Broadcasts: Zhu Jinshi's Small Works

Blum & Poe Broadcast is pleased to present a solo exhibition of recent small paintings by Beijing-based artist Zhu Jinshi.

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Zhu Jinshi in his studio
Zhu's studio in Xiangtang, China

This Broadcast is accompanied by a new video segment in which Zhu Jinshi discusses his recent practice, providing a rare glimpse into the reclusive artist’s thought processes and his Xiangtang studio located in the outskirts of Beijing. Zhu touches upon his approach to color, the tools of painting as methodological carriers of tradition, art historical influences, and his playful relationship with abstraction and representation.

Presented by Blum & Poe in collaboration with Action Media. Produced by Action Media.
Zhu Jinshi, Indefatigable Wechat, 2019
Oil on canvas
9 4/5 x 11 4/5 inches
Zhu Jinshi, Reading Bei Dao's poem, "Reminiscing Beijing No.4 High School", 2019
Oil on canvas
9 4/5 x 11 4/5 inches
Zhu Jinshi, Breakfast, 2019
Oil on canvas
9 4/5 x 11 4/5 inches
Zhu Jinshi, Nezha's Triumph, 2019
Oil on canvas
9 4/5 x 11 4/5 inches

Zhu's practice is distinct for a certain monumentality—the sheer physicality of his abundant impasto paintings and expansive xuan paper installations command a space with drama and poetry. His recent body of small format works which he began in late 2019 carries the same substantiality but marks a notable return to a period of more focused introspection in his cycle of artmaking.

Zhu Jinshi, Anti-Portraitism, 2019
Oil on canvas
9 4/5 x 11 4/5 inches
Zhu Jinshi, Rainbow Splash, 2019
Oil on canvas
9 4/5 x 11 4/5 inches

Zhu describes painting at this limited scale as practicing within the mathematical challenges of a smaller canvas, but also as a kind of renegotiation with tradition. Setting aside his usual arsenal of ad hoc painting tools—spatulas, wood boards, shovels and other such applicators—in favor of the paintbrush, Zhu seeks to discover new possibilities in convention. Instead of painting upright, Zhu is able to set the smaller canvas on the tabletop to paint in a horizontal orientation, embodying the format of classical Chinese literati painters and calligraphers. Within the vibrant swaths of medium piled atop the canvas in overflowing swirls, the artist imagines not the action paintings of Pollock, but the portraits of Velazquez, Titian and Van Dyck.

Zhu Jinshi, Thin Greens and Thick Pinks, 2020
Oil on canvas mounted on board
15 3/4 x 19 11/16 inches
Zhu Jinshi, Spring Breeze Across Ten Leagues, 2020
Oil on canvas mounted on board
15 3/4 x 19 11/16 inches
Zhu Jinshi, A Blizzard Command, 2020
Oil on canvas mounted on board
15 3/4 x 19 11/16 inches
Zhu Jinshi, A Thousand Rivers Immersing A Thousand Moons, 2020
Oil on canvas mounted on board
15 3/4 x 19 11/16 inches

Through these retrospective gestures, Zhu continues his deconstruction of binary relationships between Western and Eastern, and tradition and contemporaneity, through an artistic lexicon he has developed over the course of his nearly fifty-year career. To borrow Buddhist terminology, Zhu strides upon the middle path in a paradoxically vigorous manner, occupying an interstitial space rife with discomfort at times, but where potential lies.

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