 85.
Ferguson, Russell. “Kelly Nipper: Test Patterns.”Artext (Los Angeles). 74. August–October (2001): 42–45.
“Filmmaker Sharon Lockhart Focuses on Japanese Girls Basketball Team In ‘GOSHOGOAKA’.” Chicago Shimpo. 2 May 2001. 11, 12.
Frye, Brian. “En Garde.” Independent Film and Video Monthly. JanuaryFebruary 2001: 18–19.
Gennari, Flaminia. “Luci e emozioni da catturare oltre alla superficie: Il Museum of Contemporary Art di Chicago ospita la prima retrospettiva di Sharon Lockhart.” Il Manifesto (Italy). 10 April 2001: 15.
Glatt, Cara. “Exhibit Reveals Ingrained Beauty at MCA.” Hyde Park Herald (Chicago). 4 April 2001.
Gorter, Lauren Arnold. “Chicago Offers Much in March.” Ann Arbor News (Ann Arbor, MI). 18 February 2001.
Harvey, Doug. “P.O.’d.” LA Weekly (Los Angeles). 11-17 May 2001: 50.
Hawkins, Margaret. “Boredom and Simplicity.” Chicago Sun-Times. 16 March 2001: 43.
Hilger, Stephen. “Sharon Lockhart at The Museum of Contemporary Art, San Diego.”
Artissues (Los Angeles). SeptemberOctober 2001: 44.
Kaplan, Cheryl. “Sharon Lockhart/Barbara Gladstone Gallery.” Tema Celeste (Milan). 83. January/February (2001): 91.
Krygier, Irit. “Hello 21st Century.” artnet.  12 April 2001.
“Mario Testino’s Art Index.” V Magazine (New York). MayJune 2001.
Martegani, Amedeo. “Tre artisti per tre pratiche di viagio: Sharon Lockhart, Luca Vitone, Beat Streuli.” Ips Facto (Madrid). 2001.
Miles, Christopher. “MOCA Takes Stock of the ’90s.” Art & Auction (New York). April (2001):1. 
“Movies: Goshogoaka, Teatro Amazonas.” Chicago Reader. 9 March 2001.
Muchnic, Suzanne. “Ascent of the Early Risers.” Los Angeles Times. 1 April 2001: 4–5, 74–76.
“Museum of Contemporary Art.Chicago Reader. 9 March 2001.
“Museum of Contemporary Art.Gallery Guide (Chicago). May 2001.
“Museum of Contemporary Art.Illinois Adventures (Chicago). Spring 2001.
“The National Art Scene.” New York Times. 23 March 2001: 34.
“On the Edge.” Museums Chicago. Spring 2001: 48.
Pagel, David. “Photographer Lockhart Puts Her Still-Lifes Into Motion.” Los Angeles Times. 14 June 2001: 53, 56.
Pincus, Robert L. “Through a Lens Slowly.” San Diego Union-Tribune. 24 June 2001: F1, F9.
“Public Offerings.” Tema Celeste (Milan). 85. May–June (2001): 108.
Reports of the President and the Treasurer. New York: John Simon Guggenheim Memorial Foundation, 92.
“Rodney Graham; Sharon Lockhart.” Texte zur Kunst (Berlin). 11. 43. September (2001): 134–37.
Schwendener, Martha. “Preview: Sharon Lockhart.” Artforum (New York). 39. 5. January (2001): 47.
Schwendener, Martha. “Sharon Lockhart: Exotic Structures.” Flash Art (Milan). October 2001: 8487.
“Sharon Lockhart.” Eyestorm (London). May 2001.
“Sharon Lockhart.” Jalouse (Paris). May 2001: 69.
“Sharon Lockhart.” New York Times. 25 February 2001: 40.
“Sharon Lockhart.” Tema Celeste (Milan). 85. May (2001): 20.
“Sharon Lockhart Photos> Film> Photos.” Art Actuel (Paris). April 2001: 65.
The Israel Museum, Jerusalem Magazine. 2. Spring (2001): 17.
Tanzilo, Bobby. “Photographer, Filmmaker’s Work Shown in Chicago.” Kenosha News (Kenosha, WI). 2 March 2001.
Teatro Amazonas.” Anthology Film Archives (New York). JanuaryFebruary 2001.
Tumlir, Jan. “Tenth Reunion: Jan Tumlir Talks With Paul Schimmel and Howard Singerman.” Artforum (New York). 39. 6. February (2001): 120–23.
Woodward, Josef. “Beyond Boundaries: Contemporary Photography in California at Contemporary Arts Forum.” Artweek (San Jose, CA). 32. 1. January (2001): 20–21.
Zeigler, Philipp. “Geschichten ohne Handlung.” Frame (Amsterdam). MayJune 2001: 98101.

2000                 
“Amazonisches Theater.” Deutches Allgemeines Sonntagsblatt (Berlin). 9 June 2000.
Basting, Barbara. “Die Ethnographie huckepack nehmen.” Frankfurter Allgemeine Zeitung (Frankfurt). 11 April 2000.
Bryson, Norman. “Sharon Lockhart.” Flash Art (Milan). OctoberNovember 2000.
Bryson, Norman. “Sharon Lockhart: The Politics of Attention.” Artext (Los Angeles). AugustOctober 2000: 5461.
Crowder, Joan. “Photographic Exhibition Covers a Wide Variety of Styles.” Santa Barbara NewsPress. 5 December 2000.
Durden, Mark and Craig Richardson. Face On: Photography as Social Exchange. London: Black Dog Publishing, 2000. 62-67.
Dziewior, Yilmaz. “Sharon Lockhart: Concept, Structure and Passion.” Carmera Austria (Graz) 72. November (2000): 25-36.
Dziewior, Yilmaz; Sharon Lockhart. “Sharon Lockhart: A Thousand Words.” Artforum (New York). February (2000):10405.
Farmer, John Alan. “Sharon Lockhart: Interview Locations/Family Photographs.” Art Journal (New York). 59. 1. Spring (2000): 6473.
“Fremde Kulturen im Visier.” Der Zurcher Oberlander (Wetzicon, Switzerland). 25 March 2000.
Gangitano, Lia. “Dangerous Corners.” TRANS>. 8. 2000: 164-173.
Helfand, Glen. “Tweeners: Sharon Lockhart and Kelly Nipper Blur Distinctions Between Art, Film, and Everything Else.” San Francisco Bay Guardian. 12 April 2000.
Herzog, Samuel. “Auch am Amazonas den Überblick behalten.” Basler Zeitung (Basel, Switzerland). 19 April 2000.
Hunt, Ian. “Sharon Lockhart/Museum Boijmans Van Beuningen, Rotterdam.” Frieze (London). May 2000: 10708.
Ingeborg, Wiensowski. “Laufende Standfotos.” Spiegel Reporter. 3 March 2000: 138.
“Inszenierte Werke der Ruhe und Strenge (Kunstmuseum 2000 Besucher Kamen zur Ausstellungseroffnung von Sharon Lockhart—Photos and Film).” Wolfsburg Allgemeine Zeitung (Wolfsburg, Germany). 20 June 2000: 22.
Karweik, Hans-Adelbert Bilder. “Inszenierung von Film und Fotografie.” Wolfsburg Nordtbiditen (Wolfsburg, Germany). 10 June 2000.
Karweik, Hans-Adelbert Bilder. “Sharon Lockhart in Kunstmuseum: Bilder.” Die Zum Ansehen Zwingen. 9 June 2000.
Kastner, Jeffrey. “From MOMA to MOCA, Storm King to Fogg.” New York Times. 10 September 2000: 2:91.
Krebs, Edith. “Der Kuss oder die Kunst des Samplings.” Tages-Anzeiger (Zurich). 30 March 2000.
“Kulturen im Visier.” Bundner Tagblatt (Canton Graubunden, Switzerland). 25 March 2000.
“Kunstmuseum: Medium Fotographie im Mittelpumkt.” Wolfsburger Kurier (Wolfsburg, Germany). 12 July 2000.
“Kunstmuseum: Zeigt ein kurzes filmsches Portrait: Sharon Lockhart—Teatro Amazonas.” Wolfsburger Kurier (Wolfsburg, Germany). 26 June 2000.
Liebs, Holger. “Der Fluss der Dinge.” Süddeutsche Zeitung (Munich). April 2000.
Liebs, Holger. “Hollywood, Filiale Goshogoaka: Filme und Fotografien von Sharon Lockhart in Wolfsburg.” Süddeutsche Zeitung (Munich). 10 August 2000.
Lockhart, Sharon. “Best of 2000: Film.” Artforum. 39. 4. December (2000): 27.
“Lockhart: Bilder aus Brasilien.” Wolfsburger Allgemeine Zeitung (Wolfsburg, Germany). 31 May 2000.
Nigg, Marie-Louise. “Den voyeuristischen Blick entlarvt.” Zurichsee-Zeitungen (Zurich). 8 April 2000.
Oberholzer, Nikolaus. “In den Unterschieden nach dem Leben Suchen.” Neue Luzerner Zeitung (Lucerne, Switzerland). 1 April 2000.
Pagel, David. “Photography That Tells It Like It Is.” Los Angeles Times. 21 July 2000.
Pedrosa, Adriano. “Sharon Lockhart: Teatro Amazonas.” Trans (New York). 7. (2000): 5962.
Ribi, Thomas. “Eine Ethnographie des anderen Blicks.” Neue Zurcher Zeitung (Zurich). 29-30 April 2000.
“Sharon Lockhart: Das Teatro Amazonas.” Wolfsburger Allgemeine Zeitung (Wolfsburg, Germany). 9 June 2000.
“Sharon Lockhart's Filme und Fotos.” Stader Tagblatt (Stade, Germany). 14 June 2000.
“Sharon Lockhart.” New York Times. 27 October 2000.
Tarmas, Olaf. “Antispektakulares Spektakel.” TAZTageszeitung Hamburg. July 2000.
Teatro Amazonas im Kunstmuseum.” Landeszeitung fur die Luneburger Heide (Luneburg, Germany). 10 June 2000.
Teatro Amazonas: Katalog und Tag der Offener.” Wolfsburg Allgemeine Zeitung (Wolfsburg, Germany). 20 June 2000: 22.
Tuchman, Phyllis. “Art Critics in Albion.” artnet. October 5, 2000.
Von Osten, Marion. “Es Luft alles nach Plan.” Texte zur Kunst (Berlin). September 2000: 17782.
Wintermeyer, Kerstin. “Romantische Alltags-Inszenierung.” Wolfsburger Nachrichten (Wolfsburg, Germany). 9 June 2000: B30.
Ziegler, Phillip. “Sharon Lockhart: Teatro Amazonas.” Frame (Amsterdam). JulyAugust (2000): 144.
Ziegler, Ulf Erdmann. “Anthropologie mit Publikum.” Die Tageszeitung (Berlin). 4 April 2000: 13.

1999                 
Altstatt, Rosanne. “Sharon Lockhart.” Neue bildende Kunst (Berlin). June–July 1999: 36–41.
Bronwasser, Sacha. “Familiekoppen voor de eeuwigheid.” de Volkskrant (Amsterdam). 28 December 1999: 11.
“Da Los Angeles a Manaus.” Firenze Spettacolo (Florence). November 1999.
Jager, Hans den Hartog. “Betrapt op het kwetsbaarste moment.” NRC Handelsblad (Amsterdam). 20 November 1999.
Knight, Christopher. “Publicly Funded Artists Rise to the Challenge.” Los Angeles Times. 4 June 1999: F16.
Piccoli, Cloe. “Ciak d’Artista.” D la Repubblica delle Donne (Milan). 23 November 1999.
Porcari, George. “The Photographer of Modern Life: Some Thoughts on ‘Untitled’ by Sharon Lockhart.” Inflatable Magazine (Athens). 5. Winter (1999): 43.
Rawsthorn, Alice. “LA Story.” British Vogue (London). April 1999: 10017.
Ruyters, Domeniek. “Onwaarachtige Snapshots.” Metropolis M (Utrecht, The Netherlands). 5. October–November (1999): 2832.
Verwoert, Jan. “fast forward.” artist Kunstmagazin (Bremen, Germany). 2. 39. (1999): 4449.
Woznicki, Krystian. “Die Fotografin ist immer auch Regisseurin.” Berliner Zeitung (Berlin). 4 November 1999: 16.

1998                 
“Allegorical Australia.” The Renaissance Society at the University of Chicago Newsletter. Fall 1998.
Calame, Ingrid. “Sharon Lockhart at Blum & Poe.” LA Weekly (Los Angeles). 13-19 March 1998: 57.
Christofori, Ralf. “More Presence: Aktuelle Photographie in Los Angeles.” Eikon:
Internationale Zeitschrist für Photographie & Medienkunst (Vienna). September–October1998: 61–63.
Colard, Jean-Max. “Deux lancers francs.” Les Inrockuplible (Paris). December 1998: 91.
Diamond, Dennis. “Goshogoaka.” Dance on Camera Journal (New York). MarchApril, 1998: 2.
Fogle, Douglas. “Stills.” Camera Austria (Graz, Austria). 6263. (1998): 2634.
Guenzani, Claudio. “Interview.” Les Rencontres Internationales de la Photographie: Un Nouveau Paysage Humaine. 1998: 235–37, 326–27.
Guerrin, Michel. “Sharon Lockhart saisit líambigu ballet des basketteuses nippones.” Le Monde (Paris). 22 May 1998.
Hainley, Bruce. “Shooting Hoops.” Artforum (New York). 36. May (1998): 19.
Halle, Howard. “Next Wave: Four Emerging Photographers.” Art on Paper (New York). MarchApril 1998.
Harvey, Dennis. “Goshogoaka.” Variety (Los Angeles). 9-15 February 1998: 57, 74.
Holden, Stephen. “Tokyo Girls Play It Safe.” New York Times. 28 March 1998: A20.
Isé, Claudine. “Sharon Lockhart.” Los Angeles Times. 6 March 1998: F34.
Joisten, Bernard. “Sharon Lockhart: Interview With Bernard Joisten.” Purple (Paris). Winter 1998–99: 328–35.
Kent, Sarah. “Sightings.” Time Out London. 21 January 1998.
Kitanokoji, Takashi. “The Girls’ Line of Vision Calls Our Attention to the Space Outside of the Frame.” Studio Voice (Tokyo). April 1998:11621.
Lockhart, Sharon. Lacanian Ink (New York). 13. (1998): cover.
Lockhart, Sharon. Texte zur Kunste (Berlin). March 1998: cover.
Miles, Christopher. “Sharon Lockhart at Blum & Poe,.” Art/Text (Los Angeles). 62 Summer (1998): 62, 8889.
Miyamura, Noriko. “Art and Environment's New Relationship.” Bijutsu Techo (Tokyo). April 1998: 200.
Philippi, Anne. “Pop als Rohmasse: Kalifornisch: Sharon Lockharts Projekt ‘Studio 346’ im Kunstlerhaus Bethanien.” Zitty (Berlin). 19. 5. (1996).
Rizzo, Margaret Schmitz. “Photo Display Lets Viewers Draw Conclusions.” Kansas City Star. 20 August 1998: E7.
Rossing Jensen, Jorn. “Goshogoaka.” Dagkrant. 6 February 1998: 11.
Silva, Arturo. “Freeze Frames and Blank Expressions.” Japan Times (Tokyo). 15 February (1998): 13.
Smith, Roberta. “Sharon Lockhart.” New York Times. 20 March 1998: B35.
Thorson, Alice. “The Pleasure of Looking.” Kansas City Star. 16 July 1998: E5.
Van de Walle, Mark. “Genre Benders.” Art & Auction (New York). February 1998: 86–87.
Wahjude, Claudia. “Sightings: New Photographic Art.” Kunstforum International (Berlin). 141. July–September (1998): 431–33.

1997                 
“At the Museum.” Member's Magazine of the Los Angeles County Museum of Art (Los Angeles). October 1997.
Auerbach, Lisa Ann. “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe.” LA Weekly (Los Angeles). 2 June – 3 July 1997: 57.
Bonami, Francesco. “Truce: Echoes of Art in an Age of Endless Conclusions.” Artforum (New York). December (1997): 26, 74–75, 102.
Calame, Ingrid. “Hall of Mirrors.” Flash Art (Milan). 30. 192. JanuaryFebruary (1997): 9495.
Darling, Michael. “The Baggage of Time.” LA Weekly (Los Angeles). 20- 26 June 1997: 58.
DeBord, Matthew. “The Recurrent American Rhetoric of Contradiction.” Siksi: The Nordic Art Review (Helsinki). 12. 3. Autumn (1997): 7679.
Hainley, Bruce. “Sharon Lockhart, Laura Owens, Frances Stark at Blum & Poe.” Artforum (New York). November (1997): 11920.
Halle, Howard. “Portraits of the Artists.” Time Out New York. 20 - 27 March 1997: 1016.
Halle, Howard, Jerry Saltz, and Linda Yablonsky. “Showtime at the Whitney.” Time Out New York. 3-10 April 1997: 3940.
Intra, Giovanni. “Sharon Lockhart, Laura Owens, Frances Stark: Blum & Poe, Santa Monica.” Flash Art (Milan). 30. 197. NovemberDecember (1997): 76.
Isé, Claudine. “The Narrative Turn.” Artweek (Los Angeles). July 1997: 1415.
Kandel, Susan. “Exploring the Power of Three Among Friends.” Los Angeles Times, 1997: F18.
Kliewer, Brent. “Exploring Multicultural Issues.” Pasatiempo (Santa Fe). 8-14 August 1997: 19.
Knight, Christopher. “Beguiled by 'Longing and Memory.” Los Angeles Times. 7 June 1997: 1, 14.
Knight, Christopher. “Look Out World, Here They Come!” Los Angeles Times. 30 March 1997: 6364.
Kutner, Janet. “Sense of Sadness Found in Site's Art Message.” Pasatiempo (Santa Fe). 8-14 August 1997: 14.
“Lockhart’s Photographs.” Siksi: The Nordic Art Review (Helsinki). Autumn (1997): 76–79.
MacAdam, Barbara A. “Whitney Biennial.” Art News (New York). May 1997: 163.
Marcoci, Roxana, Diana Murphy and Eve Sinaiko. New Art. New York: Harry N. Abrams, Inc.
Martin, Timothy. “L.A.: Particles and Waves.” X-TRA.1. 3. Fall (1997): 3-7.
Martin, Victoria. “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe.” Artweek (Los Angeles). 28. 8 August (1997): 20, 28.
McKenna, Kristine. “The Contemporary Not Temporary at LACMA.” Los Angeles Times. 7 June 1997: F15.
Miles, Christopher. “69 at the Whitney.” Detour Magazine (New York). May 1997: 15556.
Miles, Christopher. “Sharon Lockhart's Short and Long Images.” SOMA (San Francisco). July 1997: 2021.
Mitchell, Charles Dee. “Report From Santa Fe: New Narratives.” Art in America (New York). November 1997: 4347.
Plagens, Peter. “Stuck in the Middle.” Newsweek (New York). 7 April 1997: 74.
Pokorny, Sydney. “Sharon Lockhart.” Artforum (New York). 35. 8. April (1997): 92.
Rimanelli, David. “1997 Biennial Exhibition.” Artforum (New York). May 1997: 10102.
Rimanelli, David. “A/drift.” Artforum (New York). February 1997: 83.
Rugoff, Ralph. “L.A.'s Female Art Explosion.” Harper's Bazaar (New York). April 1997: 20405, 246.
Salvioni, Daniella. “The Whitney Biennial: A Post 80s Event.” Flash Art (Milan). Summer 1997: 114–17.
Searle, Adrian. “Nowhere to Run.” Frieze. 34. May (1997): 42-47.
Steiner, Mary Ann. Ed. Defining Eye: Woman Photographers of the 20th Century. New York: Distributed Art Publishers.
Stjernstedt, Mats. “On a Fairly Traditional Exhibition Rhetoric: Whitney Biennial.” Siksi: The Nordic Art Review (Helsinki). 12. 2. Summer (1997): 8384.

1996                 
Abutille, Mario C. “Auf der Suche nach dem Menschen.” Basellandschaftliche Zeitung (Basel, Switzerland). 16 September 1996.
Ammann, Ludwig. “Lehrstrück über sexuelle Identität.” Badische Zeitung (Freiburg, Germany). 1996.
“At the Museum.” Member’s Magazine of the Los Angeles County Museum of Art (Los Angeles). October 1997.
Auerbach, Lisa Anne. “True.Bliss at LACE.” LA Weekly (Los Angeles). 27 December - 2 January 1997.
Bergflödt, Torbjörn. “Erinnerungen und Entgrenzung.” ZürichseeZeitung (Zurich, Switzerland). 12 October 1996.
Bonami, Francesco. Echoes: Contemporary Art at the Age of Endless Conclusions. New York: The Monacelli Press, 1996. 155.
Bloom, Amy. “A Face in the Crowd.” Vogue (New York). December 1996: 29297.
Dannatt, Adrian. “La belle et la bête.” Flash Art (Milan). MarchApril 1996: 50.
“Eureka! I’ve Lost It.” The Renaissance Society at the University of Chicago. 8 May – 30 June: 7-11.
Gerster, Ulrich. “Zum Zweiten—Werke seit 1980 in der Kunsthalle.” Neue Zuricher Zeitung (Zurich). 14 October 1996: 17.
Greene, David A. “Home Movies.” Village Voice (New York). 26 November – 3 December 1996: 93.
Greenstein, M. A. “Sharon Lockhart.” Art Issues (Los Angeles). Summer 1996: 37.
Knight, Christopher. “A Fun-House 'Mirror'.” Los Angeles Times. 19 March 1996: F1, 89.
Maurer, Simon. “Das Ich im Ruckspiegel.” Tagesanzeiger (Zurich). 21 September 1996.
Myers, Terry. “Sharon Lockhart.New Art Examiner (Chicago). Summer 1996: 4546.
Pagel, David. “Lockhart's Polished Photos Invite Reverie.” Los Angeles Times. 14 March 1996: F10, 12.
Rugoff, Ralph. “Lost at the Mall: Searching for the Intersection of Art and Film.” LA Weekly (Los Angeles). 29 March – 4 April 1996: 41.
Saltz, Jerry. “Sharon Lockhart.” Time Out New York. 28  November – 5 December 1996: 46.
Salvioni, Daniela. “The Whitney Biennial. A Post 80s Event.” Flash Art (Milan). Summer 1996: 114.
Scanlan, Joe. “Let's Play Prisoners.” Frieze (London). SeptemberOctober 1996. 6067.
Stjernstedt, Mats. “Omtagninagar: Sharon Lockhart's arbeiten med film/Retakes: Sharon Lockhart’s Work in Film.” Paletten (Gothenburg, Sweden). January 1996: 31–36.
Stjernstedt, Mats. “Sternstedt on a Fairly Traditional Exhibition Rhetoric.” Siksi: The Nordic Art Review (Helsinki). 2. Summer (1997): 8384.

1995                 
Aukeman, Anastasia. “Sharon Lockhart.” Art in America (New York). April 1995: 112.
Kandel, Susan. “A Biennale or Bust?” Los Angeles Times. 25 June 1995: 7, 9.
McDonald, Daniel. “Sharon Lockhart.” Frieze (London). January/February 1995: 6366.
“Sharon Lockhart.” Documents sur l’art (Paris). 7. Spring (1995): 3782.
Troncy, Eric. “La belle et la bête.” Art Press (Paris). December 1995: 7273.

1994                 
Berg, Ronald. “Kuesen als Kunst.” Der Tagesspiegel (Berlin). 16 August 1994: 16.
Choon, Angela. “Sharon Lockhart.” Manhattan File (New York). November 1994.
Cooper, Dennis. “Love Poems Produced by Staring Too Hard at Thomas.” In Uncontrollable Bodies: Testimonies of Identity and Culture. Bay Press, 1994.
"Crush on You.” Oostende. CD Compilation produced by Gretchen Seager and Louis Gutierrez.
Diedrichsen, Diedrich. “Oostende.” Texte zur Kunst (Berlin). June 1994: 214–17.
Greene, David A. “Land Escape: A Photographic Field Trip Through the Conceptual Plane.” Los Angeles Reader. 11 November 1994: 11.
Kandel, Susan. “Land Ahoi.” Los Angeles Times. 17 November 1994: F13.
Meier, Eva. “Sharon Lockhart.” PAKT. September/October 1994: 1213.
Reissner, Katja. “Sharon Lockhart.” zitty (Berlin). 7. 1994.
Relyea, Lane. “Openings: Sharon Lockhart.” Artforum (New York). 33. 3. November (1994): 80–81.
Werneburg, Brigitte. “Truffautsche Obsessionen.” Die Tageszeitung (Berlin). August 1994:13, 36.

1993                 
Tumlir, Jan. “A Conversation With Jeremy-Gilbert Rolfe, Graduate Advisor, Art Center College of Design.” Artweek (San Jose, CA). 24. 9. 6 May (1993): 18–19.

Fellowships and Awards

2010                                   
Second place award winner, 22nd Onion City Experimental Film and Video Festival

2009                 
Alpert/MacDowell Fellowship
California Community Foundation Fellowship
Honorable Mention, Lunch Break, FIDMarseille Festival, International du Documentaire de Marseille
Special Mention for Best Woman Filmmaker, 6th Avant-Garde Film Festival, Athens, Greece.

2008                 
LEF Foundation Grant

2007–08                 
Radcliffe Institute Fellowship, Harvard University, Cambridge, MA

2002                 
Creative Capital Grant

2001                 
John Simon Guggenheim Memorial Foundation Filmmaking Fellow

2000                 
Rockefeller Foundation Film/Video/Multimedia Fellow
Japan Foundation Grant

1999                 
D.A.A.D. Residency, Artist in Residence Fellowship, Berlin
Individual Artist Grant, City of Los Angeles Cultural Affairs Department

1996                 
Asian Cultural Council Grant—Artist in Residence Fellowship, Ibaragi, Japan

1995                 
Kunstlerhaus Bethanien—Artist in Residence Fellowship, Stuttgart

1994                 
Art Matters Grant

Public Collections

Albright-Knox Art Gallery, Buffalo, NY
Art Institute of Chicago, Chicago
Carnegie Museum of Art, Pittsburgh
Eli Broad Family Foundation, Los Angeles
Ellipse Foundation, Lisbon
The French Embassy, Paris
Goetz Collection, Media Art, Munich
Solomon R. Guggenheim Museum, New York
Hammer Museum, Los Angeles
Henry Art Gallery, Seattle
The Israel Museum, Jerusalem
Los Angeles County Museum of Art, Los Angeles
The Metropolitan Museum of Art, New York
Milwaukee Art Museum, Milwaukee
Museum Boijmans Van Beuningen, Rotterdam, Netherlands
Museum of Contemporary Art, Chicago
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, San Diego
Obra Social, Barcelona, Spain
Saint Louis Art Museum, Saint Louis
Stedelijk Museum, Amsterdam, Netherlands
The Tate Modern, London
Walker Art Center, Minneapolis
Whitney Museum of American Art, New York
Worcester Art Museum, Worcester, MA
Yokohama Museum of Art, Yokohama, Japan

 

 

Holte, Michael Ned. "Movement Research." ARTFORUM (New York), January 2012, pgs. 192-195
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Pagel, David. "Capturing the Mysteries of Youth." LOS ANGELES TIMES, June 9, 2006: E22.
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Hay, David. "Artist's Look at a Town, with Architect's Help." NEW YORK TIMES, May 20, 2006: A18.
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Holte, Michael Ned. "The Observer." FRIEZE, November 2005, pgs. 98-103
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Tumlir, Jan. “Sharon Lockhart at Blum & Poe.” ARTFORUM, January 2004, pgs. 159-160
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Brooks, Rosetta and Chus Martinez. “A Fine Disregard; The Possible’s Slow Fuse: the Woks of Sharon Lockhart.”
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Dziewior,Yilmaz. “Sharon Lockhart.” CAMERA AUSTRIA, Issue 72 2000, pgs. 25-36
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