Slater Bradley
Installation View
October 3November 14, 2009
Installation View
Hope from a Dark Place
November 3December 22, 2007
Installation View
Curated by Slater Bradley
July 1August 19, 2006
The Doppelganger Trilogy
The Doppelganger Trilogy
December 11, 2004January 22, 2005
Installation View
September 4October 4, 2003
Installation View
Adam McEwen, Steven Shearer, Aida Ruilova, Nigel Cooke, Julian Hoeber, Slater Bradley and Chris Vasell
February 8March 15, 2003

Slater Bradley

Born in San Francisco, CA, 1975

Education
BA, University of California, Los Angeles, CA

Lives and works in Berlin, Germany

One-Person Exhibitions

2013
A Point Beyond the Tree, Sean Kelly, New York, NY
she was my la jetée, Galerie Helga de Alvear, Madrid, Spain
Sequoia: Recent Work by Slater Bradley, Johnson Museum of Art, Ithaca, NY
Slater Bradley and Ed Lachman: Dead Ringer, 21C Museum Hotel, Bentonville, AR

2012                       
Nudes, Max Wigram Gallery, London, UK
Melancholia, Galeria Filomena Soares, Lisbon, Portugal
Don’t Let Me Disappear, Team Gallery, New York, NY

2011
Slater Bradley and Ed Lachman: Look Up and Stay In Touch, Aspen Art Museum, Aspen, CO
Never Bet Against Me, Max Wigram Gallery, London
Slater Bradley and Ed Lachman: Shadow, Galeria Helga de Alvear, Madrid, Spain 

2010
Slater Bradley and Ed Lachman: Shadow, Whitney Museum of American Art, New York, NY
Clean Slate, PSM Galerie, Berlin, Germany 

2009
nothing changes how it used to be, De Hallen Haarlem, Haarlem, The Netherlands
Boulevard of broken dreams, Max Wigram Gallery, London, UK
If we were immortal, Team Gallery, New York, NY

2008
Perfect Empathy, Taka Ishii Gallery, Tokyo, Japan

2007
Hope From a Dark Place, Blum & Poe, Los Angeles, CA
The Unreleased Factory, Max Wigram Gallery, London, UK
Tonic-Clonic, Galeria Helga De Alvear, Madrid, Spain
The Armory Show, New York, NY (under the auspices of Team Gallery)
Contemporary Art Museum, St. Louis, MO                                                                         

2006
The Abandonments, Team Gallery, New York, NY
In a Mixed State, Max Wigram Gallery, London, UK 

2005
Uncharted Settlements, Taka Ishii Gallery, Tokyo, Japan
Intermission, Galerie Lisa Ruyter, Vienna, Austria
Lifetime Achievement Award, Savannah College of Art and Design, Savannah, GA (cat)
Slater Bradley/MATRIX 216: The Year of the Doppelganger, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA
Recent Acquisitions: Slater Bradley’s Doppelganger Trilogy, Guggenheim Museum, New York, NY

2004
The Doppelganger Trilogy, Blum & Poe, Los Angeles, CA
STONED & DETHRONED, Team Gallery, New York, NY

2003
Nobody Gives a Fuck What You Go Do With Your Life, MW Projects, London, UK
Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY (cat.)

2002
The Armory Photography Show, New York, NY (under the auspices of Team Gallery)
Here are the Young Men, Team Gallery, New York, NY
Art + Public, Geneva, Switzerland
Universitätsstadt Kaiserslautern, Kaiserslautern, Germany
Keys in the Mailbox, Arndt & Partner, Berlin, Germany 

2001
Video Cube, FIAC, Paris, France (under the auspices of Galerie Yvon Lambert)
Statements, Art l 32 l Basel, Basel, Switzerland (under the auspices of Team Gallery)
Trompe Le Monde, Galerie Yvon Lambert, Paris, France  
Home Town Hero, Refusalon, San Francisco, CA

2000
Special Projects Series, P.S.1, Long Island City, NY           
Charlatan, Team Gallery, New York, NY
I was rooting for you, Irvine Fine Arts Center, Irvine, CA

1999
The Fried Liver Attack, Team Gallery, New York, NY

 

Group Exhibitions

2016
Dreaming Mirrors Dreaming Screens, Sprüth Magers, Berlin, Germany
Like a Rolling Stone: An Exhibition About Rock and Rock, Charles H. Scott Gallery, Emily Carr University of Art & Design, Vancouver, Canada
REBEL REBEL, Musée des Arts Contemporains du Grand Hornu, Belgium 

2015
2nd Wave Solar Shield, Paris Photo/Galeria Filomena Soares, Grand Palais, Paris, France
Good for Nothing (Cracks in the Mirror), Goodroom, Munich, Germany
Pop Stars! Popular Culture and Contemporary Art, 21C Museum, Cincinnati, OH
…Y El Tiempo Se Hizo… [And there was time], Centro de Artes Visuales Fundación Helga de Alvear, Caceres, Spain
NGORONGORO, Artist Weekend, Lehderstrasse 34, Berlin, Germany

2014
she was my la jetée, Loop Fair/Galeria Filomena Soares, Barcelona, Spain
mythOmania, Le 106, Rouen, France
Sound and Vision: Loves, Paris Photo, Los Angeles, CA
Saturn Trine Neptune, Armory Show/Sean Kelly Gallery, New York, NY
Cinema Remake, Eye Film Institute, Amsterdam, Netherlands
Infinite City, Zabludowicz Collection, London, UK 

2013
Perfect Empathy (Perine 07), Art Basel Miami Beach/Sean Kelly Gallery, Miami, FL
Art Seen: Chris Marker, Ben Rivers, Slater Bradley, Nitehawk Cinema, Brooklyn, NY
City of Disappearances, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
EL ARTE DE PRESENTE, COLECCIÓN HELGA DE ALVEAR, Mecenazgo al servicio del arte, Centro+Centro Palacio de Cibeles, Madrid, Spain
Seventh-Inning Stretch, Eric Firestone Gallery, East Hampton, NY
Dissemblance: Perceiving and Projecting Identity, 21C Museum, Cincinnati, OH
Public Display of Affection, Rongwrong Gallery, Amsterdam, The Netherlands

2012
In Search Of…, Art Academy Minerva, Groningen, The Netherlands
Parts & Service, Eric Firestone Gallery, East Hampton, NY
Figure and Form in Contemporary Photography, Los Angeles County Museum of Art, Los Angeles, CA
Portrait of a Generation, The Hole, New York, NY
Untied Tastes of America, 28th Hamburg International Short Film Festival, Hamburg, Germany
Poule!, La Colección Jumex, Mexico City, Mexico
Sound Quality, Grey Area, New York, NY

2011
Art | Video, Art Basel Miami Beach, Miami FL (under the auspices of Team Gallery and Blum & Poe)
Now, Hospicio Cabañas, Guadalajara, Mexico
I’ll Be Your Mirror, Sheldon Art Gallery, St. Louis, MO
Melodymania, RH Gallery, New York, NY
Standart Video Series, curated by Creative Time, NY
Commercial Break, Garage Projects, 54th Venice Biennale, Venice, Italy
Alias, Krakow Photomonth, Krakow, Poland
The Last First Decade, Ellipse Foundation, Cascais, Portugal
Second Lives: Jeux masques et autres Je, Casino Luxembourg – Forum d’Art Contemporain, Luxembourg 

2010
Haunted, Guggenheim Museum, Bilbao, Spain
NEW YORK The Loudest, Gallery Koko, Tokyo Japan       
I Believe in Miracles, Lambert Collection, Avignon, France
Landscapes, Magazzino D’Arte Moderna, Rome, Italy
Sur le Dandysme, Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain
This Is My Condition, Galeria Filomena Soares, Lisbon, Portugal
Fourteen Again, Chelsea Art Museum, New York, NY (curated by Micaela Martegnani and Micaela Giovannotti)
Kurt, Seattle Art Museum, Seattle, WA
HOW TO KILL A CELEBRITY, Solyanka State Gallery, Moscow, Russia (curated by David Gryn, Pinky Ghundale, and Katya Bochavar)
Margenes de Silencio, Centro de Atres Visuales Fundacion Helga de Alvear, Caceres, Spain
The secret (still) knows,  LAND, Los Angeles, CA
Dracula Effect, Museo Universitario del Chopo, Mexico

2009
Inaugural Group Exhibition, Blum & Poe, Los Angeles, CA
Installations II: Videowork from the Collection, Guggenheim Museum, Bilbao, Spain
Herd Thinner, Charest Weinberg Gallery, Miami, FL (curated by David Hunt)
Incarnational Aesthetics, NYCAMS, New York, NY (curated by Jenny Jaskey and Stamatina Gregory)
100 Years (Version #2), MOMA PS1, Long Island City, NY
Geography of The Imagination, Lead Apron, Los Angeles, CA(curated by Michael Briggs)
Nothingness and Being, La Colección Jumex, Mexico City, Mexico

2008
Cancelled, Erased and Removed, Sean Kelly Gallery, New York, NY
The Ghost in the Machine, Kunstnernes Hus, Oslo, Norway (curated by Elisabeth Byre and Susanne Sather)
still: Slater Bradley, Sally Mann, Nigel Poor (curated by Greg Watts and Cinthia Fiss), Center for Visual Art, Metropolitan State University, Denver, CO
VOLUME(S), Casino Luxembourg, Luxembourg, (by Marc Clement and Kevin Muhlen)
Rock My Religion, Domus Artium 02, Salamanca, Spain (curated by Javier Panera)
Young at Heart (Remix), Centro Cultural de Cascais, Cascais, Portugal (curated by Alexandre Melo)
Accessories to an Artwork, Paul Stolper Gallery, London, UK (curated by Peter Saville)
Auto Stop, Malmo Konsthall, Malmo, Sweden
A Curators Gift: Contemporary Photography from Diego Cortez, New Orleans Museum of Art, New Orleans, LA Center for Visual Art
The Object is the Mirror (Part II), Wilkinson Gallery, London, UK (curated by Max Henry) 

2007
The Object is the Mirror, Layr Wuestenhagen Contemporary, Vienna, Austria (curated by Max Henry)
The Present Order is the Disorder of the Future, Frans Hals Museum, Haarlem, The Netherlands (curated by Karel Schampers)
Stop, Look and Listen, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY (traveled to Haggerty Museum of Art, Marquette University, Milwaukee, WI; curated by Andrea Inselmann)
Sweet Bird of Youth, Arndt & Partner, Berlin, Germany (curated by Hedi Slimane)
Noise, TH Inside, Milan, Italy (curated by Elena Bordignon)
Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, IL (traveled to the Museum of Contemporary Art, Miami, and Musée d’Art Contemporain de Montréal, Montréal; curated by Dominic Molon)

2006                       
Open House, Ellipse Foundation, Cascais, Portugal (curated by Alexandre Melo)
Young at Heart, Galeria Presenca, Portugal (curated by Alexandre Melo)
Busan Biennale, Busan Museum of Modern Art, Busan, Korea (cat.)
Belief and Doubt, Aspen Art Museum, Aspen, CO (curated by Heidi Zuckerman Jacobsen)
People, Madre Modern Art Museum, Naples, Italy (curated by Eduardo Cicelyn and Mario Codagnato)
Boisterous, Anderson Gallery, Copenhagen, Denmark
Full House, Kunsthalle Mannheim, Mannheim, Germany
Figures of the Player, the Paradox of the Actor, Collection Lambert, Avignon, France
Human Game, Winners and Losers, Pitti Foundation, Florence, Italy (curated by Francesco Bonami)
Smoke and Mirrors: Deception in Contemporary Art, UAB Visual Arts Gallery, Birmingham, AL
Setting the Scene, Discoteca di Stato Museo dell’ Audiovisivo Auditorium, Rome, Italy (curated by Adrienne Drake)
Youth of Today, Schirn Kunsthalle Frankfurt, Frankfurt, Germany (curated by Matthias Ulrich)
I Love My Scene: Scene 2, Mary Boone Gallery, New York, NY (curated by Jose Freire) 

2005
The Gravity in Art, De Appel Foundation, Amsterdam, The Netherlands (curated by Theo Tegelaers and Rene Daalder)
Le Studio: Slater Bradley, Yvon Lambert, Paris, France
Superstars: The Principe of Reknown, Kunsthalle Wien, Vienna, Austria (curated by Thomas Mießgang, Heike Eipeldauer, Florian Steininger, with catalogue, traveling to Kunsthallen Brandts, Odense, Denmark, DA2: Domus Artium 2002, Salamanca, Spain)
3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain
Star Star, Contemporary Arts Center, Cincinnati, Ohio
Video II: Allegorie, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany
Downstrokes and Feedback, Allston Skirt Gallery, Boston, MA (curated by Lisa Schiff)
Bridge Freezes Before Road, Gladstone Gallery, New York, NY, 24 June – 19 Aug.
Threshold, Max Wigram Gallery, London, England               
video-musica-video (curated by Bob Nickas) Museo Reina Sofia, Madrid, Spain
La Collection D’ Enea Rich, Collection Lambert Avignon, France

2004
Premieres, The Museum of Modern Art, New York, NY
I Feel Mysterious Today, Institute of Contemporary Art, Palm Beach, FL (cat.)
Me, Myself and I, University Galleries, Florida Atlantic University, Boca Raton, FL (curated by Paul Laster and Renee Riccardo)
A Very Liquid Heaven, The Tang Museum, Saratoga Springs, NY (cat.)
Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, The Salina Art Center, Salina, KS (curated by Shamim M. Momin, traveling to Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Gulf Coast Museum of Art, Largo, FL, The Indianapolis Museum of Art, IN) (cat.)
Music/Video, Bronx Museum of Art, Bronx, NY
Motion Stills, Savannah College of Art and Design, Atlanta, GA
Harlem Postcards, Studio Museum Harlem, Harlem, NY
Stalemate, Museum of Contemporary Art, Chicago, IL
Unlightment, Galerie Nationale du Jeu de Paume, Paris, France
The Yugoslav Biennial, Vrsac, Serbia (cat.)
The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria
Portraits, Esso Gallery, New York, NY
The Whitney Biennial, The Whitney Museum of American Art, New York, NY (cat.)
Playlist, Palais de Tokyo, Paris, France (cat.) 

2003                       
When Darkness Falls, Gallery 400, University of Illinois, Chicago, IL (curated by Melanie Schiff and Kirsten Van Deventer, traveled to Midway, Saint Paul, MN)
An Enquiry into those Kinds of Distress which excite agreeable Sensations (1773): Slater Bradley & Banks Violette, Team Gallery, New York, NY
Inaugural Show, New Space Blum & Poe, Los Angeles, CA
from the flat files, Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand (curated by Brian Butler and Amada Cruz)
Study, Taka Ishii Gallery, Tokyo, Japan
What am I doing Here? ESSO Gallery, New York, NY
Then The World Would Be Upside Down, Tina Kim Projects, New York, NY (curated by Randy Moore)
Country Mouse, City Mouse, Space 101, Brooklyn, NY (curated by David Hunt)
I See a Darkness, Blum & Poe, Santa Monica, CA
The Fourth Sex: The Extreme People of Adolescence, Fondazione Pitti Immagine, Florence, Italy (curated by Francesco Bonami and Raf Simons) (cat.)
Someone to Watch Over Me, Smart Project Space, Amsterdam, Netherlands (curated by Thomas Peutz and Una Henry) 

2002                       
The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, Galeria Helga de Alvear, Madrid, Spain, (curated by Charlotte Schepke)
Nuit Blanche: plus qu’une image, Aux Anciennes Pompes Funebres de la ville de Paris, Paris, France (curated by Caroline Bourgeois)
Music/Video, Musée d’Art Moderne et Contemporain, Strasbourg, France (curated by Lydia Yee)
Les Enfants du Paradis, Galerie Yvon Lambert, Paris, France
Art Unlimited, Art | 33 | Basel, Basel, Switzerland (under the auspices of Team Gallery) (cat.)
Slater Bradley, Mark Leckey, John Williams Lawson, Menzies Flynn, Low, Los Angeles, CA
International Contemporary and Emerging Art, Lawson Menzies Flynn Sydney, Australia
The Standard Projection #3, The Standard, Los Angeles, CA (curated by Yvonne Force)
Photographier, Collection Lambert en Avignon, Avignon, France
burst, Team Gallery, New York, NY
Copy, Roth Horowitz Gallery, New York, NY (curated by Neville Wakefield)
Heaven Knows I’m Miserable Now, Low, Los Angeles, CA
Dark Spring, Ursula Blickle Stiftung, Kraichtal, Germany (curated by Nicolaus Schafhausen and Liam Gillick) (cat.) 

2001
Casino 2001, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (curated by Jeanne Greenberg Rohatyn) (cat.)
Art and Wellbeing: The Aesthetics of Recreation, Kunsthaus Meran-Merano Arte, Merano, Italy (curated by Andrea Domesle) (cat.)
Metropolis Now, Borusan Centre for Culture and Arts, Istanbul, Turkey (curated by Elga Wimmer, traveling to the Reina Sofia, Madrid, Spain)
Inaugural Exhibition Le Studio at Galerie Yvon Lambert, Paris, France
Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, NY
Schau mir in die Augen, Kleines!  Kunsthalle Fridericianum, Kassel, Germany (curated by René Block) (cat.)
In a Lonely Place, National Museum of Film, Television and Photography, West Bradford, UK (curated by Greg Hobson) (cat.)
Dear Dead Person, Momenta, Brooklyn, NY (curated by Banks Violette) 

2000
Friction Fiction, Echo Park Projects, Los Angeles, CA
1:1, Refusalon, San Francisco, CA
The World is Not Enough, Museum of Contemporary Art, Washington, DC (curated by Lisa Ruyter)

1999
SoCal Car Culture, Irvine Fine Arts Center, Irvine, CA (cat.)
PO + KU ART REVOLUTION, Parco Gallery, Tokyo, Japan (curated by Takashi Murakami)
Oh my god, I live on the thirteenth floor in Holland, which does not exist in the United States, or no?, Alternative Space, Amsterdam, Netherlands (curated by Jay Batlle)
long cold winter in an endlessnameless, Studio 870, Los Angeles, CA

1998
Blind Date with Erik Wesselo, W139, Amsterdam, Netherlands (cat.)
A sound goodbye demand with Jay Batlle, Studio 870, Los Angeles, CA
Text and Numbers, Remba Gallery, Los Angeles, CA

1997
CA 90001-185, W139, Amsterdam, Netherlands

 

Curatorial Projects

2011
Curated Playlist: Art After Dark, Guggenheim Museum, New York, NY

2009
Gerard Fieret: Portraits of women, (with Xander Karskens) Frans Hals Museum, De Hallen Haarlem, Haarlem, The Netherlands

2006
The Monty Hall Problem, Blum & Poe, Los Angeles

2004
I, Assassin, Wallspace Gallery, New York, NY

1997
new memory, Spanish Kitchen, Los Angeles, CA

 

Special Projects

2012
The Last Word, Guggenheim Museum, New York, NY

2010
aquaseafoamshame | A Thousand Years, Sting Symphonicity World Tour
Pain: a fictional exhibition curated by Slater Bradley, Walt Disney Pictures, ‘When in Rome’, Guggenheim New York in cooperation with Disney 

2009
HATE, Team Gallery, New York, NY

2005-2006
Dark Night of the Soul, NASA Art Program with cooperation from the Museum of Natural History

2004
Melody, Blonde Redhead, 4AD
Conquistadors (who took their share), Whitney Gala, Whitney Museum of American Art, New York, NY
The Animals, Art for Art’s Sake, NY

2001
Radio Gra, Unwound, Kill Rock Stars (KRS 369)
Ghost,  National Museum of Film, Television and Photography, West Bradford, UK

 

Awards and Grants

2015
CCA Andratx, Artist-in-Residence, Mallorca, Spain

2005
The Louis Comfort Tiffany Foundation Award in Video

1998
UCLA Art Council Grant

1996
UCLA Two-year Lillian Levenson Scholarship
UCLA President’s Undergraduate Fellowship

 

BIBLIOGRAPHY

Catalogues

2011
Shafer, Ryan, ed. Look Up and Stay In Touch: Slater Bradley & Ed Lachman. Aspen, CO: Aspen Art Press / Aspen Art Museum, 2011.

2007
Mascotte, Michael, and Paul Fleming. Slater Bradley: Lifetime Achievement Award. Savannah, GA: Savannah College of Art and Design, 2007.

2004
A Very Liquid Heaven. New York: The Tang Museum, 2004.
Piranio, Michelle, ed. I Feel Mysterious Today.  Florida: Palm Beach Institute of Contemporary Art, 2004.

2003
Cruz, Amanda. Slater Bradley: Don’t Let Me Disappear. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2003.

 

Articles and Reviews

2014
Blanch, Andrea. "Interview with Slater Bradley: The Three." Musée, March 27, 2014.
Elliot, Hannah, “Slater Bradley: The Artist Fueled by the Indy 500,” Forbes, April 8, 2014.
“Slater Bradley: Walk That Tightrope,” Nowness.com, March 9, 2014.

2013
Fonts, Carlos J. "Slater Bradley: A Point Beyond the Tree." Muséemagazine.com, December 16, 2013.
Rozental, Rotem. "Slater Bradley." Artforum.com, viewed December 18, 2013.
"Slater Bradley: She Was My la Jetée." Nowness.com, April 5, 2013.
Tanenbaum, Kayla. "Slater Bradley, to the Point." Interview.com, viewed December 18, 2013.
Turcihin, Olya. "A Photographer's Tour: Robert Mapplethorpe and Slater Bradley." Arte Fuse, December 17, 2013.

2012
“Diary.” Mousse, no. 36 (December 2012): 239.
Haden-Guest, Anthony. “Anthony Haden-Guest’s New York,” Art Newspaper 239 (October 2012): 56.
Boucher, Brian. “Slater Bradley.” Art in America (May 2012): 173.

2011
Basciano, Oliver. “Eternal Adolescence.” Artreview (January/February 2011): 84-89.
Hultkrans, Andrew. “Dead Again.” Artforum.com, November 2, 2011.
McGrath, Daniel. “Slater Bradley.” Art Papers (September/October 2011): 47.
Malone, Micah. “Kurt.” Artforum.com, August 2011.
Doubal, Rosalie. “Slater Bradley.” Time Out London, June 2011.
Cashan, Marina. “Live Souls.” Modern Painters (March 2011): 32-34.

2010
Campos, C. “This Is My Condition.” Arte y Parte, no. 87 (June-July 2010): 115.
Cashdan, Marina. “Live Souls.” Modern Painters 22, no. 2 (March 2010): 32-34.
Gordon, A. “Looks Like Teen Spirit.” ARTnews 109, no. 5 (May 2010): 39.
Rappolt, Mark. “We Care A Lot.” ArtReview, no. 44 (October 2010): 72-74.

2009
Rosenberg, Karen. “Yes, Amid the Boutiques, Soho is Still Avant-Garde.” New York Times, C37, December 4, 2009.
Coomer, Martin. “Boulevard of Broken Dreams.” ArtReview, no. 34 (September 2009): 125.
Kley, Elizabeth. “Immortal Beloved.” Artnet, December 2, 2009.
Villarreal, Jose. “Installations II: Video from the Guggenheim Collection Opens in Bilbao.” ArtDaily, March 3, 2009.

2008
Paterson, Carrie. “Slater Bradley.” Flash Art 41, no. (January-February 2008): 148-49.
Pendle, George. “Con Artists.” Modern Painters (December 2008): 68-73

2007
Coburn, Tyler. “Slater Bradley: Man in the Mirror.” ArtReview, no. 17 (December 2007): 74-77.
Goldstein, Ben. “Sonic Boom: Exploring Art’s Explosive Relationship with Rock.” MenStyle.com, September 28, 2007.
Sholis, Brian. “Slater Bradley: Team.” Artforum 45, no. 6 (February 2007): 295.

2006                       
“Art Picks.” New Yorker, December 6, 2006, 23.
Bonham-Carter, Charlotte, Showdown, ArtReview, March 2006, 25.
Feldman, Melissa E.  “Slater Bradley at Berkley Art Museum and Blum & Poe.”  Art In America 94, no. 1 (January 2006): 128-29.
Genocchio, Benjamin. “Slater Bradley.” New York Times. December 8, 2006.
Herbert, Martin. “Slater Bradley.” Time Out (London), May 3-10, 2006, 41.
Kley, Elisabeth. “Slater Bradley.” ARTnews 105, no. 6 (June 2006): 168.
Kley, Elisabeth. “Slater Bradley.” Time Out (New York), November 30, 2006, 76.
Kunitz, Daniel. “Cinephile: Slater Bradley.” ArtReview, no. 5 (November 2006): 46.
Uran, Pelin. “Slater Bradley: An Interview.” UOVO 11, 156-69.
Weber, Bruce. “The Renegades. W, February 2006.

2005
Cotter, Holland. “Art in Review: 5 X U.New York Times. July 22, 2005.
Cotter, Holland. “Fanciful to Figurative to Wryly Inscrutable.” New York Times, July 8.
DiPietro, Monty. “New Art Seen.” Japan Times, November 17.
Jones, Kristin M. “Bridge Freezes Before Road. Frieze 94, October 2005, 217-218.
Keats, Jonathan. “Popshots.” San Francisco, April.
Kley, Elisabeth. “The Disappearing Subject: Looking for Slater Bradley.” PAJ: A Journal of Performance and Art (January 2005): 102-107.
Lo, Melissa. “Slater Bradley.” Flash Art (International) 38, no. 241 (March-April 2005): 117-118.

2004
Dawn, Randee. “Artist Salutes Cobain With New Music Video.” Billboard.com
Diez, Renato. “Alla Bienale del Whitney: Torna la Pittura.” Arte, April 2004, 104-11
Heartney, Eleanor. “The Well-Tempered Biennial.” Art in America no. 6 (June-July): 71-77
Hildebrand, Lucas. “Grainy Days and Mondays: Superstar and Bootleg Aesthetics.” Camera Obscura 57, Duke University Press, 56-91.
Kimmelman, Michael. “Touching All Bases At The Biennial.” New York Times, March 12, 2004.
Knight, Christopher. “Binary Days at the Biennial.” Los Angeles Times, April 11, 2004.
Milroy, Sarah. “Art in a Tremulous Time.” Globeandmail.com, March 17, 2004
Rosenberg, Karen. “Come as You Art.” New Yorker, February 23, 2004, 76.
Saltz, Jerry. “The OK Corral.” Village Voice, March 17-23, 80.
Schambelan, Elizabeth. “Critic’s Picks.” Artforum.com
Schjeldahl, Peter. “What’s New: The Whitney Biennial.” New Yorker, March 22, 100-01.
Sladen, Mark. “Buried Treasures.” Art Review (January 2004): 37-38.
Stringfield, Anne. “Art Picks.” New Yorker, March 8, 2004, 17.
The Whitney Biennial, The Whitney Museum of American Art, New York, NY, 2004 (cat.)
Wada, Kyoko. “Boys’ Life: Slater Bradley.” Brutus, August 2004, 90-93, 116.
Willis, Holly. “The Doppelganger Trilogy.” LA Weekly, December 24-30, 74
Wilson, Michael. “I, Assassin.” Frieze 83 (May 2004): 107.

2003
Cotter, Holland. “Upstate, From Eerie Video to Moods of Shaker Calm.” New York Times, July 25, 2003.
Fujimori, Manami. “Very New York.” Bijutsu Techi, January 2003, 45.
Genocchio, Benjamin. “Video and Photographs That Teeter on the Edge.” New York Times, August 17, 2003.
Harris, Jane. “Review of ‘An Enquiry…,’” Time Out (New York), October 2, 2003, 63.
Knight, Christopher. “On the Underbelly of the Zeitgeist.” Los Angeles Times, February 21, 2003.
LaBelle, Charles. “Review of ‘I See a Darkness’.” Frieze 76 (June-August 2003): 116.
Mar, Alex. “Gallery Going.” New York Sun, July 3, 2003, 16.
Valdez, Sarah. “The Observer.” Paper Magazine, August 2003, 48.
Watson, Simon. “Post Bubble.” Issue (Fall 2003): 118-39.
Weiner, Clay. “The Importance of Being Slater Bradley.” Dazed and Confused (November 2003): 100-104.

2002
Cohen, Michael. “Slater Bradley: Team.” Flash Art (International) 35, no. 225 (July-September 2002): 118.
Cotter, Holland. “Art In Review: ‘Slater Bradley’.” New York Times, May 17, 2002. 35.
Dark Spring, Ursula Blickle Stiftung, Kraichtal, Germany (cat.)
Schwendener, Martha. Review, Time Out (New York), May 23-30, 2002, 76.

2001
Boyer, Charles-Arthur. “Jonathan Horowitz, Slater Bradley: Galerie Yvon Lambert.” Art Press, no. 269 (June 2001): 79-80.
Cotter, Holland. “Review of ‘Dear Dead Person’.” New York Times, May 25, 2001.
Guerrin, Michel. “Intimacies dérangeantes.” Le Monde, April 1, 2001.
Henry, Max. “Slater Bradley at Team.” Art in America 89, no. 4 (April 2001): 144.
Hunt, David. “Review.” Frieze 57 (March 2001): 98-99.
Iida, Takayo. “Slater Bradley.” Bijitsu Techi, March 2001.
Isé, Claudine. “Feature.” Res Magazine, March 2001.
Kley, Elizabeth. In Search of False Time: Slater Bradley/T.J. Wilcox/ Isaac Julien, PAJ: A Journal of Performance and Art, no. 68, (May 2001): 61-67.
Lepore, Louise. “Early Risers.” W, September 2001, 458-462.
Levin, Kim. “Voice Choice: ‘Objects in Mirror are Closer Than They Appear’.” Village Voice, September 18, 2001, 78.
Westbrook, Lindsey. “Review of ‘Home Town Hero’.” San Francisco Bay Guardian, January 17-23, 2001, 85. 

2000                       
Levin, Kim. “Voice Choice: Recommended.” Village Voice, October 10, 2000, 104.
Lin, Jeremy. “Prodigies: View Master.” Surface, November 2000, 1, 108, 110.
Mahoney, Robert. “Review.” Time Out (New York), September 21-28, 2000, 69.
Plasse, Dana. “Dress Rehearsal for Death: Slater Bradley’s JFK Jr.” Indie Planet.com, October 6, 2000.
Pizarro, Max. “Georgetown Gallery Strives to Keep it Real with Exhibit.” Georgetown Current, September 27, 16,18.
Scott, Andrea. “Art Picks.” New Yorker, October 9, 2000, 18.
Smith, Roberta. “Review.” New York Times, September 15, 2000.
Sundell, Margaret. “Slater Bradley: Team/P.S. 1.” Artforum 39, no. 3 (November 2000): 157. 

1999                       
Henry, Max. “Edgy New Artist.” Artnet.com, July 1999.
Levin, Kim. “Voice Choice: Recommended.” Village Voice, July 6, 1999

1998
Dutch TV, Bellissima, two promotional interviews for “Blind Date” show, September 1998.
Dutch TV, P.A.R.K4D, two live interviews for “Blind Date” show, September 1998
Fisher, Kevin. “Recital for Flight.” World Wide Video Festival Catalogue, September 1998.
Hagoort, Erik. “What Makes a Blind Date a Bad Experience.” Volkstraat, September 1998.
Ise, Claudine. “By the Numbers.” Los Angeles Times, August 21, 1998.
Murakami, Takashi. “Studio Voice.” 1998 Fall LA Art Scene News, December 1998.

1997                       
Veratt, Karin. Volkstraat, November 12, 1997
“Scholarship Supports Offers For Lifelong Opportunities.” UCLA Arts Magazine, Fall 1997.

 

Publications by the Artist

2015
Bradley, Slater. “Nach Hause Telefonieren: Horoskop 2015,” Monopol, no. 1 (2015): 10, 44-47. 

2005
Bradley, Slater. “Speak Memory: Reflections on the Doppelganger Trilogy.” PAJ: A Journal of Performance and Art (January 2005): 108-110.

 

Museum and Public Collections

Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA
Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY
Collection Lambert en Avignon, Avignon, France
David Roberts Art Foundation, London, England
Ellipse Foundation, Cascais, Portugal
ESPAC, Mexico City, Mexico
Frans Hals Museum / De Hallen Haarlem, The Netherlands
Fundación Helga de Alvear, Caceres, Spain
Hamburger Kunsthalle, Hamburg, Germany
Herbert F. Johnson Museum, Cornell University, Ithaca
Jumex Collection, Mexico City
The Kramlich Collection, San Francisco, CA
Los Angeles County Museum of Art, Los Angeles, CA
Martin C. Margulies Collection, Miami, FL
Museum of Contemporary Art, Los Angeles, CA
Museum of Modern Art, New York, NY
New Orleans Museum of Art, New Orleans, LA
Progressive Collection, Cleveland, Ohio
The Solomon R. Guggenheim Museum, New York
21C Museum, Louisville, Kentucky
U.B.S. Collection, Zurich, Switzerland
The Whitney Museum of American Art, New York
Zabludowicz Collection, London, England

Blanch, Andrea. “Interview with Slater Bradley: The Three Graces.” Musee, March 27, 2014.
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Tanenbaum, Kayla. “Slater Bradley, to the Point.” Interview.com, viewed December 18, 2013.
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Cotter, Holland. “Fanciful to Figurative to Wryly Inscrutable.” NEW YORK TIMES, July 8, 2005, ogs. B27, B29
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Willis, Holly. “The Doppleganger Trilogy.” LA WEEKLY, December 24-30, 2004, pg. 74
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Weiner, Clay. “The Importance of Being Slater Bradley,” DAZED AND CONFUSED, November 2003, p. 100-104
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Cotter, Holland. “Art In Review: ‘Slater Bradley’,” THE NEW YORK TIMES, May 17, 2002. p. 35
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Sundell, Margaret. “Review,” ARTFORUM, November 2000, p. 157
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